I don’t think that there has ever been a time when I didn’t enjoy finding a new Laic217 piece and this one is no exception. The work is in one of his favoured spots in Moon Street and fits the frame of the doorway perfectly. There is a sinister element to the piece with the eyes missing and the scarf obscuring the face – I would expect nothing less.
I have mentioned many times before that Laic217 has developed his techniques a great deal over the last few years especially the different materials worn by his characters. In this piece the handkerchief tied around his neck has folds that disrupt the pattern on it, a nice touch.
Three hallmark signs mark this out as a Laic217 piece…The bucket hat, the smiley and the distorted face. They just keep coming.
Just when I begin to think that I havebn’t seen anything from Laic217 for ages, up pops a new piece in one of his favourite spots. All the usual motifs we are accustomed to seeing in this artist’s work are here: the bucket hat and smiley; the gold chain with 217 and skeleton dressed in a tracksuit top. All very Laic.
This piece is interesting in its use of bright colours on the black background, it gives the whole thing a strong and fresh look. The smile on the hat has an interesting shadow, which would suggest a light source quite close and to the right of the piece because of the way it lands on the hat. (I think I know what I am trying to say here).
Finally, you just have to admite the gold rings on each hand spelling out LA – IC, awesome stuff from a firm favourite.
Laic217 is most definitely back on the street again after something of a quiet time recently. This writing and character piece, typical of the artist, contains a skeleton in a beautiful quilted jacket, which has been sprayed expertly, to give shadows and texture.
The greeny blues contrast nicely with the pink background and the whole piece has something of a familiar feel to it. Of course, no Laic217 piece would be complete without a smiley or a bucket hat, and this one has both.
I don’t know why he has been fairly quiet recently, maybe he has work commitments, but it is great to see him back out again, and there are a couple more works from him to follow soon.
This is a lesson in always making sure you get a photograph of a new piece when you can, even if the photograph is compromised by poor light conditions or weather of street furniture etc. If you don’t snap it up straight away, then the next time you see it it may be tagged.
This piece by Laic217 appeared in The Bearpit in October after something of a quiet period in his street work. I managed to photograph it, but the morning sun was casting a shadow across the wall. I figured I would return to get a ‘clean’ picture. The next time I visited however the smiley face had been tagged, albeit rather tastefully, with a tribute. Annoying as it might seem, this is all part of the street/graffiti art scene.
As always I like this work from Laic217, and hope he keeps it up. I have been enjoying the incredible progress he has made in the time that I have been doing this and get pleasure from seeing the direction his work goes in.
I took this picture a couple of months ago in Bedminster, and of course it is instantly recognisable as a piece by Laic217. All the signature elements are there, a portrait, distortion, this time through broken glass, the bucket hat and smiley.
it was after seeing this piece, that the frequency of work Laic217 was churning out decreased markedly. I am pleased to say that he appears to be back up and running and firing on all cylinders.
Although this is not my favourite of his pieces, it is striking, and the colours really stand out.
Anyone who was at Upfest 2016 would have been utterly charmed by the incredible tree frogs by JXC. It was one of my favourite pieces from last year, and I wrote about it here.
This year he was afforded a larger wall, one that Voyder wrote ‘Bristol’ on last time round. Instead of tree frogs, JXC treated us to an extraordinary seascape with a rather intimidating octopus in the foreground and some naval mines in the background.
This was another of the pieces that probably took longer to create than might have been expected, due to the constant rain interruptions over the three days of the festival.
The mouth on the side of the octopus isn’t the octopuss’s beak, rather is it a shark mouth inked onto its side. JXC’s work is heavily inkled with words and drawings that resemble tattoos, creating an interesting effect o the surface texture of the subject.
There is a story going on in this piece which is a little tricky to decypher. The words ‘Just Lie’ appear under the shark but I’m not sure what that refers to. Nice to see a smiley on the bomb – some ironic commentary there?
I never thought I’d say this, but Laic217 has gone a little quiet of late, which is fine, because I have a bunch of his pieces to catch up on. Here is one from a while back in my favourite spot in Moon Street. This is also one of Laic217’s favoured locations.
This piece features things we would expect to see from his work: bucket hat; smiley; weed; melting face; brick wall. Somehow these all come together in a bold statement about some of the preoccupations the artist might have, as these are repeating motifs in his work…rather like bowler hats and apples in the work of Rene Magritte.
Regular viewers of this blog will be familiar with the talents of Georgie, a Bristol artist who uses many different techniques for her street art work. This time she has selected a collage and spray piece with a nice big smiley face. She has incorporated other pieces of her work in the surrounding collage, including the ‘Citizen of Nowhere’ stencil.
It was all pretty busy in North Street Green where she was working when I passed through, so I decided not to bother her, especially with the showery weather which made things tricky for artists and visitors alike. This was a wonderfully cheerful piece which really embodied the spirit of Upfest. Keep on Smiling.
A week wouldn’t feel like a week without posting a piece by Laic217, and his productivity shown no signs of slowing down.
This piece is from about a month ago and was situated on the West underpass into The Bearpit. Several of Laic217’s favourite motifs are present in this work;the bucket hat, an alien, weed, smileys and a face distorted, this time in watery reflections. A nice piece from the master of freehand graffiti art.
This is another happy piece by Laic217 in St Werbergs tunnel. It takes the typical form for his pieces of some wildstyle writing and a character. This time the character is a smiley face wearing what appears to be a bucket hat/spaceship. It seems that much of Laic217’s work is influenced by acid house culture.
The piece was located towards the north end of the tunnel on the farm side, and was not too badly affected by the terrible photographic conditions in the tunnel. If you want to see more of Laic217’s style, then simply type ‘Laic217 Bristol UK’ into google images, and you will get a feel for what he is all about. I like this piece