Tag: St Werburghs

3906. St Werburghs tunnel (257)

Update

Rather embarrassingly, and I had the slightest concern about this, this piece is not by Pl8o after all, although I don’t know who it is by. Everything I have written about Pl8o still stands. I will change the captions to reflect this.

An artist I used to write about quite a lot was Ysae, but he seemed to disappear off the scene for a while. Maybe this is by him, there is a signature, or is that a shout out. The dangers of thinking I know more than I actually do. It happens.

I am rather looking forward to producing a gallery of work by Pl8o and when I have collected a few more pieces by him I will do so. The reason I say this is that he has been playing with all sorts of ideas around his letters and is going through something of a script writing phase, but it is the development of these ideas that is fun to witness.

Unknown, Ysae?, St Werburghs, Bristol, July 2021
Unknown, Ysae?, St Werburghs, Bristol, July 2021

In this piece Pl8o has gone with a much more curvy and flowing script style and incorporated some drips and floating ovals to embellish the letters. The colours are perhaps not my favourite, but work well together and certainly stand out in the orange gloom of St Werburghs tunnel. A nice piece.

3887. St Werburghs Tunnel (255)

This is another piece of old-school writing from graffiti artist Sake. I don’t know how it has happened, but Sake has only really come onto my radar in the last couple of months, having met him in St Werburghs tunnel. I have a feeling that I might have photographed a number of his pieces in the past, but just haven’t published any of them. I will need to do a thorough search of my archives, but time is a real constraint for me at the moment.

Sake, St Werburghs, Bristol, August 2021
Sake, St Werburghs, Bristol, August 2021

In this piece, Sake spells out his name with classic lettering filled with stars and bars and a lovely 3D shadow in blue. Having spoken to the artist a couple of times, it would appear that he is a bit of a purist and doesn’t have a lot of time for ‘toys’ (new or unskilled writers). I think that he harbours great affection for the early days of graffiti writing when things were more edgy and spray paints more difficult too use. He does well to recreate these old-school pieces.

3885. St Werburghs tunnel (255)

Throughout the whole of the last year, Benjimagnetic has been consistently turning out superb BEN pieces, and this is one of the more recent one of them. I love the way that he has been developing his style and that recently he has simplified the look of his work without compromising his technical ability.

Benjimagnetic, St Werburghs, Bristol, July 2021
Benjimagnetic, St Werburghs, Bristol, July 2021

This piece from the tunnel is notable for its extraordinary fills, particularly in the blue segments. This graffiti writing is clean and sharp, and the white border that lifts the letters is superbly consistent – the work of an experienced hand. It must surely be time for a Benjimagnetic gallery?

3874. St Werburghs tunnel (254)

This is the second recent piece from Tasha Bee that appeared at the other end of St Werburghs tunnel to her collaboration with Antikki. It is such a pleasure to see her painting again. Although she is really busy with her Pot Heads business, I hope that she finds time to splash a little paint at walls more often.

Tasha Bee, St Werburghs, Bristol, July 2021
Tasha Bee, St Werburghs, Bristol, July 2021

This is classic Tasha Bee. A stylised portrait with eyes shut, this time wearing a rather colourful and fetching cap. The criss-cross patterning on the cap I think is a technique she picked up from Soap a while back. Let’s hope this is not a one-off return to painting.

3872. St Werburghs tunnel (253)

Here we have another fine piece of graffiti writing from Rezwonk in St Werburghs tunnel with a multicolour splash. I think it was painted at roughly the same time as the Sunday Funday paint jam a few weeks back.

Rezwonk, St Werburghs, Bristol, July 2021
Rezwonk, St Werburghs, Bristol, July 2021

I am a little short on time to write too much about this piece as I am heading off for another fishing trip this morning and have to sort myself out and write another post before I go. Suffice it to say that Rezwonk has used his metal panelling and rivet style again which is great to see.

3859. St Werburghs tunnel (252)

This was what was left behind on the day Goldie came to town. For those of you who haven’t heard of Goldie, I can summarise as follows: he is a musician, music producer, DJ, artist and actor. When in the tunnel though, he is just another graffiti artist… no room for celebrity here. The occasion was a large paint jam, Funday Sunday, from a few weeks back and this is a loose collaboration from Goldie and Bristol’s 3Dom.

Goldie, St Werburghs, Bristol, July 2021
Goldie, St Werburghs, Bristol, July 2021

I haven’t seen any of Goldie’s work before so I don’t have much to compare it with. His style is quite traditional, with a deep 3D shadow and central vanishing point, and the letters spell out Goldie. He has certainly gone for a full-on colour splash and his work is surely accomplished. A very nice piece.

3Dom, St Werburghs, Bristol, July 2021
3Dom, St Werburghs, Bristol, July 2021

To the right of Goldie’s letters is an unusual piece from 3Dom, the story of which I just can’t seem to pin down. There is a serpent with a hand instead of a head, holding the Earth gently in its long fingers. The tail of the serpent wraps all the way over to the left of Goldie’s piece, hence the partial collaboration. There is an orange arrow piercing the hand. The piece is packed out with symbolism, but I’ll be damned if I know what any of it means. It all looks very nice though. A fun collaboration.

3853. St Werburghs tunnel (251)

There are goods and there are greats, and Rowdy is a Bristol great. His style might look a little bit ragged and untidy at times, but his ideas and contribution to Bristol modern culture has been incalculable, largely due to his unique crocodiles.

Rowdy, St Werburghs, Bristol, July 2021
Rowdy, St Werburghs, Bristol, July 2021

This wonderful example was painted during the Funday Sunday event a few weeks back alongside many other Bristol greats. The trademark crocodile patrols the murky waters while a bad flits by in the moonlight. It doesn’t happen often, so finding a Rowdy piece is always exciting.

3837. St Werburghs tunnel (250)

Here we have another outstanding piece from that man Sepr painted as part of the funday Sunday paint jam in the tunnel a couple of weekends ago. There are so many memorable pieces from this event that it would take me a long while to get them all written up. I have selected a few, and the rest will have to wait for a while or longer.

Sepr, St Werburghs, Bristol, July 2021
Sepr, St Werburghs, Bristol, July 2021

Sepr has really smashed it with this amusing piece in which a king character is preparing to sit down on a throne, and a little mouse is either being a loyal subject and placing the chair under the king, or is being mischievous and removing said chair. I wonder if the golden character is a reference to Goldie who had made the journey to Bristol to join in with the paint jam. A fun piece.

3831. St Werburghs tunnel (249)

Let me start with an apology. I realise that keeping up with reading blog posts can be an onerous task sometimes, and I am sorry that I have started posting three instead of the customary two street art pieces of late. This is because there is such a huge turnover of street art here in Bristol at the moment and I want to record as much of it as I am able to. I’ll not be offended if you don’t catch them all.

Dibz, St Werburghs, Bristol, July 2021
Dibz, St Werburghs, Bristol, July 2021

This is a wonderful collaborative wall from Dibz and Shade One who have produced a succession of these remarkable duets through the year. The distinctive writing style of Dibz has been given a thoroughly vibrant makeover with a superb explosion of colours and shades. Wonderful.

Shade One, St Werburghs, Bristol, July 2021
Shade One, St Werburghs, Bristol, July 2021

The framed portraits by Shade One have a very special quality about them, always hinting as much at what is beyond the circular frame as what is contained within it. His contemporary portraits fit the street scene perfectly and act as a natural foil to the graffiti writing of Dibz. A stand-out collaboration, alongside many other great pieces from a Funday Sunday paint jam a couple of weeks back.

3829. St Werburghs tunnel (248)

I cannot explain how thrilled I was to see this collaboration recently, because it heralded the return to throwing paint at walls of Tasha Bee, one of my favourite artists. Tasha Bee has been concentrating on other projects for the last three years or so, including her small business Pot Heads Pottery, which seems to be going pretty well, and is a wonderful Bristol creative business. The other half of this lovely collaboration is by Antikki and it is great to see these two working together with their complementary styles.

Tasha Bee, St Werburghs, Bristol, July 2021
Tasha Bee, St Werburghs, Bristol, July 2021

On the left hand side of the wall is a beautiful and tranquil, stylised portrait piece by Tasha Bee. All the elements of her work are there, with lots of symbolism and a calmness that is represented in so much of her work. The character’s abundant hair flows to the right appearing to turn into waves on the sea.

Antikki, St Werburghs, Bristol, July 2021
Antikki, St Werburghs, Bristol, July 2021

Antikki has continued the theme and colour scheme, although there is much more movement in her dancing figures against the blue waves. I absolutely love this collaboration and it is a pity that it didn’t last very long. I am just so made up that I photographed it when I did. I sincerely hope that these two get together again soon as there is something magical in their partnership.

Tasha Bee and Antikki, St Werburghs, Bristol, July 2021
Tasha Bee and Antikki, St Werburghs, Bristol, July 2021