2196. St Werburghs tunnel (78)

I’ve not posted anything by T-Rex for a little while now, but was lucky enough to come across this wonderful piece in St Werburghs tunnel recently. It was painted during quite a large paint jam a week or so ago alongside work by other RAW artists.

T-Rex, St Werburghs, Bristol, May 2019
T-Rex, St Werburghs, Bristol, May 2019

Having just bought some spray paint and tried out a little in my garden, I can’t begin to explain how difficult this is and what exceptional talent and experience is needed to produce a piece like this one. The shapes of the letters, the incredible fill patterns and sharp lines, not to mention the expressive dinosaur, are so well worked. I don’t really understand how these guys do it. T-Rex, I doff my cap. The sooner I pack away my paint the better.

2194. Mina Road (4)

Mina Road, (pronounced my na) rather conveniently runs between the M32 roundabout in St Agnes and St Werburghs, and is a cut-through I use sometimes when I’m out grabbing shots of street/graffiti art. New hoardings are often a magnet for spray-can artists and this spanking new one has landed this splendid Epok piece.

Epok, Mina Road, Bristol, May 2019
Epok, Mina Road, Bristol, May 2019

Spelling our EPOK, this is a classic work from the artist, incorporating a complex selection of colours and that wonderful combination of curves and straight lines and angles that he excels at. A really great piece of writing, and how much nicer than the dull woodchip wall.

2193. St Werburghs tunnel (77)

Another artist I will never tire of is Laic217 and this piece in St Werburghs tunnel is so typical of his great work. Another weed-smoking bucket-hatted skull, which he simply gets better and better at crafting.

Laic217, St Werburghs, Bristol, May 2019
Laic217, St Werburghs, Bristol, May 2019

I feel a real closeness with Laic217’s work because since I started doing this recording  Bristol street art thing in 2015 I have watched his work closely and seen his style develop significantly, and although his subjects are often similar, the depth and complexity of his pieces constantly grows. Love this one.

A, B, C.

 

Learning to spray-paint

with my A, B, Cs. There is

plenty of headroom.

 

by Scooj

 

  • I’ve finally set myself up with some boards in the garden and paint. This is going to be a very long and difficult journey. It is so difficult, and my admiration for the artists I write about has gone stratospheric. I thought I’d start with the alphabet, and see if repetition and practice get me anywhere. If, by the time I get to Z I have made no improvement, then I’ll hang up my boots, and accept that I am just not cut out for this. But if I don’t try, I’ll never know.

2192. North Street

On North Street some hoardings have recently been erected around a tower block, which is either due to be renovated or demolished, I am not too sure which. Anyhow the hoardings look like they will be staying for a while, and Upfest are curating them, which means that they will probably remain in reasonably good condition and be reserved for selected artists.

Sepr, North Street, Bristol, May 2019
Sepr, North Street, Bristol, May 2019

This piece is by the fabulous Sepr and features a lady with a cat and some mischievous looking mice. The grayscale piece is punctuated with a little pink on the cat and the woman’s mouth… I have no idea what is going on with the pink but it looks good. I admire greatly Sepr’s clean retro style and never tire of the humorous scenes he creates.

2191. Dean Lane skate park (210)

Just to prove that he is not a one-trick-pony (which he absolutely isn’t) here is a non-rabbit piece by Nevergiveup in Dean Lane. This is a nicely thought out piece with great colours and elements in it and it is so very easy on the eye. The first thought I get is that it looks a bit brand-like and would work very nicely on a beer mat (do they still exist?).

Nevergiveup, Dean Lane, Bristol, April 2019
Nevergiveup, Dean Lane, Bristol, April 2019

The letters ZBOK I think are a crew or something similar that Nevergiveup and some other Polish artists use. It translates as pervert or deviant… not an entirely unexpected word for an art form that is edgy and rebellious. I guess there is something a little paradoxical about such a nice design for the word zbok. Great piece by Nevergiveup, just a shame I didn’t get there when it was clean.

2190. Matchbox Gallery

The Matchbox Gallery is a small shop in Stokes Croft that is run by DNT and hosts occasional exhibitions, although I’ve never quite made it into the shop to see one. If you plotted DNT’s street art on a map, the Matchbox Gallery would be at the centre and concentric  circles or art density would radiate outwards from it. This collaboration above the Matchbox Gallery with Hazard would be the pin on the map.

Hazard and DNT, Matchbox Gallery, Bristol, April 2019
Hazard and DNT, Matchbox Gallery, Bristol, April 2019

The two artists have created what I would call a true collaboration where their work is woven together and a shared style dominates. The mural depicts a tree and foliage which is emblazoned above the shopfront and a littlwe on the side too. I rather like the face in the window of the shop too. I believe there are plans afoot to move the Matchbox Gallery, but am not certain. Great mural for this part of Stokes Croft.

2189. Dean Lane skate park (209)

This is the second No Frills collaboration in Dean Lane in a month or so from Slim Pickings and Biers, which is nicely set on a black background with a Day-Glo green/yellow ‘cloud’.

Biers, Dean Lane, Bristol, April 2019
Biers, Dean Lane, Bristol, April 2019

On the left is the Biers piece that features a cartoon scientist, whose test tube is bubbling over with the luminous green/yellow stuff. After a little Googling I found out that the scientist is Professor Utonium from the Powerpuff Girls – a cartoon series that completely passed me by. I’m not sure what the writing in this one says, he seems to write something different each time now, which is great.

Slim Pickings, Dean Lane, Bristol, April 2019
Slim Pickings, Dean Lane, Bristol, April 2019

Slim Pickings on the other hand remains utterly consistent with his design and the letters TES. I guess that for him he seeks to perfect something he is familiar with, and although the design remains the same, the colour selections and one or two little inclusions vary it and continue to hold interest. Another great collabortaion from these two.

2188. Windmill Hill (1)

I know that some of you will have been waiting for me to post this, as it is an internationally high-profile collaboration by My Dog Sighs and Curtis Hylton and is already deeply embedded in the ‘datasphere’. Nonetheless I wanted to give you my own perspective of this wondrous Bristol piece.

My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019
My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019

Firstly, props to Upfest for organising this special event. This year Upfest are taking a rest, a fallow year, from the Summer street art festival. Instead they are going to be orchestrating a few large and significant walls like this one, which will continue to keep Bristol firmly on the street art map.

My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019
My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019

While I am certainly familiar with the work of My Dog Sighs, I don’t think I have come across Curtis Hylton before, but he is an artist/muralist based in Hampshire, which is probably why he teamed up with MDS who lives in Portsmouth. Curtis painted the amazing artwork surrounding the eyes by MDS. The blue feathers on the left hand side, I believe are of a kingfisher, and in a WIP shot I saw from Paul121 showed some orange feathers, which were subsequently replaced with blue.

My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019
My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019

Eyes are one of the things that MDS specialises in and this one shows a very Bristol scene… the windmill is from Windmill Hill, the balloons from the Bristol balloon fiesta (one of the largest in Europe) and the Clifton suspension bridge. The silhouette runs through the middle of the eye with an extraordinary orange below and stunning sky scene and reflected eyelashes above. Just amazing.

My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019
My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019

The eye on the right hand side of the piece shows the same scene… it would look very odd if it didn’t.

My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019
My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019

Surrounding this his eye is a different scene altogether. Beautiful cream roses and rose petals, together with some other flowers just below the eye. Taken as a whole the collaboration is beyond impressive, and one of the best to be seen in Bristol for a long time.

My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019
My Dog Sighs and Curtis Hylton, Windmill Hill, Bristol, April 2019

Just to the right of the piece, the artists completed the wall with further decorations that on their own world be worth the trip, let alone the main work. MDS has really nailed the water drops here. I am going to try and see if I can copy them this weekend, if I get a chance to practice in the garden. Not holding my breath though.

Great to have this world-class piece in Bristol. Bravo My Dog Sighs and Curtis Hilton.

 

2187. Wilder Street (29)

Such a beautiful piece of wildstyle writing from Bristol legend 3Dom. This was part of a recent collaboration with fellow ASK artist Sepr on a wall in Wilder Street curated by Where the Wall.

3Dom, Wilder Street, Bristol, April 2019
3Dom, Wilder Street, Bristol, April 2019

The colour palette is rather unusual, although I do remember a piece by 3Dom some years ago that had some similar colours, but it was a character piece rather than writing. Always such high-quality work fromn this brilliant Bristol street/graffiti artist.

3Dom, Brunswick Square, Bristol, March 2016
3Dom, Brunswick Square, Bristol, March 2016