A straight forward burner in great colours by Tuco, a Bristol street artist who is perhaps less prolific than some of the others around. He has gone to some effort for this piece of work, rolling the background in black before moving onto his letters.
Tuco, Dean Lane, Bristol, April 2017
This is a beautifully sprayed piece with really crisp lines and lovely filling and shapes. This is the first piece of his that I have seen since his Upfest 2016 piece.
It is always nice to see fresh new pieces before they get dogged or tagged, and in The Bearpit, you need to be quick. DBK (Dirty Bristol Kids) will not let work hang around too long before tagging over it. Some pieces are left alone, and I would love to know the criteria they use behind which they tag and which they leave.
Decay, The Bearpit, Bristol, March 2017
This is a really nice abstract piece by Decay set on a pink background. The piece is a masterclass in drips, you’ll not get them much better than this. To those of you who don’t get to see a lot of street art, there is a ‘thing’ going on about drips. They are a deliberate part of the work and take a lot of skill to do.
Decay, The Bearpit, Bristol, March 2017
This is, I think, a really great piece from Decay, and worth a trip down to the Bearpit…if it is still there.
Well here is another weekly dose of Laic217. This piece is from a short while back and can be found at the city farm end of the St Werburghs tunnel, although turnover there is so rapid that it might have gone by now.
Laic217, St Werburghs tunnel, Bristol, March 2017
This piece bears some resemblance to his larger work in the Dean Lane skate park, and has something of the grotesque about it. Drug culture seems to play a large part in Laic217’s pieces and it looks like this pink individual is smoking weed. Not the most beautiful piece you will see, but all part of the broad and imaginative portfolio of this artist.
I really like this beautifully designed piece of work from Mike Powis. The colours work well and there is something really pleasing about the subject – to me at least. It doesn’t come as a surprise that Powis is an illustrator and graphic designer, and this comes across loud and clear in this work.
Mike Powis, Upfest, Bristol, July 2016
I couldn’t find out much about him, but his Upfest biography (autobiography) reads: ‘Illustrator, graphic designer, hunter gatherer, gas mask vandal, excessive coffee drinker, mural creator, brush pen ninja, workshop director, marker mass murderer, terrible short story writer…’ That probably sums it up.
Just once in a while you see a wall and just go ‘wow’. This was one of those walls. Deamze, Voyder and Soker have collaborated before and seem to really go to town when they do. My only regret posting this is that these pictures really don’t do the wall justice, the pinks are absolutely amazing.
Deamze, Wilder Street, Bristol, September 2016
Deamze has a brilliant theme going on with a cartoon character rounding off his moniker. A quick Google search informs me it is from Dexter’s Laboratory – not a cartoon I am familiar with…it’s my age.
Deamze, Wilder Street, Bristol, September 2016
Deamze, Wilder Street, Bristol, September 2016
Voyder is in the middle, as usual, and sprays his signature with those beautiful curving letters. I wonder if their positioning is like the ‘Ant and Dec’ thing where one always has to stand on one side, and the other on the other.
Voyder, Wilder Street, Bristol, September 2016
Joining the work of Voyder and Soker is a ‘tweetie pie’, I’m not sure which of them sprayed it, but it spans the two pieces well.
Soker, Wilder Street, Bristol, September 2016
Soker rounds off the triptych with great wildstyle writing that we are used to seeing from such a master. These three pieces together are genuinely breathtaking. Let’s hope these three get together again soon.
Soker, Voyder and Deamze, Wilder Street, Bristol, September 2016
Directly opposite the Stokes Croft open air gallery is a house which received an unusual makeover by Cheba a few months back. The building was badly tagged and getting a bit grotty, but the unusual pink stellar Cheba work kind of put an end to that.
China Girl Tile, Jamaica Street, Bristol, September 2016
I have walked past the mural many times but only very recently become aware of the brightly coloured ceramic pony above the window. It is by China Girl Tile, and so incredibly kitcsh that it is just bloody brilliant. Small and unnoticed by most passers-by it really made me laugh when I saw it.
China Girl Tile and Cheba, Jamaica Street, Bristol, September 2016
This is almost certainly an ‘extra’ left behind by China Girl Tile after installing her brilliant foxes for Upfest in July. It also works so well with Cheba’s pink ‘number’. So utterly worth seeking out.