2946. St Werburghs tunnel (168)

I managed to get out yesterday and found a few new pieces around the place, and it would seem that with some social distancing rules being relaxed artists are beginning to slowly return to walls. In the meantime, I still have a few archive pieces lined up for publication, including this fine collaboration fron Dasco and Wiflywin.

Dasco, St Werburghs, Bristol, November 2019
Dasco, St Werburghs, Bristol, November 2019

On the left is a nice piece of writing from Dasco. Confident and assured the fills are great and the stripy barcode effect on the 3D lettering has worked well in this instance, which is not always an easy thing to do. Set on an orange brick wall, the piece segues nicely into the wiflywin piece to the right.

Wiflywin, St Werburghs, Bristol, November 2019
Wiflywin, St Werburghs, Bristol, November 2019

Wiflywin continues the writing using a similar colour palette and the barcoded 3D letter shading, but perhaps with just a little less confidence. I am not quite sure what the letters spell out, and I will have to get to know more about the artist.

Dasco and Wiflywin, St Werburghs, Bristol, November 2019
Dasco and Wiflywin, St Werburghs, Bristol, November 2019

On the right is a smashed up police car and I am uncertain whether one or the other or both artists painted it. Perhaps there was another artist involved, I am not sure, but I rather like it, and it works really well as a ‘character’ bookend to the graffiti writing. I’m not sure why I never posted this in November last year when I first photographed it.

UPDATE – On 30 May I met Wiflywin for the first time and asked him about this, he told me that he painted the police car… problem solved.

2890. St Werburghs tunnel (167)

The biggest mystery to me during this rather self-indulgent trip into my street art archives imposed by the coronavirus pandmic lock down is that I find it quite hard to understand why so many great pieces got left behind on the ‘cutting room floor’, like this beauty from Elvs.

Elvs, St Werburghs, Bristol, March 2017
Elvs, St Werburghs, Bristol, March 2017

Painted back in March 2017 this wonderful piece of wildstyle writing incorporates an addition of a skull and intriguingly some Japanese-looking script in yellow and pink running through the ELVS lettering. I know that several pieces by Elvs incorporate some Japanese lettering, but I don’t know why… I’ll have to ask him next time I see him (which could be some considerable time). A classy piece from this exceptional artist.

Elvs, Dean Lane, Bristol, October 2016
Elvs, Dean Lane, Bristol, October 2016

2889. St Werburghs tunnel (166)

Thanks to lock down, I am sharing this throwback piece from 2017 in St Werburghs tunnel by Fiva. His style is clean bold and instantly recognisable. Large letters with a character face in a cartoon style looking on.

Fiva, St Werburghs, Bristol, March 2017
Fiva, St Werburghs, Bristol, March 2017

It is so easy to like Fiva’s work, it has a lighthearted feel to it and somehow it always feels very welcoming and accessible. I’m not sure if that makes any sense to you, but it does to me. It is great to have the space to unearth this one from the archive.

2857. St Werburghs tunnel (165)

This beautifully proportioned REZER from Rezwonk was painted alongside frequent painting buddy Nightwayss in St Werburghs tunnel about two or three weeks ago. Crikey, so much has happened since then, it is unimaginable.

Rezwonk, St Werburghs, Bristol, March 2020
Rezwonk, St Werburghs, Bristol, March 2020

Like so many of the talented street artists in Bristol, Rezwonk’s work is always on point, and even his throw ups have a touch of class to them. The overall design is great and looking closely at the letters it looks like the ER at the end might have been switched to RE or even something else. I expect there will be a creative outburst when all this is finally over.

2855. St Werburghs tunnel (164)

This is the second piece recently painted by Rapt in St Werburghs tunnel of at least three I know about from March. The Newport artist paits alongside Elvs and his style is characterised by the upside down T and the very clear lettering.

Rapt, St Werburghs, Bristol, March 2020
Rapt, St Werburghs, Bristol, March 2020

All the basic elements of a developing writer are here, a nice design, imaginative background, nice fills with some creativity. I look forward to seeing the artist develop all of these skills. I believe alcohol might have been involved in the general concept of the piece.

2848. St Werburghs tunnel (163)

This epic piece probably signals the last for a while from Bristol-based artist Fiva. Clearly Covid-19 related, the two breakout pieces of text spell out:

“Stay safe” and “look after your gran”

There has been a lot of this kind of language spoken and written in recent weeks and this I think captures the state of national compassion exhibited by the vast majoity of people with dissenting arseholes remaining silent or out of sight.

Fiva, St Werburghs, Bristol, March 2020
Fiva, St Werburghs, Bristol, March 2020

As with the previous post, less is definitely more although this less is also more, making it more less is more. This is the second epic piece by Fiva in recent months and I have a feeling that this one might last rather longer than the last one.

Fiva, St Werburghs, Bristol, March 2020
Fiva, St Werburghs, Bristol, March 2020

There is little that Fiva can do wrong in my eyes and I find this a thrilling and brave piece. A nice touch is the grey shadows just to the right of each letter giving the whole thing a bit of a lift. This piece oozes class and I love it.

Fiva, St Werburghs, Bristol, November 2019
Fiva, St Werburghs, Bristol, November 2019

2847. St Werburghs tunnel (162)

Sweet and simple, this is a classy piece of writing in the tunnel from Nightwayss. His recent awakening with the start of sprinng has been put on hold, just like all the other artists by the Covid-19 outbreak and lock down rules. I think it would be hard to justify spraying a wall as essential exercise. Some artists have taken to painting on boards in their gardens/yards and I will get my board out of the greenhouse, just as soon as the robins that have taken up residence in there have hatched and fledged

Nightwayss, St Werburghs, Bristol, March 2020
Nightwayss, St Werburghs, Bristol, March 2020

Sometimes less is more and I think that is the case with this piece from Nightwayss. There is something about this that is very easy on the eye, its simplicity, the font style perhaps. Just because it is simple doesn’t mean it is easy. Great care has been taken with the piece and it is not a simple throw up, just look at the background for evidence of that. A nice one from Nightwayss.

2843. St Werburghs tunnel (161)

I don’t get to see too much work from Object… these days, but I seem to have a fair amount in my archives and this wonderful piece in St Werburghs tunnel was painted back in October 2018.

Object..., St Werburghs, Bristol, October 2018
Object…, St Werburghs, Bristol, October 2018

Object… specialises in these political commentary pieces in which contorted figures agonise and tentacles are often involved. I have a feeling that this might have been a collaboration with another artist contributing the colourful flower on the left hand side – it looks altogether too upbeat to be Object…’s work. I like his work a lot, Nd it feels good to release this one from the archive.

2833. St Werburghs tunnel (161)

Although I have seen a few pieces by Rapt recently, this is my first post featuring the artist from Newport across the Severn Estuary. He seems to favour St Werburghs tunnel and I think he probably lift-shares with Elvs, as they are often to be found painting side by side.

Rapt, St werburghs, Bristol, March 2020
Rapt, St werburghs, Bristol, March 2020

Rapt has a strong and bold writing style and tends to stick to his basic font which includes an upside down ‘T’ at the end of it. In this example he has some nice cracks in the lettering, some great shading and bullet holes and blood for good measure. Look out for more from this artist.

2827. St Werburghs tunnel (160)

Elvs has spend a lot of productive time in St Werburghs tunnel this winter and created a crop of stunning pieces. I’m not sure about the significance of the bunch of grapes, but the leaves are more like those of an olive tree rather than a grape vine (#onlysaying).

Elvs, St Werburghs, Bristol, March 2020
Elvs, St Werburghs, Bristol, March 2020

Set on a yellow background, and sticking to his tried and tested formula of letter font and shapes, Elvs has a horizontal grading through the piece from pink to dark pink to brown. He has cleverly incorporated black 3D shading on the top half of the piece and yellow outlines at the bottom. This is another fine piece, but I have to say that I don’t think the yellow background does the whole thing any favours.