6750. Greenway Bush Lane (5)

Taboo, Greenway Bush Lane, Bristol, February 2025
Taboo, Greenway Bush Lane, Bristol, February 2025

It feels like an age since I last photographed anything by Taboo, but the fresh wall on Greenway Bush Lane, seems to be an inviting prospect for street/graffiti artists in the area. In this piece he has teamed up with another artist (I don’t know who) to create this very pink collaboration.

Taboo, Greenway Bush Lane, Bristol, February 2025
Taboo, Greenway Bush Lane, Bristol, February 2025

Taboo’s anti-style letters spell TABOO, with the irregular letters partially disguised, especially the ‘OO’, also the T and last O are painted in red paint and seem disjointed from the rest of the piece. His letters are characterised by a distinctive midline running through them, a technique used by a lot of anti-style writers.

Taboo, Greenway Bush Lane, Bristol, February 2025
Unknown artist, Greenway Bush Lane, Bristol, February 2025

At first, I thought the dragon (having a pint – and why not?) was part of a combination piece by Taboo, but on closer inspection realised it is in a very different style, and is using black rather than blue to pick out the detail. I can see the letters HB Nick, but unfortunately that doesn’t get me very far. A nice collaboration on this rather exciting wall.

6682. Cumberland Basin

Dirtygypo, Cumberland Basin, Bristol, January 2025
Dirtygypo, Cumberland Basin, Bristol, January 2025

It almost felt as though Dirtygypo had been forgotten. His pieces just weren’t appearing from last autumn onwards, and I was wondering whether he might have left town. It was great, therefore, to come across this recent piece in Cumberland Basin, and all is well.

Dirtygypo, Cumberland Basin, Bristol, January 2025
Dirtygypo, Cumberland Basin, Bristol, January 2025

It doesn’t matter how hard I try, I simply can’t make out Dirtygypo’s letters – I am beginning to think that the word ends with GG, but even then I am uncertain. There is plenty of movement in his letters and I like the incorporation of the character on the left-hand side. I’m sure that his work will all make a great deal more sense once I can decipher the writing.

6677. Dean Lane (799)

Kid Crayon, Dean Lane, Bristol, January 2025
Kid Crayon, Dean Lane, Bristol, January 2025

It brings me great joy when I come across new Kid Crayon pieces. He has been reasonably quiet over the last couple of years, which in a way is a good thing, because it signals that his work is going well, and being an artist/designer having plenty of work is always a positive.

Kid Crayon, Dean Lane, Bristol, January 2025
Kid Crayon, Dean Lane, Bristol, January 2025

This wall used to have three alcoves in it, and in fairness, was quite difficult to paint. For whatever reason, the council decided to fill the alcoves with breeze blocks, and I have to say that the unintended consequence was this new long wall, which artists have been enjoying ever since. Kid Crayon has used the full length of the wall to paint his letters in hi favoured pink. Each letter is in a distinct style, where the ‘O’ is a masked character incorporating a floating crayon. A nice tidy piece and great way to start the year.

6620. Sparke Evans Park (113)

Omie, Sparke Evans Park, Bristol, December 2024
Omie, Sparke Evans Park, Bristol, December 2024

For the second day in a row, it gives me great pleasure to post a piece by Omie. I first came across Omie in January this year, and his regular interventions through the year has established him as a key player in contemporary Bristol graffiti writing.

Omie, Sparke Evans Park, Bristol, December 2024
Omie, Sparke Evans Park, Bristol, December 2024

No two pieces by Omie are alike, and his creativity is running on full throttle, which is a refreshing approach to graffiti writing. Sometimes it can even be difficult to assign a particular style to Omie, and if he didn’t paint the same letters, his work could be quite difficult to identify. In this pinky/purple piece it looks like the letters OMIE are being created in some kind of machine, with tons of plasma bolts running through the letters. Something a little Dr Frankenstein about it all. A lovely piece to share on Boxing Day.

6589. Dean Lane skate park (788)

Awkward, Dean Lane, Bristol, November 2024
Awkward, Dean Lane, Bristol, November 2024

I met Awkward for the first time at the Ikea Wall of Fame Metalheadz paint jam organised by Goldie. As is usually the case, Awkward was nothing like the image I had of him in my mind, based on his artwork. It was so good to have a chat with him and understand a little about his motivations around art and music, where his music is his main thing.

Awkward, Dean Lane, Bristol, November 2024
Awkward, Dean Lane, Bristol, November 2024

This cheeky piece (why is it that most of his character pieces seem to be on the cheeky side?) features a pink faced character with enormous eyes and a speech bubble with the words ‘Universal magnetic’. This may be a reference to his friend Benjimagnetic. To the left of the face, Awkward has left his customary signature split into two halves, AWK…WARD.

6461. Peel Street Green (34)

Bloem, Peel Street Green, Bristol, October 2024
Bloem, Peel Street Green, Bristol, October 2024

My children, like all siblings, take great pleasure in asking me which of them is my favourite. Because I have a pigeon pair, I say to my boy, ‘you are my favourite son’, and my girl, ‘you are my favourite daughter’. It has worked so far, but the truth is that it is possible to have different favourites for different reasons. I say all of this because Bloem is definitely one of my favourites, but I have arrived at that point through liking her style, watching her develop, and also because she is a lovely person who makes time to chat and talk about her work.

Bloem, Peel Street Green, Bristol, October 2024
Bloem, Peel Street Green, Bristol, October 2024

In this piece Bloem visits some of her favourite themes, a hand with long nails clutching a beautiful flower and a spiked chain. The classic coming together of beauty and jeopardy and threat. The whole thing is presented in shades of pink and set on a framed black background. This is a really mature piece with a story being told and plenty of symbolism. Great work from Bloem.

6299. St Werburghs tunnel (438)

Bloem, St Werburghs, Bristol, August 2024
Bloem, St Werburghs, Bristol, August 2024

Ah, what a joy it is to witness the genesis of a graffiti writer. I believe that this is only the second piece of graffiti writing that Bloem has painted, and her artistic skills are such that you simply wouldn’t know that was the case.

Bloem, St Werburghs, Bristol, August 2024
Bloem, St Werburghs, Bristol, August 2024

This piece of writing is clean and tight, with fabulous colours and a nicely buffed background to help the whole thing stand out, and stand out it does. Her letters are very nicely arranged, beautifully filled and finished off with a decent 3D drop shadow and tidy border. I like the shout-out to Sub, who painted the wall opposite. Bravo!

6168. M32 roundabout J3 (592)

Pekoe and Bnie, M32 roundabout, Bristol, June 2024
Pekoe and Bnie, M32 roundabout, Bristol, June 2024

Of course, it is a terrible cliché, but when I see pieces like this that are both pretty and pink, I like to describe them as ‘pretty in pink’ stealing from the celebrated 1986 teen film, and then I get the earworm of the Psychedelic Furs and the song that the film was named after. This PIP collaboration is a peach from Pekoe and Bnie.

Pekoe, M32 roundabout, Bristol, June 2024
Pekoe, M32 roundabout, Bristol, June 2024

Pekoe has been mixing up her portraits and her writing recently, but I have to express my slight preference for her portraits, because, well, I just love them. The figurative piece is nice and clean, with solid fills and strong black lines, and there is something a little more stylised about the face, especially around the eyes. A classy piece of work.

Bnie, M32 roundabout, Bristol, June 2024
Bnie, M32 roundabout, Bristol, June 2024

Bnie is so consistent in the quality of her work, and all the elements of these letters come together perfectly. The pink background provides a great canvass for the writing to stand out. The golden drop shadow adds depth to the beautifully designed and filled letters. A clever touch is the subtlest dark shading at the base of the letters, creating a bit of shadow and lifting the writing further. What a fine collaboration.

5984. M32 Cycle path (262)

Raid, M32 Cycle path, Bristol, April 2024
Raid, M32 Cycle path, Bristol, April 2024

I can’t really praise Raid’s work highly enough, and his level of consistency is admirable. I recently posted a gallery of his work and have updated it just now, because I wanted to include the link in this post just to demonstrate how good his work is.

Raid, M32 Cycle path, Bristol, April 2024
Raid, M32 Cycle path, Bristol, April 2024

Raid is a neat and tidy writer whose edges and borders are always on point, but it is in his creative and interesting fills where he excels, as this piece demonstrates. His skill is in not overcomplicating things or being too fussy, but doing enough and creating new ideas to keep the fill exciting. Pinks and blues always work well together, and in my book, this is an outstanding piece of its type.

5736. St Werburghs tunnel (394)

Mr Devas, St Werburghs, Bristol, December 2023
Mr Devas, St Werburghs, Bristol, December 2023

While I know of Mr Devas, the artist who painted this graffiti writing in the tunnel, I have a feeling that this is the first time I have ever posted a piece by him on Natural Adventures. This tells me that he is an occasional visitor to Bristol and not a regular.

Mr Devas, St Werburghs, Bristol, December 2023
Mr Devas, St Werburghs, Bristol, December 2023

The writing spells out DEVAS and reminds me a little of Javiceus’ writing style and colours. The interlocking letters in blue and pink (the memorable colours of 2023) are nicely thought out and beautifully painted, supported by a classy 3D drop shadow in black. Nice work – I’ll have to see if I have other pieces by Mr Devas in my archive.