3143. St Werburghs tunnel (181)

I have a feeling that this is the third piece I have posted by Whos and I am rather enjoying what I see. This unconventional writing style feels very ‘New Bristol School’ if there is such a thing, along with Taboo and Alos. I am full of admiration for this piece, because any kind of spraying on a heavily textured wall is not going to be easy.

Whos, St Werburghs, Bristol, August 2020
Whos, St Werburghs, Bristol, August 2020

The piece is located at the entrance to St Werburghs tunnel, and I expect it to stay there for a while due to the nature of the wall. The letters are large and bold with a clever shaded ridge down the middle giving a nice 3D effect. The silver/white and green colours work well together. Altogether a nice piece of writing the likes of which I expect to see more of.

3138. St Werburghs tunnel (180)

I mentioned in my last Mr Klue post that the artist tends to paint in spates with periods of absence interspersed with three or four sessions in quick succession and then all quiet again.

Mr Klue, St Werburghs, Bristol, August 2020
Mr Klue, St Werburghs, Bristol, August 2020

This is a modest little piece from a week or so ago near the entrance of St Werburghs tunnel. Set on a pink background, the abstract writing swirls about in a semi-solid state, which Mr Klue does so well. Usually his pieces spell out KLUE, but I am not too certain about this one.

3136. St Werburghs tunnel (179)

I feel like I have been a little starved of pieces from Nightwayss, and I think the last one I posted was his large and stunning tribute to the NHS at the M32 roundabout. This is an altogether much smaller and intimate piece.

Nightwayss, St Werburghs, Bristol, August 2020
Nightwayss, St Werburghs, Bristol, August 2020

Nightwayss’ signature element is his little monkeys that appear in practically all of his works and he doesn’t disappoinnt with this one. His little monkey is dancing on top of a halo which sits atop the G in NIGHT. The letter style is tending towards cartoon and beautifully presented. This is a small, modest and fun piece from Nightwayss that made me smile when I saw it.

3128. St Werburghs tunnel (178)

I not only simply hate the new WordPress editor, I loathe it. Not only does everything take twice as long, but it constantly seems to try and give you what you want rather than letting you do what you want. Very, very annoying.

This is a cheerful little piece by DFC1848 in the tunnel, and yet another example of just how far his work has come over the last few months.

DFC1848, St Werburghs, Bristol, August 2020
DFC1848, St Werburghs, Bristol, August 2020

This is a reversion to his original character, but there is so much more in the way of decoration and experimentation, including some bubbles on the outside and two tones of blue for the body. There is so much more confidence and ease with his work now and this perfectly demonstrates that practice is the name of the game.

3102. St Werburghs tunnel (177)

Usually when Mr Klue hasn’t painted for a while (and we are in one of those moments now) his first new piece is often followed up with a spate of creative work and I am hoping that will be the case this time. This new piece is in his favoured spot at the far end of St Werburghs tunnel.

Mr Klue, St Werburghs, Bristol, July 2020
Mr Klue, St Werburghs, Bristol, July 2020

There is a lot going on in this abstract dreamscape which to understand would probably necessitate the unpacking of the artist’s mind. In amongst all the atmospheric swirls and recognisable elements, such as the lamp post, hat and helmet, there are the letters KLUE… I think. A wonderful piece and worth waiting for.

3094. St Werburghs tunnel (176)

I got lucky taking the dog for a walk a few days ago because I just caught Ryder as he was putting the final touches on this wonderful piece of graffiti writing. In the car opposite was T-Rex and their new baby… they start them young in the graffiti way in Bristol. He stopped for a chat and it was really nice to catch up – I always feel rather surprised and touched when these guys remember who I am, but I remind myself that they are all really decent folk.

Ryder, St Werburghs, Bristol, July 2020
Ryder, St Werburghs, Bristol, July 2020

The piece itself is a big bold chrome on pink piece of writing and is shit hot in my view. Proper writing from a proper writer painted with confidence and class. It was this piece that prompted me to publish a gallery of his work last week. Keep ‘em coming.

3066. St Werburghs tunnel (175)

Last week I met Phour for the first time, and what a pleasure it was. I had had my suspicions that he was another writer that had changed his letters, but I was quite wrong. Phour told me that he did a bit of spraying as a youngster, but had stopped until a couple of years ago when he picked up his cans and started up again. I must confess that I have only noticed his writing this year, but what I have seen I like and he is, on first impressions, a genuinely decent guy who was more than happy to stop and talk for a while.

Phour, St Werburghs, Bristol, July 2020
Phour, St Werburghs, Bristol, July 2020

This is one of a few slightly older pieces that I have had on archive waiting to be posted until I knew a little bit more about the artist. His letter shapes are clean and clear and he seems to enjoy lots of colour in his work. All the right ingredients are there for Phour to move up the ranks of Bristol graffiti writers. I look forward to following him along the way.

3065. St Werburghs tunnel (174)

Corupt is an artist whose work is horribly underrepresented in Natural Adventures, and over the coming weeks I will attempt to correct this. His work can be found in all the main spots in Bristol, but he definitely favours the tunnel and M32 roundabout.

Corupt, St Werburghs, Bristol, July 2020
Corupt, St Werburghs, Bristol, July 2020

The letters in his work have a unique style that makes his writing quite easy to spot, especially as he writes under other names from time to time. This one is a real gem with some clever colour combinations and a cornucopia of fills. So often his pieces in the tunnel don’t photograph very well due to the awful light conditions, but this one has come out really well. Great work.

3040. St Werburghs tunnel (174)

Since I started writing about street art some five years ago or so I have seen many established artists, but I have also seen the emergence of a great many artists new to Bristol. Of course some artists have jumped off the conveyor belt or moved out of the city, but I would say that there are more street/graffiti artists in Bristol now than there have been at any time in history.

Pl8o, St Werburghs, Bristol, June 2020
Pl8o, St Werburghs, Bristol, June 2020

An artist I am starting to notice more around the place is Pl8o (Plato-geddit?). I imagine that Pl8o is new to the city rather than new to street art, because the work I have seen is all really good and not the work of a novice (I should know). There is a lot to like about this piece – the shape of the letters, the fill designs such as bricks, stars and drips and the overall clean and tidy lines. More to come from Pl8o soon.

3016. St Werburghs tunnel (173)

At the south entrance to St Werburghs tunnel is this wonderful piece from Decay that just kind of appeared under the radar in a modest and quiet way. I love it when that happens, no fanfare, just an appearance… as if by magic.

Decay, St Werburghs, Bristtol, June 2020
Decay, St Werburghs, Bristtol, June 2020

Decay has managed to introduce a gentle and light summery feel to this piece, and a really clever touch is the light grey shadings at the lower half of the letters that give the piece body and lift it out from the wall a little. The more observant of you might notice that this is a BLM piece and the ‘Chuck’ character makes a second appearance on the left hand side wall with BLM speech bubble.