968. Upfest 2017 (27)

This is a wonderful and very large piece by Nol from this year’s Upfest, which was sprayed on the wall of a school next to South Street park. The thing about these walls in local schools is that they are only accessible during the festival. After that is only pupils, their parents and teachers that get to see them, which makes them rather exclusive.


Last year Nol worked with Edo Rath in the car park opposite the Tobacco Factory, but Edo couldn’t make it to Upfest this time so Nol had to work solo. Edo was there in spirit though, and just to make certain, Nol had attached a face mask of Edo to the lift platform…a nice touch.


This was a large undertaking, and it was something of an accomplishment by Nol to complete this wall over the three days, given the rain interruptions. I managed to catch up with him a couple of times and asked him how much pink paint this wall would take. He said that typically a can will cover about one square metre. He used seven cans of pink for this piece. That is a lot of paint.


The phrases ‘good things come to those who wait’ and ‘fortune favours the brave’ come to mind with this piece. During Upfest, I never got to see this piece completed, which actually happened with many of the pieces this year.  However I returned during the week after, and thought I’d see whether this piece was on view still to the public. It was not. But I just happened to be there at the exact time the contract firm were collecting the lift, and blagged my way into the school yard to take some pictures of the final piece. Such luck, and there were two other pieces I got to photograph as well.


This is a bold, fun and larger-than-life work, and ideal for a school playground. Nol is a gentleman who seemed happy to talk while he was working, and this is some wall.

729. St Werburghs tunnel (12)

I’ll let you into a little secret. I tend to write my posts in batches, and usually in advance by about a week, which is why there is always a bit of a time delay between the appearance of a recent piece and my posting of it. I do this out of necessity, because of my full time job and finding pockets of ‘me time’ to do some writing. I mention this because yesterday (my realtime – Sunday 9 April) I met Laic217 in Moon Street, working on a piece that I will post in a week or two. He is as enigmatic in person as he is in his street art.

Laic217, St Werburghs, Bristol, March 2017
Laic217, St Werburghs, Bristol, March 2017

This piece appeared a few weeks back in St Werburghs tunnel alongside the great work of Silent Hobo. An alien face, bucket hat and gold chain with a planet pendant mark this out as an obvious Laic217 piece, irrespective of the fact that he has signed it Laic on the arm.

Laic217, St Werburghs, Bristol, March 2017
Laic217, St Werburghs, Bristol, March 2017

I am still enjoying finding and writing about Laic217’s work, it almost feels like a game of hide and seek. I would point out that he is a better painter than I am a writer and he is more prolific than I could ever be. On to the next one.

725. Dean Lane skate park (39)

A straight forward burner in great colours by Tuco, a Bristol street artist who is perhaps less prolific than some of the others around. He has gone to some effort for this piece of work, rolling the background in black before moving onto his letters.

Tuco, Dean Lane, Bristol, April 2017
Tuco, Dean Lane, Bristol, April 2017

This is a beautifully sprayed piece with really crisp lines and lovely filling and shapes. This is the first piece of his that I have seen since his Upfest 2016 piece.

711. The Bearpit (54)

It is always nice to see fresh new pieces before they get dogged or tagged, and in The Bearpit, you need to be quick. DBK (Dirty Bristol Kids) will not let work hang around too long before tagging over it. Some pieces are left alone, and I would love to know the criteria they use behind which they tag and which they leave.

Decay, The Bearpit, Bristol, March 2017
Decay, The Bearpit, Bristol, March 2017

This is a really nice abstract piece by Decay set on a pink background. The piece is a masterclass in drips, you’ll not get them much better than this. To those of you who don’t get to see a lot of street art, there is a ‘thing’ going on about drips. They are a deliberate part of the work and take a lot of skill to do.

Decay, The Bearpit, Bristol, March 2017
Decay, The Bearpit, Bristol, March 2017

This is, I think, a really great piece from Decay, and worth a trip down to the Bearpit…if it is still there.

Decay, The Bearpit, Bristol, March 2017
Decay, The Bearpit, Bristol, March 2017

701. St Werburghs tunnel (11)

Well here is another weekly dose of Laic217. This piece is from a short while back and can be found at the city farm end of the St Werburghs tunnel, although turnover there is so rapid that it might have gone by now.

Laic217, St Werburghs tunnel, Bristol, March 2017
Laic217, St Werburghs tunnel, Bristol, March 2017

This piece bears some resemblance to his larger work in the Dean Lane skate park, and has something of the grotesque about it. Drug culture seems to play a large part in Laic217’s pieces and it looks like this pink individual is smoking weed. Not the most beautiful piece you will see, but all part of the broad and imaginative portfolio of this artist.

Laic217, St Werburghs tunnel, Bristol, March 2017
Laic217, St Werburghs tunnel, Bristol, March 2017

596. Upfest 2016 (90)

I really like this beautifully designed piece of work from Mike Powis. The colours work well and there is something really pleasing about the subject – to me at least. It doesn’t come as a surprise that Powis is an illustrator and graphic designer, and this comes across loud and clear in this work.

Mike Powis, Upfest, Bristol, July 2016
Mike Powis, Upfest, Bristol, July 2016

I couldn’t find out much about him, but his Upfest biography (autobiography) reads: ‘Illustrator, graphic designer, hunter gatherer, gas mask vandal, excessive coffee drinker, mural creator, brush pen ninja, workshop director, marker mass murderer, terrible short story writer…’  That probably sums it up.

435. Wilder Street (9)

Just once in a while you see a wall and just go ‘wow’. This was one of those walls. Deamze, Voyder and Soker have collaborated before and seem to really go to town when they do. My only regret posting this is that these pictures really don’t do the wall justice, the pinks are absolutely amazing.

Deamze, Wilder Street, Bristol, September 2016
Deamze, Wilder Street, Bristol, September 2016

Deamze has a brilliant theme going on with a cartoon character rounding off his moniker. A quick Google search informs me it is from Dexter’s Laboratory – not a cartoon I am familiar with…it’s my age.

 

Voyder is in the middle, as usual, and sprays his signature with those beautiful curving letters. I wonder if their positioning is like the ‘Ant and Dec’ thing where one always has to stand on one side, and the other on the other.

Voyder, Wilder Street, Bristol, September 2016
Voyder, Wilder Street, Bristol, September 2016

Joining the work of Voyder and Soker is a ‘tweetie pie’, I’m not sure which of them sprayed it, but it spans the two pieces well.

Soker, Wilder Street, Bristol, September 2016
Soker, Wilder Street, Bristol, September 2016

Soker rounds off the triptych with great wildstyle writing that we are used to seeing from such a master. These three pieces together are genuinely breathtaking. Let’s hope these three get together again soon.

Soker, Voyder and Deamze, Wilder Street, Bristol, September 2016
Soker, Voyder and Deamze, Wilder Street, Bristol, September 2016

 

428. Jamaica Street (6)

Directly opposite the Stokes Croft open air gallery is a house which received an unusual makeover by Cheba a few months back. The building was badly tagged and getting a bit grotty, but the unusual pink stellar Cheba work kind of put an end to that.

China Girl Tile, Jamaica Street, Bristol, September 2016
China Girl Tile, Jamaica Street, Bristol, September 2016

I have walked past the mural many times but only very recently become aware of the brightly coloured ceramic pony above the window. It is by China Girl Tile, and so incredibly kitcsh that it is just bloody brilliant. Small and unnoticed by most passers-by it really made me laugh when I saw it.

China Girl Tile and Cheba, Jamaica Street, Bristol, September 2016
China Girl Tile and Cheba, Jamaica Street, Bristol, September 2016

This is almost certainly an ‘extra’ left behind by China Girl Tile after installing her brilliant foxes for Upfest in July. It also works so well with Cheba’s pink ‘number’. So utterly worth seeking out.

Pink

 

Snooker’s six-point ball

an engine knock, hunting garb;

a versatile word.

 

by Scooj

Christmas Eve Eve Eve Eve

 

Early morning chill

numbs my fingers, though I care

not on such mornings.

 

by Scooj