Tucked away in this little lane in Montpelier is this nice work by Jee See. Here he combines his ‘seismic’ writing with his stencil favourite of a military style girl, both of which can be found separately in Bristol.
The colours of this piece are what really make it stand out from the other graffiti in the area. Jee See is an artist with a different and interesting style and is starting to make his mark in this incredible city.
It is always great to see one of Louis Masai’s works close up, and this is no exception. I have actually visited this work several times recently, but the pictures have not been too good, mainly because of the shadows cast onto the wall from the tree in front of it. Hwever I got there in the end on an overcast day.
The messages that Louis Masai brings to his work chime for me, and I like the way he draws attention to some of the world’s more pressing issues relating to the environment and wildlife. To do so with such brilliant artwork is a rare talent. I hope his work turns a few heads and perhaps encourages people to take action, in whatever form that might take.
Louis Masai has produced dozens of these animal quilt pieces recently, and they seem to work so well, bringing together the organic and inorganic and injecting life into them. This particular piece is well worth a look, and can be found just on the edge of St Werburghs at the end of Mina Road.
Without question this is the most iconic graffiti view in Bristol. These two have been side by side at the top of the Carriageworks building for as long as I can remember. Any street art fan that has visited Bristol is more than likely to have this shot.
The crocodile on the left is by Rowdy, many of whose works can be found in nearby Montpelier and which I have featured on this blog before. Remember this cat for example? The skull on the right is by the very famous Sweet Toof who along with Rowdy is one of the original Bristol street/graffiti artists. It is incredible, but I think this is the first piece by Sweet Toof I have featured here on the blog – I am losing my touch. I will dig out some other of his pieces. If you cannot wait for that, I recommend his very active Instagram account @thesweettoof or take a look at his rather nice website.
When you pull back from the closeups, you can see how high and large these pieces are, and for the observant among you, you will also notice the FOIS letters by Kleiner Shames on the bottom right. Welcome to Bristol.
Taking a quick look back to Haloween last year and a gathering of several street artists from the ASK crew, who produced several pieces with ghoulish themes. This one is from Epok and unusually for him included a rather good character of Frankenstein’s monster.
The colour selections are up to his usual high standards and the letters mistily disguised, which is a bit of a departure from his trademark strong shapes and sharp lines. I like this piece very much as it demonstrates the range of Epok’s work. I am just sorry that I didn’t have time to post it last year.
This is a wonderful collaboration that I saw in Hawley Mews, Camden Town during last summer. There is a great post about the piece from the London calling blog, which perhaps more articulately describes the works than I might be able to do.
The girl and cheetah are by Alice Pasquini, an Italian artist from Rome, who has worked in many great cities all over the world. Her work, which often features portraits and uses light pastel shades, reminds me a lot of Hannah Adamasek’s work. There is a serenity and calmness in this piece.
The desert foxes by Himbad and Marina Zumi add a little humour to the collaboration. There is not a lot of information about Himbad, although lots of his work is posted on various websites. It would appear that he is based in London. His fox looks rather mischievous, which is pretty much in keeping with the other faces he sprays on the streets of London.
Marina Zumi presents us with an altogether softer and kinder looking desert fox. Marina Zumi lives and works in Sao Paolo and is perhaps more used to working large walls. She paints fairy tail animals, often at dusk or nightfall when the magic comes. You can read more about her work here.
It was a real pleasure to see this collaboration. Just one of the rewards for wandering around without any plan or map…psychogeography at its best.
I have said enough about how great Sled One is, so I’ll not dwell on repeating myself, but simply show you some pictures I took earlier in the Summer of one of his awesome pieces.
As with many of his murals, there is a story to be told here, but his stories always seem to be a little obscure, and I’ll be damned if I can figure them out.
His cartoon style of creating animals has a dream-like quality to it. Always beautifully sprayed, but something slightly weird in their looks or mannerisms.
In this piece we see a cat and a mouse, the latter of which bears a resemblance to the character Scrat from the Ice Age films. The mouse is running off with cheese, but the cat looks like he’s having none of it.
This is a fun piece from Bristol’s best.
Another wonderful piece from the summer when I took a trip to Camden Town. This work by Dan Kitchener ticks all the boxes as far as I am concerned. A colourful wet street scene with cars and umbrellas demonstrating the amazing talent of this street artist.
As discussed previously when posting about Dan Kitchener pieces, it is all in the detail. From a distance the piece looks a bit busy and confused. But take a closer look, and the picture takes over.
Crowds of pedestrians going about their business lit by the bright neon signs and street lighting, and the cars on the right hand side of the mural, blurred as they speed along. The perfect street mural so atmospheric.
The Bearpit has not had very much new work since it was taken over by the Mexican exhibition in the early Autumn, which feels strange as I am used to such a high turn over of ‘quickies’ there. This one has slipped through the net though. Another nice simple stencil from RIP, who might as well just come and live in Bristol, as it would save a lot on travel.
There are rewards to be had when making the effort to walk just that little bit further, or turn down a street you’ve not been down before. My reward recently for doing this was to come across this beautiful mural on the front of a small terraced house in Montpelier.
Another fine example of wildstyle writing down at the M32 roundabout by the inexhaustible Sled One. This piece has a metallic look to it, not only in the colour palette but also in the angular nature of the lettering and embellishment.
I have probably said as much as I need to in previous posts about how much I admire the work of Sled One. Always beautifully executed, never ever disappointing.
Natural adventures 