I have always liked the work of Object… and his unswerving political ideology that cuts through all of his work. In this small piece in The Bearpit his message is clear ‘Plant more, chop less…’.
I am not too sure what the figure in this work represents, it looks a little like an alien to me. However I subscribe to the overall sentiment.
Right up at the north end of Moon Street you will still find this nice writing from Whysayit. Unfirtunately, every time I pass it, which tends to be in the mornings…these days I get the bus home…it is in shadow, so these pictures don’t really bring out the full colour Whysayit has used.
His choice of colours is unusual, especially the lilac background. Maybe he buys his paint from the same place as Face F1st. The writing spells out YSAE, which I guess stands for ‘Why Say’. Always nice to find work by this modest graffiti artist.
Yet another really sharp piece from Deamze, using colours that he likes to use together tucked away in Bedminster. This clever piece bisects his wildstyle writing and character diagonally from top left to bottom right, the top half being monochrome pink and the bottom monochrome green.
It is a striking work that demonstrated Deamze’s talents to the full. I am not sure who the cartoon character is…answers on a postcard.
These are two really beautiful pieces that I wish I’d spent more time looking at during my walk around North Street Green at Upfest. Each of them is calming and serene, and they make a fine pair. I am not sure if the co-location was by accident or by design, but it works very well.
The left hand side is by Paintily, a Bristol-based artist originally from Brighton. There is something about this stencil that I like a lot, and the stripes on the face of the girl finish the piece off beautifully. I have not seen any of her work before, but would love to see her take her work to the streets.
The right hand side is by Taina, and has the feel of a children’s book illustration. Such a simple idea and so beautifully painted, there is a whole story unfolding here, and one I want to know more about. Taina is a Swiss-Finnish artist based in Zurich whose work I think I could very well fall in love with. A quick look at this website might give you an insight as to why I like her work so much. I definitely want her to return next year.
This stunning work was the official piece from Oze Arv this year, although he left behind several other pieces in Bristol before he departed. I had not seen his work before Upfest, but everything I have seen I like a lot.
There is something about black and white check in street art that I really like, and here it blends beautifully with the softer abstract shapes. There is a story being told here, and the two orange circles contain elements central to this story. I like pretty much everything about this piece, and look forward to posting more from this Portuguese artist before too long.
More mischief from Jake the Dog and his master costume designer Losthills at Upfest this year. In the first picture we see Jake as a late 1970s punk, complete with colourful mohican haircut, chain and earring, holding an anarchy badge.
In the second picture, which was taken in the back yard of The Steamcrane pub, Jake is dressed as some kind of robot with a heart. This is probably influenced by a film or something, but I am not too sure. All good fun though. Plenty more to come.
Spot the Badger has an interesting story to tell about how badgers became the ‘thing’, and the Upfest programme biography reads:
Why Badgers? I’ve always been drawing and making things but lacked direction in my output. I needed a focus, and ‘Spot The Badger’ is where I found it. A weekly competition in my local paper to ‘spot’ a tic-tac sized Badger hidden in one of the paid-for ads, I created a stencil of this little Badger and began to draw him in different styles, leading me to where I am today.
For a self-taught artist, there are some really nice design features in this piece, but of course the badger is king.
Spot the Badger is a Bristol-based artist and this piece for Upfest contains that most iconic of Bristol landmarks, the Clifton suspension bridge. I do love these reference points that Bristol artists add to their works. (Yet another note to self…post a special suspension bridge collection).
There is a lot of fun in this piece by Mas972, and I enjoyed watching it progress over the Upfest weekend. I managed to grab a little time chatting with the artist and told him I remembered his piece from last year. What I didn’t say to him though was that I thought this piece was much better, but that is just a personal opinion.
I was interested to see how Mas972 went about this piece and by the time I first visited he had already completed the background and begun work on the characters.
I have huge admiration for these artists and the way the approach their work. They have vision, talent and experience which they apply adeptly to create these marvels.
The characters in this piece are beautifully crafted and so full of mischief. I like the way the yellow eyes and teeth really stand out, bringing them alive.
A nice touch is that these cheerleading characters are wearing bibs which carry the letters M A S. I do very much hope Mas972 returns next year.
Moon Street remains one of my favourite graffiti spots in Bristol, but it has to be said that lately turnover there has been pretty slow, and some of the works not even worth photographing. This is an exception from a little while back by Thelochnessmonster.
I’m never too sure what is going on in Thelochnessmonster’s pieces, but they are always colourful and very different from most of the stuff you see on the streets. I have a feeling this has something to do with the nuclear industry and the consequences of it, some of which might be mutations of an interesting sort.
Always good to see these unusual pieces.
For a short while, this incredible piece by Banksy, could be viewed in Bristol Museum. For a shorter time still (hours) it could be viewed in Clement Street, on a door where it was sprayed. The ownership of the work was hotly disputed between Bristol City Council and Broad Plains Boys’ Club and the furore that it caused (see this BBC news story), not uncommon with Banksy pieces, somewhat overshadowed the utter brilliance of the the work, entitled ‘Mobile Lovers’.
I saw this piece in the museum sometime before I started posting about street art, and sadly I only have this single iPhone image (is there something ironic there?). The title has a double meaning and the piece, not only brilliantly executed, is a fabulous commentary on our modern lifestyle and love-affair with mobile technology. This is absolutely one of my favourite pieces by Banksy, and it is such a pity that it now sits on the wall of somebody who can afford it. I firmly believe street art is for all, but when it carries such a high value as Banksy pieces do, this is what happens.
Natural adventures 