It would appear that the wonderful Hannah Adamaszek recently paid a visit to Bristol and left us with this beautiful portrait on North Street. The colours and earthy tones are typical of her amazing work, and the face is calmness itself.
Tag: North Street
460. North Street
On a shop front in North Street, there is this tiny micro-stencil by John D’oh. It is really beautiful, and something of a departure from his more political art. Saucy, and I love it.
457. Upfest 2016 (54)
This brilliant swirling ‘Bristol’ by Voyder really felt like the signature piece for this year’s Upfest. Visitors to the festival were queuing up to take selfies and group pictures in front of this piece. I wonder how many of them knew it was Voyder’s work – it matters not, they saw it for what it is, a joyful celebration of Bristol art.
Voyder is a prolific graffiti artist and many of his pieces seem to be inaccessible, especially if you aren’t prepared to enter derelict sites, so it is especially nice to have one of his pieces in an area with high footfall. Around the time of upfest, Voyder was spraying quite a lot of these ribbon effect pieces, most memorably the Lichtenstein piece neat the Tobacco Factory, now long gone. This is just more stunning stuff from one of the best Bristol writers.
444. North Street, butchers
It has been quite some time since I posted anything by Angus and I have had this witty piece by him on the shutter of a butcher’s shop in my ‘to do’ folder for an age.
The ‘Shaun the Sheep’ character was all the rage a couple of years ago in Bristol, with a trail of painted statues across the city, and this humorous piece embraces and reflects that focus. I like it because it is just plain funny on a butcher’s shop. Eat more beef!
436. North Street, bus stop at Fairfield Road (2)
This wonderful piece appeared a few days after Upfest had ended, and I guess Feoflip decided to stick around and improve some bare walls. I really love this piece, the soft pastel colours give the piece the look of an illustration. The character looks like it has just walked off the pages of a children’s picture book. I would love to read that story.
Feoflip was unknown to me before Upfest, but I have now seen several of his pieces all over Bristol, and will be sharing them over the coming weeks. He is fast becoming one of my favourite artists. I love the combination of organic and mechanical, it works very well, as with his piece at Ashton Gate School.
The more observant reader may also notice the Gregos mask just to the left of this piece which I wrote about last year.
431. Upfest 2016 (47)
I know I have said it before and I will say it again. One of the real pleasures at Upfest 2016 was the huge number of wheatpastes that appeared overnight between the Saturday and the Sunday of the festival.
This was my first introduction to the crazy world of Face the Strange, a wheatpaster who creates characters with heads substituted for any manner of everyday objects. His pieces are witty and rather stylish – I like them. This works on several levels and the reproduction of naff flying ducks is very funny.
Face the Strange has a Facebook page, which is well worth a look. Since this first discovey, I have since found more of his work in Bristol from Upfest, and loads in Shoreditch and Camden Town. More to come from this prolific artist.
422. North Street, No. 274
This amazing Tiger is no longer there; the wall has since been painted by Jody for Upfest 2016 (more on this to come). The tiger was painted for the Upfest 2015 festival and I never really got round to posting about it.
It is funny how things come about. I didn’t really know the artist, Osch (Otto Schade), until fairly recently and now I seem to be coming across his work all over the place in London. In fact I think I mentioned in a recent post that he hadn’t done much in Bristol. I was wrong, he did this.
The tiger is captivating and uses Osch’s unraveling bandage style of artwork. This work was something of a landmark on North Street and was part of a campaign to raise awareness for the Save Wild Tigers charity.
On the downside, this is one of the most difficult Upfest walls to photograph. It is very high and in a narrow lane and the best views are from a privately accessed roof. I’m afraid I didn’t have access, so my pictures are a little distorted.
419. North Street hoarding (5)
This little alcove, created by the side of a shop on one side and a hoarding on the other is a favourite haunt of John D’oh’s. Hardly a week goes by without a new stencil from this productive agent provocateur appearing in the immediate area.
His works are often political, and here we have a statement about homelessness which frankly is difficult to disagree with. The expression of this issue through graffiti art is surely representative of a general groundswell of opinion that things just aren’t great at the moment for those who drop under the radar of our bullish Government. Casualties…collateral damage of ‘Britain being open for business’. Shame.
416. Upfest 2016 (43)
I like a bit of edge, and at This year’s upfest it was provided in small doses by the brilliant wheatpaster ‘What Have I Done Now’. I don’t know if he had a ‘feature piece’ or whether he had been invited to simply paste up his work wherever he felt like, but there was plenty of the latter on show.
This small Piece appeared on the corner of a large advertising hoarding, and as with so many of these things, many visitors to Upfest walked straight past it, probably focusing on finding the next art venue. A pity.
I liked What Have I Done Now’s biography in the Upfest programme, it reads:
‘When people ask me what kind of artist I am, I say political.As more often than not I’m responding to the machinery of control as it grinds us all up in its gears. I’m trying to remind folk we can simply refuse to stop applying the grease.‘
Good words, and great art work. More to come.
414. Upfest 2016 (41)
23Magpies is an artist I have admired for sometime now. Although she has already featured in one Upfest 2016 post already, her ‘official’ work, I couldn’t resist including some of her ‘extras’.
These extras are often left behind by street artists during a festival and wheatpastes in particular seem to appear all over the place. 23Magpies leaves these treats for people like me to find. Often she pastes them onto utility boxes and lamp posts.
Generally to get a good look and photograph one needs to stoop somewhat drawing strange glances from passers-by. Of course if you don’t look, you won’t see. Some will never see beyond their next text message.
23Magpies is known for her wildlife and environmental themes in her work and with this cat and mouse pair she doesn’t sdisappoint. More 23Magpies extras in a future post…I promise.
Natural adventures 