3388. Sevier Street (2)

I made a special effort to photograph this piece as quickly after I saw it because I never got a clean picture of its predecessor by Tom Miller that had been there for a long while on account of the difficulty of parking nearby. Lazy me. As a result, this one from 3Dom was not going to get away from me.

3Dom, Sevier Street, Bristol, December 2020
3Dom, Sevier Street, Bristol, December 2020

Surprises are always good, and this piece from 3Dom was certainly that. No warnings, no Instagram, it was just suddenly there one morning. The piece itself is typically crazy and surreal and has a joyful charm about it. 3Dom has signed it with his Instagram handle which makes me wonder if it was perhaps a commission, or at the very least he would have sought permission to do it. I think it is an expression of weather and space, with elements such as clouds, a rainbow, the sun combined with stars (see Orion’s belt?) a galaxy and a rocket. Nicely painted and bright and colourful. Thank you 3Dom.

3387. Dean Lane skate park (372)

There is just enough time to squeeze in another post from Turoe featuring one of his end-of-year “shite year” pieces before this trying 2020 finally comes to an end. The pain has been relentless, but I have a sense that things will start to ease for all of us over the coming months. Scars will be left, and we will never forget 2020, but we will move on, and it will pass… we need to make time and space to turn our attention to more pressing (yes more pressing) issues such as climate change and biodiversity loss.

Turoe, Dean Lane, Bristol, December 2020
Turoe, Dean Lane, Bristol, December 2020

This one from Turoe in Dean Lane is another very nicely crafted burner, and there is absolutely no doubting Turoe’s talent. I have noticed that one of the No Frills (crew) trademarks is these bubble backgrounds, which several other members also use. I feel that these “shite (shyte)” pieces will act as a reminder for archivists, when we review 2020 in years to come.

3386. M32 Spot (96)

It is good to see another Zace piece featuring a stone face similar to the one I posted a short while ago from St Werburghs tunnel. In this little corner of the skate spot, Zace has used the unusual shape of the board to good effect. This is the kind of small piece that will often be overlooked, and it is always fun to find little gems like this one.

Zace, M32 Spot, Bristol, December 2020
Zace, M32 Spot, Bristol, December 2020

Zace has a fairly straightforward style and manages to execute it very tidily. I like the reversed out colours used in the face, with the lighter dots on the darker background and the darker dots on the lighter background – a clever technique. I am genuinely looking forward to seeing loads more from Zace in 202 because I like what I have seen in 2020.

3385. M32 roundabout J3 (271)

Coming across a Soker piece is never disappointing and when it is a variation away from his usual letters SOKER or SOKEM it is especially noteworthy. This wonderfully colourful burner spells out Super FREAK. I don’t know what the reference is, but I do know that the result is superb.

Soker, M32 roundabout, Bristol, December 2020
Soker, M32 roundabout, Bristol, December 2020

I can’t quite put my finger on it, but there is something about Soker’s style that is uniquely his and that makes identification relatively easy… maybe it is the curves in the letters or the 3D shadow, I don’t know, but most of the time it is possible to get it right. The fills in the letters are to die for, and overall this is the work of a craftsman at the very top of his game.

3384. Cumberland Basin

It would seem that Smak rarely stops producing first-class pieces for us to marvel at, and he does this in between commissions. This is an artist at the top of his game who manages to do what he loves every day both in a work context and for his own leisure. Perfect.

Smak, Cumberland Basin, Bristol, December 2020
Smak, Cumberland Basin, Bristol, December 2020

These pictures were taken during incredibly heavy rain and while I was in an incredibly hurry, but the blurry look of the piece is not an artefact of the conditions, rather it is the piece itself and the way it has been sprayed.

A short post today because I have to start preparing for our Christmas meal. Season’s greetings to you all.

3383. Martin Street

I can’t think of a better piece to post on Christmas Day than this beautiful mural from  Zoe Power tucked away in Bedminster. Sadly it is yet another prize wall that nearly always has a car parked outside and this is the best view of it I could get.

Zoe Power, Martin Street, Bristol, December 2020
Zoe Power, Martin Street, Bristol, December 2020

Zoe Power is known for her wonderful and bright colourful work which often has an element of symmetry about it. In this piece two characters are caught in an embrace where they almost fuse and become one, it is wonderful work and although simple on the outside, full of sophistication and class.

Zoe Power, Martin Street, Bristol, December 2020
Zoe Power, Martin Street, Bristol, December 2020

Whenever I see her work, I am always reminded of the great Matisse, and that is the biggest complement I can pay. Well worth seeking this out.

3382. Brunel Way Bridge (81)

A beautiful and typically imaginative piece of writing from Sled One, painted alongside a Ments piece I posted last week. The colour palette is rather unusual set on a pale yellow background, certainly uplifting in this rather dark place.

Sled One, Brunel Way, Bristol, December 2020
Sled One, Brunel Way, Bristol, December 2020

The letters spell out MENTS, which is confusing, because I spent ages trying to find his usual SLED letters. I’m not sure what the symbolism of the brick walls and barbed wire is, but it might be a comment on the pandemic restrictions we have all had to suffer for so long. An interesting piece.

3381. Cumberland Basin

I am writing this on Christmas Eve Eve (last night) and really ought to be asleep, so please excuse typos or nonsense. I have Paul H to thank for this post. Last week I had been down to the river to check out Brunel Way and to walk the dog. On the way back to the car I bumped into Paul and we chatted for a while under darkening skies. I jumped into the car to head over to Dean Lane and then the heavens opened. Just as I got back to the car, Paul called me and said I simply had to get over to the other side of the river by the Create Centre to see a whole bunch of new stuff. I was reluctant because of the rain, and I had to get back to work to chair a Zoom meeting. I had just enough time and braved the weather. It was so worth it too. This is the first piece from a fabulous paint jam from the day before.

Ments, Cumberland Basin, Bristol, December 2020
Ments, Cumberland Basin, Bristol, December 2020

Ments has always been a favourite of mine because of his organic, abstract writing style of which this is a perfect example. It would seem I got there just in time, because such was the force of the rain that some of the paint was running (can that happen?). Thanks Paul, thanks Ments, fabulous piece.

3380. St Werburghs tunnel (214)

On a recent trip to St Werburghs tunnel it was so very nice to be greeted by this monster face piece from CD.TC. There has definitely been an uptick in the frequency with which CD.TC has been hitting the walls this year, unless I have been missing something in the past.

CD.TC, St Werburghs, Bristol, December 2020
CD.TC, St Werburghs, Bristol, December 2020

This was painted at the same time as a Daz Cat piece a few yards away and the two will often be found painting together. I haven’t yet had the pleasure of meeting either of them, but they are out so often, it is only a matter of time.

This particular piece by CD.TC is rather more elaborate than usual, and I am guessing he took a little more time over it. The addition of horns creates an even more terrifying character. There is sure an influence of tribal masks in his pieces. Nice work.

3379. Dean Lane skate park (371)

I haven’t seen too many of these TESs over the last few months, and the ones I have seen have been ‘quick ones’ in the main, so stumbling across this one at Dean Lane was something of a treat.

Slim Pickings, Dean Lane, Bristol, December 2020
Slim Pickings, Dean Lane, Bristol, December 2020

I know the artist as Slim Pickings (after an old Instagram handle) but many call him Tes, based on the letters he writes. This has all the features you’d expect; perfect shapes for his letters and a thick solid fill, a beautiful 3D shading in gold set on a pink ‘cloudy’ backdrop. The white spots and bright green drips add the finishing touches. This is a classy piece.