7321. River Avon (103)

Avem808, River Avon, Bristol, November 2025
Avem808, River Avon, Bristol, November 2025

I think that this might be the third piece of graffiti writing by Avem808 that I have posted on Natural Adventures, and I am really liking what I see from the artist. There is an intricacy blended with fluidity about this piece that plays with the eyes.

Avem808, River Avon, Bristol, November 2025
Avem808, River Avon, Bristol, November 2025

I am not entirely sure what the letters spell. I’d like to believe it says AVEM, but I think that there is more to it than that. It is a wonderful tribute piece to a departed friend, Frank, and painted with heart and soul. The colours fit into that ‘fruit salad’ palette (a popular sweet of my childhood, and partner to Black Jacks) and make for an upbeat and joyful piece. There is lots of detail, and it is one of those pieces that deserves a long viewing time.

7249. Cumberland Basin

Pl8o, Cumberland Basin, Bristol, October 2025
Pl8o, Cumberland Basin, Bristol, October 2025

I have included this piece, not because it is amazing, but because it is by PL8o whose work I like and because it is representative of a great many tribute pieces in Bristol to Dorns who recently passed away.

Pl8o, Cumberland Basin, Bristol, October 2025
Pl8o, Cumberland Basin, Bristol, October 2025

There is something easy and accessible about PL8o’s letter style, and the colours in this piece certainly stand out. It is a nice tribute. Interestingly, this piece was over-painted by an artist who is not local and who probably didn’t know about Dorns or the tributes to him. That piece has since been tagged with ‘Dorns’ written all over it, and a comment which reads ‘You had the whole wall…’  basically telling the artist off for painting over a tribute piece – an example of the politics and rules (there are no rules) of street/graffiti art.

7225. Brunel Way (338)

Dirtygypo, Brunel Way, Bristol, October 2025
Dirtygypo, Brunel Way, Bristol, October 2025

This tidy little piece of graffiti writing is Dirtygypo’s contribution to a tribute wall painted in honour of Dorns recently. I betray my lack of knowledge at times like this when I say that I am not entirely sure that I ever met Dorns nor featured any of their work in Natural Adventures. What is clear from this wall is that Dorns was well-loved and respected by many in the graffiti community in Bristol.

Dirtygypo, Brunel Way, Bristol, October 2025
Dirtygypo, Brunel Way, Bristol, October 2025

What is deeply frustrating from my perspective is that I find it quite easy to read the letters DORNS in this piece, but I can’t decipher the letters used in Dirtygypo’s normal writing. There are some great colours in this piece, and a rather special 3D drop shadow in purple with pink dots. A thin white highlight enhances the feeling of depth. RIP Dorns.

7098. St Werburghs tunnel (522)

Tera, St Werburghs, Bristol, July 2025
Tera, St Werburghs, Bristol, July 2025

I guess that it was fairly inevitable that tribute pieces to the late Ozzy Osbourne would start to emerge, although in Bristol, I have only found two, of which this impressive piece by Tera is one. I see how much the musician meant to so many people, but I’m afraid I don’t count myself amongst them. I always thought he was a bit of an arse, and I was less than captivated by the puerile ‘fly on the wall’ documentary series about the Osbournes, but each to their own.

Tera, St Werburghs, Bristol, July 2025
Tera, St Werburghs, Bristol, July 2025

What is incredible about this large portrait is just how quickly Tera has adapted to upscaling his tattoo skills to large walls, literally in a mater of months. There is some great use of positioning bright colours against the greyscale portrait, which creates a certain dynamism. This piece captures the mood of Ozzy perfectly, and I rather like the epitaph ‘Rest in Darkness’.

7080. Sparke Evans Park (137)

Pekoe, Sparke Evans Park, Bristol, July 2025
Pekoe, Sparke Evans Park, Bristol, July 2025

This is a tribute piece, one of many to the late Paroe, on the long wall at Sparke Evans Park. Pekoe’s stylised portrait pieces are no stranger to Natural Adventures and I have observed over the years that emotions underpin her pieces and that is for sure the case here.

Pekoe, Sparke Evans Park, Bristol, July 2025
Pekoe, Sparke Evans Park, Bristol, July 2025

The woman has a sorrowful expression, somewhat amplified by the tear of sadness. Tears used to be a common feature of Pekoe’s pieces, but of late they have been less common, perhaps reflecting her own happier disposition.

Pekoe, Sparke Evans Park, Bristol, July 2025
Pekoe, Sparke Evans Park, Bristol, July 2025

This piece is archetypal Pekoe, and that is a wonderful thing. A beautiful portrait with strong features, especially eyes and lips, and some great shading. The wonderful hair is a trademark element of Pekoe’s work which is nicely coloured with green and yellow bands. Another fine portrait piece from Pekoe.

7075. Sparke Evans Park (136)

Vesar, Sparke Evans Park, Bristol, July 2025
Vesar, Sparke Evans Park, Bristol, July 2025

Recently, almost the entire wall at Sparke Evans Park, and it is a long wall, was filled with tribute pieces to Paroe (or Paro).  I know little about Paroe (Oliver Andrews), but it would seem from the huge turnout and the large number of tribute pieces all over Bristol, that he was well-known and much loved. This is one of those tribute pieces, by Vesar.

Vesar, Sparke Evans Park, Bristol, July 2025
Vesar, Sparke Evans Park, Bristol, July 2025

I have only recently been posting pieces by Vesar, despite having many of his pieces in my archive, and I am certainly noticing them much more when I go out on my walks. This is a beautifully presented piece with skilfully worked red fills and a stunning green splash behind. A worthy tribute piece.

7039. Dean Lane skate park (849)

Dibz, Dean Lane, Bristol, June 2025
Dibz, Dean Lane, Bristol, June 2025

If ever you wanted an example of contemporary wildstyle writing at its best, you wouldn’t need to go any further than this exquisite piece by Dibz. The subtle tones and dark background are in harmony with this piece being a tribute to the late Tickz, hence the ‘rest in peace’ writing to the top left.

Dibz, Dean Lane, Bristol, June 2025
Dibz, Dean Lane, Bristol, June 2025

Everything about this piece is near-perfect. All the lines are sharp and clean, the fills tidy and unfussy, the white highlights consistent and bringing about a uniform 3D effect across the whole piece, and of course the halo in contrasting yellow. As tribute pieces go, this is about as good as it gets.

7007. Cumberland Basin

Andy Council and Acer One, Cumberland Basin, Bristol, June 2025
Andy Council and Acer One, Cumberland Basin, Bristol, June 2025

Andy Council and Acer One are a classic painting duo, with utterly different styles and subject, but their work, counterintuitively, seems to be wonderfully complementary. There is no jarring of styles, or competition for space or the limelight – the two artists seem to be comfortable with themselves and each other.

Andy Council, Cumberland Basin, Bristol, June 2025
Andy Council, Cumberland Basin, Bristol, June 2025

Andy Council has painted one of his gorgeous dinosaurs, selecting some beautiful colours and stitching the whole creature together with small components, like a Lego model. The little dots of green add so much to the piece. The collaboration was painted as a tribute to Tickz, who will be very much missed by the graffiti community in Bristol.

Acer One, Cumberland Basin, Bristol, June 2025
Acer One, Cumberland Basin, Bristol, June 2025

Acer One, who has been relatively quiet this year, has painted one of his iconic peace and love stamps in yellow and white or gold and silver, depending on your interpretation. This is a difficult wall to paint, especially with a designed graphic like this one, and the recesses in the walls present a challenge that Acer One has risen to. A fine collaboration and fitting tribute.

6922. Dean Lane skate park (831)

Fade, Dean Lane, Bristol, April 2025
Fade, Dean Lane, Bristol, April 2025

There are a couple of things that are slightly unusual about this piece by Fade. The first is that it is a solo piece and not a collaboration with Dibz and second, it has unfamiliar letters, as it is a tribute to ‘the Mrs’ to use Fade’s words, although I can’t remember her name, and I am struggling to decipher the letters.

Fade, Dean Lane, Bristol, April 2025
Fade, Dean Lane, Bristol, April 2025

The graffiti writing is flawless, as you would expect, and stands out on the large wall with a black background. There is a little too much brown for my own personal taste, but I have spoken enough about that in recent posts. Really stand out work from Fade

6870. Dean Lane skate park (821)

Fade and Dibz, Dean Lane, Bristol, February 2025
Fade and Dibz, Dean Lane, Bristol, February 2025

Keeping up with Dibz and Fade, even over the winter months, has been challenging. Their high-end graffiti writing is creative and imaginative, and some of the best you’ll see in Bristol and beyond. Sometimes the pair paint in themed colour schemes and play off one another, but this collaboration presents two very different pieces with only a shared background to link them.

Fade, Dean Lane, Bristol, February 2025
Fade, Dean Lane, Bristol, February 2025

On the left, Fade has painted a stunning tribute piece for Chaos, who in his own words is ‘lost but not forgotten’. The yellow letters are filled with three horizontal stripes, nicely blended, without any hard edges. The little white trims do a lot to create depth, as does the thick black border. A beautifully finished piece, as you’d expect from Fade.

Dibz, Dean Lane, Bristol, February 2025
Dibz, Dean Lane, Bristol, February 2025

To the right, Dibz has painted a crazy colourful explosion of a piece, which is a ‘heavenly birthday’ tribute piece for Benson Much, and knowing this, you can make out the letters BENSON. This is an absolute stunner, there are no two ways about it. Each component of the work has been allocated a different colour, not only on the surface, but also in the drop shadow. This demonstrates Dibz’ complete understanding of light and shade and colour matches and when combined with his extraordinary talent you are left with something that you can’t help but admire. A fabulous collaboration.