7154. Peel Street Green (43)

Cort, Peel Street Green, Bristol, August 2025
Cort, Peel Street Green, Bristol, August 2025

I have mentioned a couple of times recently that Cort has been having a surge this summer, not only in the quantity of his graffiti writing pieces, but also in the quality of them. This is another example of his unusual writing style on one of the large wall spaces at Peel Street Green.

Cort, Peel Street Green, Bristol, August 2025
Cort, Peel Street Green, Bristol, August 2025

Cort has been playing with all sorts of variants of his letters this year, and this one spells out KORTOS. The irregular shaped letters are verging on the ‘anti-style’ form, but have enough regularity and recognition to remail as conventional graffiti writing. The fills are nicely designed to run through the letters in a coherent pattern. I love the two characteristic black spots on the ‘T’. The wall is sensibly buffed, helping the letters to really stand out on the irregular white background. This is a beautifully designed and presented piece of graffiti writing.

7138. Peel Street Green (47)

Mesk, Peel Street Green, Bristol, August 2025
Mesk, Peel Street Green, Bristol, August 2025

Pinning down the names of street artists can be really difficult sometimes. I call Mesk ‘Mesk’, because that is the word he most commonly writes, but his Instagram profile is @lazureness which leaves me with a bit of a dilemma. By which name do I refer to him in my blog posts. I have chosen to use Mesk.

Mesk, Peel Street Green, Bristol, August 2025
Mesk, Peel Street Green, Bristol, August 2025

This is a stunner in one of the wall segments at Peel Street Green, which are the perfect dimensions for writers to do their stuff. The letters here are beautifully laid out with an interesting and eye-catching array of colours blending in horizontal strips. These colours contrast neatly with the two-yellows and black lines used on the 3D drop shadow. The writing is set on a pair of blue rectangles, again contrasting with and complementing the letters. A vibrant and enjoyable piece from Mesk, or should that be lazureness?

7096. Peel Street Green (46)

Sub, Peel Street Green, Bristol, July 2025
Sub, Peel Street Green, Bristol, July 2025

This decent combination piece by Sub in Peel Street Green is, as far as the Mario character goes, ‘take two’ and he has done a much better job of it this time round, demonstrating the value of practice. I published his earlier piece about a week ago and have dropped the photograph at the end of this post for comparison.

Sub, Peel Street Green, Bristol, July 2025
Sub, Peel Street Green, Bristol, July 2025

The letters are large and chunky, as I would expect from Sub, and have a very solid feel to them. The colour gradient is nicely worked and the whole combination neat and tidy. The Mario character is really well painted, with plenty of subtle shading to help bring about some depth in the character. This is a fun piece from Sub.

Sub, M32 roundabout, Bristol, July 2025
Sub, M32 roundabout, Bristol, July 2025

7082. Peel Street Green (45)

It really isn’t that long ago that Bloem was painting rather basic fingers, cellphones and devilled cherries in some of the less popular spots all around Bristol, but her accelerated progress means that her work is more than comfortable alongside some of the best writers in the city.

Bloem, Peel Street Green, Bristol, July 2025
Bloem, Peel Street Green, Bristol, July 2025

This is a wonderful and complex combination piece, with some amazing writing and a cartoon-style hand (long nails of course). The weave pattern used to fill her letters is beautifully worked, and very neat and tidy. Every element of the piece has been nicely thought out and has come together really well. This is one of those pieces that actually looks better in a photograph, than it does in situ, perhaps because of its complexity. What a talent.

6986. Peel Street Green (44)

Serm, Peel Street Green, Bristol, June 2025
Serm, Peel Street Green, Bristol, June 2025

Serm is an artist who doesn’t paint all that often, but his distinctive pieces are always a welcome addition. This time, he has gone for something a little different and cryptic, hiding his letters in the design.

Serm, Peel Street Green, Bristol, June 2025
Serm, Peel Street Green, Bristol, June 2025

The green fills and yellow drop shadows work well together, although I’m not sure about the white background that makes the whole piece look a little washed-out, and doesn’t create enough contrast with the letters. The green fills is a subtle blend of at least three tones which come together perfectly. I hope the wait for the next one isn’t too long.

6969. Peel Street Green (43)

Bloem, Peel Street Green, Bristol, May 2025
Bloem, Peel Street Green, Bristol, May 2025

There is an unwritten rule in street/graffiti art that suggests that you shouldn’t paint over a piece that is better than the one you are covering it with. Of course, this is unenforced (it is a jungle out there) and also is subjective. The logical conclusion is that you end up with every wall having high-end pieces that remain forever. This is where taggers and bombers come in – they have little regard for conventions and bring every wall back to square one. The ecosystem seems to work.

Bloem, Peel Street Green, Bristol, May 2025
Bloem, Peel Street Green, Bristol, May 2025

I mention this in passing, because I was surprised to see this Bloem piece appear on this particular wall only a matter of days after it had been painted by 3Dom. In the grand scheme of things, there are few better artists than 3Dom in Bristol, and seeing this Bloem piece certainly raised my eyebrow. Fortunately, I don’t think 3Dom is at all precious, and Bloem is rising up the ranks of Bristol artists with each new piece she paints.

To have replaced 3Dom’s piece with this superb flower character/design certainly softens the blow. Bloem has a keen eye for design and matches it up with superb technical ability. I have to remind myself that she really only started painting walls a couple of years ago and has progressed at an alarming rate. This is a real beauty, and she has perfected chrysanthemum petals to a tee.

6956. Peel Street Green (42)

Mage, Peel Street Green, Bristol, May 2025
Mage, Peel Street Green, Bristol, May 2025

There are a few graffiti writers emerging in Bristol, some that may have been around a while, whose work is straightforward and down to earth, such as Short, Maes and in this instance Mage. While they haven’t yet reached the top division of writers, their presence is an important component of the graffiti scene in the city.

Mage, Peel Street Green, Bristol, May 2025
Mage, Peel Street Green, Bristol, May 2025

I only really became conscious of Mage’s work in the last six months or so, and this is the first piece I have listed on Natural Adventures. This is a nice tidy chrome piece with an attractive red drop shadow set on a white wall and blue backdrop. A lovely finishing touch of blue plasma rounds the piece off nicely.

6926. Peel Street Green (41)

3Dom, Peel Street Green, Bristol, May 2025
3Dom, Peel Street Green, Bristol, May 2025

Ordinarily, I would expect a 3Dom piece to stick around for a month or two at least, but this wonderful piece only lasted a couple of weeks, which is a shame, but at least it was painted over with a decent piece, and it wasn’t tagged or bombed.

3Dom, Peel Street Green, Bristol, May 2025
3Dom, Peel Street Green, Bristol, May 2025

There is always a great deal of symbolism in 3Dom’s work, and here is a large eye character bearing the heavy weight of a skull. There is so much more going on here than simply the idea. The colour selections, light cast, shadows and perspectives are all impeccably presented and sets a bar for character artists across the land. You might spot a yellow Mr Bloopy in the background too.

6896. Peel Street Green (40)

Werm, Peel Street Green, Bristol, April 2025
Werm, Peel Street Green, Bristol, April 2025


I am chronically short on time for today’s post, indeed I was short of time when I wrote it yesterday. This is another intricate bilaterally symmetrical piece piece from Werm, to bolster his catalogue of such pieces. I feel that he might move on to another theme before too long, especially as he has been painting these types of pieces for a while now.

Werm, Peel Street Green, Bristol, April 2025
Werm, Peel Street Green, Bristol, April 2025

This set of letters spelling WERM are rather nicely filled with a white and off-white colour and a contiguous pattern that runs through the piece. A deep pink drop shadow is bordered with a blue line and the whole thing is set on a blue splash, also symmetrical. Nice work.

6847. Peel Street Green (38)

Cort, Peel Street Green, Bristol, April 2024
Cort, Peel Street Green, Bristol, April 2024

Cort doesn’t paint as often these days as he has done in the past, however, what he does paint tends to be pretty good. This stunning piece from the quiet artist is quick to grab the eye, with some simple shapes and colours, reaffirming the maxim that sometimes ‘less is more’.

Cort, Peel Street Green, Bristol, April 2024
Cort, Peel Street Green, Bristol, April 2024

The orange C is quite distinct from the chrome ORT, and given different treatment, creating a juxtaposition within the writing. The splash of light blue behind the letters is a clever design intervention to break up the monotony of the darker blue background. This is a nicely conceived and executed piece by Cort.