One of the first artists I met, quite a few years back, was Object… and I have been enjoying his sketch/collage pieces ever since. For a couple of years now, maybe more, Object… has been very quiet, but in the last month or so he has been pasting his creativity about the place.
Object…, Purdown, Bristol, March 2025
This combination collage of wheatpastes and paint contains a lot of social and political commentary, as well as a creative outpouring. It is difficult to make out too much from the piece, without studying it up close. It is great to see Object… out and about, though.
There is something very exciting happening at the moment with Liz (Le Imposter Designs). Having dabbled for a while with her line and paint drawings/illustrations in selected spots, she moved on to working with spray cans, and it seems to have lifted her into a new world of possibilities, and her excitement is obvious to see through the frequency of her new pieces and her creativity.
Lis, Purdown, Bristol, March 2025
Obviously, the central theme to Lis’ artwork is the representation of mushrooms and toadstools, and this piece on a concrete slab in Purdown is a great example. It is a pity that some twit has felt the need to tag the piece, but fortunately it doesn’t detract too much from the mushroom and rather cure hedgehog. While the main body of her work is achieved using spray paint, I think that some of the detail is achieved using pens, which doesn’t devalue it one jot. I am loving the emergence of Lis and can see a very bright future ahead.
It can be quite a challenge photographing pieces when I am walking the dog, because he doesn’t much like standing around, and will often pull on his lead, just as I am taking a picture (annoying). This is particularly challenging at the Purdown spot on account of the small herd of goats which live within the enclosure, which send the dog into a frenzy of sniffing, pulling and general desperation to find the beasties.
DFC1848 and Skem, Purdown, Bristol, February 2025
On my last trip to Purdown, I saw this rather nice collaboration from DFC1848 and Skem. I am very familiar with DFC1848 and his work, but I don’t think I have posted any pieces by Skem before. These two monsters straddle the writing in the middle spelling out SKEM. I particularly like the way Skem’s monster interacts with his letters as DFC1848’s monster cheekily watches on. A nice collaboration from a pair of ‘out-of-towners’.
A couple of quick ones today. It is the morning after my mother’s 90th birthday party, which was a hugely enjoyable event in Farnham Castle in Surrey, but we need to have breakfast, check out and then drive back to Bristol. As I said yesterday, Nice one has been smashing it with his combination pieces already this year, and this is another new piece up at the Purdown anti-aircraft battery.
Nice One, Purdown, Bristol, February 2025
At first, it might not look like a combination piece, but you can just spot the top half of his Times New Roman ‘N’ and the dot of the ‘i’ at the bottom of the piece. The First World War dogfight scene is just something you don’t see anywhere in Bristol and confirms Nice One as one of the most original and exciting artists around. Fabulous work.
The derelict gun emplacement at Purdown is located within a fenced-off area which is home to a small herd of goats. I think that they are ‘employed’ to help the vegetation down. The presence of the goats makes my trips with the dog something of a challenge, because their smell and very existence drives him crazy, and I have to keep him on a very tight lead. This of course makes taking photographs all the more difficult, with many images blurry of at jaunty angles, when the dog pulls just as I take the shot. I did manage to get a couple of decent pictures of this fabulous goat character piece by Daz Cat.
Daz Cat, Purdown, Bristol, January 2024
Daz Cat continues to develop his style and his pieces are so much richer in content and style and offer a great deal of depth and context that was absent from his early ‘flat’ pieces. He is a great example of an artist who learns and improves all the time. There are other artists who tend to remain quite static and comfortable doing what they do. Both approaches are legitimate, although as an observer, watching the development is an added bonus. I hope the goats of Purdown appreciate this homage.
Conrico is a very unusual street artist. He appears to be equally comfortable with graffiti writing or characters or landscapes and so on, always appearing to tell stories in his work. Much of his art and creativity is influenced by Japanese culture, and his spray technique looks much more like brush work than spray-painting. He is quite unique.
Conrico, Purdown, Bristol, January 2025
This piece was painted in three hours and features an Asian lady in an American diner – I found out this information from his Instagram feed. The piece is based on a photograph of Minami Yuzuzu, a Japanese actress/popular figure? His blend of cultures and special style has created a special and imaginative piece, not the sort of thing you might expect to see walking the dog through a WWII gun emplacement (unless you lived in Bristol).
This is my 80th post from Purdown, but if I am honest, it feel like an awful lot more. Daz Cat seems to like it up here and the square format of the concrete blocks seems to suit his designs. It is always far more difficult for writers to fill a square space than for character artists.
Daz Cat, Purdown, Bristol, September 2024
Daz Cat has painted a cat (naturally) curled up in the square. The blue cat is wearing a fabulous orange striped shirt and shorts combination, and looks really rather cute. The cat is smiling and there is a good feeling all round about this piece. I will never tire of Daz Cats’ cats.
Rowdy, Andy Council and Acer One, Purdown, Bristol, August 2024
You don’t expect to see production collaborations up at Purdown, so it was wonderful to see this ‘take-over’ by Rowdy, Acer One and Andy Council on the concrete slabs of the derelict anti-aircraft gun emplacement. The light conditions were tricky on both occasions that I went up there, and the photographs don’t really do justice to this creative display.
Acer One, Purdown, Bristol, August 2024
Starting in the Centre and on the margins, Acer One has painted one of his mind-boggling impossible triangle pieces, displaying great technical skills and accuracy. This is the third such piece I am aware of that he has painted in this spot.
Andy Council, Purdown, Bristol, August 2024Andy Council, Purdown, Bristol, August 2024
On either side of Acer One’s centrepiece, Andy Council has painted his trademark ammonites in living-fossil form, each using his composite method to stitch together the creatures from components to make a whole. The dusky pink background used by Acer One and Andy Council works very nicely with their respective colour schemes.
Rowdy, Purdown, Bristol, August 2024Rowdy, Purdown, Bristol, August 2024
Finally, bookending the collaboration, Rowdy has joined in the fun with a fabulous collection of Bristol crocodiles. More than any other active artist in Bristol, I think that Rowdy represents that raw, quirky, subversive and original talent that underpins the whole graffiti/street art scene in the city, and long may it last. This is a fabulous production piece from the trio of great artists.
When I first encountered Mr Crawls, it was his pieces of birds that first caught my eye, and although he has come on quite a way from his early Bristol pieces, with the encouragement of his painting partner Mote, this particular piece up at Purdown is a bit of a throwback.
Mr Crawls, Purdown, Bristol, August 2024
The particular type of bird is a little difficult to nail down. The colour of the beak and head would suggest a gull, but the shape of the beak is far more raptor-like. I guess it doesn’t actually matter, because the joy of creative art is that you can conjure up imaginary things and situations. This is a fun piece from the productive Mr Crawls.
I have encountered many pieces on the concrete walls at the WWII gun emplacement in Purdown by artists I have never heard of before, and some never since. I believe that this is the first time I have seen anything by Noods, and given that he operates out of Berlin/Glasgow, I’m not sure if I will see anything of his again.
Noods, Purdown, Bristol, July 2024
This silhouette piece relies almost entirely on shadows cast to create depth and interest. I don’t know why, but it reminds me a little of the work of Giorgio de Chirico, I think it must be the shadows. There is a lot of atmosphere and drama in the piece, but an absence of movement, perhaps another de Chiricoesque feature. Nice one.
Natural adventures 