Recently, almost the entire wall at Sparke Evans Park, and it is a long wall, was filled with tribute pieces to Paroe (or Paro). I know little about Paroe (Oliver Andrews), but it would seem from the huge turnout and the large number of tribute pieces all over Bristol, that he was well-known and much loved. This is one of those tribute pieces, by Vesar.
Vesar, Sparke Evans Park, Bristol, July 2025
I have only recently been posting pieces by Vesar, despite having many of his pieces in my archive, and I am certainly noticing them much more when I go out on my walks. This is a beautifully presented piece with skilfully worked red fills and a stunning green splash behind. A worthy tribute piece.
If ever you wanted an example of contemporary wildstyle writing at its best, you wouldn’t need to go any further than this exquisite piece by Dibz. The subtle tones and dark background are in harmony with this piece being a tribute to the late Tickz, hence the ‘rest in peace’ writing to the top left.
Dibz, Dean Lane, Bristol, June 2025
Everything about this piece is near-perfect. All the lines are sharp and clean, the fills tidy and unfussy, the white highlights consistent and bringing about a uniform 3D effect across the whole piece, and of course the halo in contrasting yellow. As tribute pieces go, this is about as good as it gets.
Andy Council and Acer One, Cumberland Basin, Bristol, June 2025
Andy Council and Acer One are a classic painting duo, with utterly different styles and subject, but their work, counterintuitively, seems to be wonderfully complementary. There is no jarring of styles, or competition for space or the limelight – the two artists seem to be comfortable with themselves and each other.
Andy Council, Cumberland Basin, Bristol, June 2025
Andy Council has painted one of his gorgeous dinosaurs, selecting some beautiful colours and stitching the whole creature together with small components, like a Lego model. The little dots of green add so much to the piece. The collaboration was painted as a tribute to Tickz, who will be very much missed by the graffiti community in Bristol.
Acer One, Cumberland Basin, Bristol, June 2025
Acer One, who has been relatively quiet this year, has painted one of his iconic peace and love stamps in yellow and white or gold and silver, depending on your interpretation. This is a difficult wall to paint, especially with a designed graphic like this one, and the recesses in the walls present a challenge that Acer One has risen to. A fine collaboration and fitting tribute.
There are a couple of things that are slightly unusual about this piece by Fade. The first is that it is a solo piece and not a collaboration with Dibz and second, it has unfamiliar letters, as it is a tribute to ‘the Mrs’ to use Fade’s words, although I can’t remember her name, and I am struggling to decipher the letters.
Fade, Dean Lane, Bristol, April 2025
The graffiti writing is flawless, as you would expect, and stands out on the large wall with a black background. There is a little too much brown for my own personal taste, but I have spoken enough about that in recent posts. Really stand out work from Fade
Keeping up with Dibz and Fade, even over the winter months, has been challenging. Their high-end graffiti writing is creative and imaginative, and some of the best you’ll see in Bristol and beyond. Sometimes the pair paint in themed colour schemes and play off one another, but this collaboration presents two very different pieces with only a shared background to link them.
Fade, Dean Lane, Bristol, February 2025
On the left, Fade has painted a stunning tribute piece for Chaos, who in his own words is ‘lost but not forgotten’. The yellow letters are filled with three horizontal stripes, nicely blended, without any hard edges. The little white trims do a lot to create depth, as does the thick black border. A beautifully finished piece, as you’d expect from Fade.
Dibz, Dean Lane, Bristol, February 2025
To the right, Dibz has painted a crazy colourful explosion of a piece, which is a ‘heavenly birthday’ tribute piece for Benson Much, and knowing this, you can make out the letters BENSON. This is an absolute stunner, there are no two ways about it. Each component of the work has been allocated a different colour, not only on the surface, but also in the drop shadow. This demonstrates Dibz’ complete understanding of light and shade and colour matches and when combined with his extraordinary talent you are left with something that you can’t help but admire. A fabulous collaboration.
One of the best Christmas presents I received this year was a signed Inkie print from my wife, who managed to get down to the ‘Pipe and Slippers’ pub, while I was away, and catch up with the artist and some mutual friends. I don’t think that my wife made the link back to me, which is a pity because it all might have made a little more sense to him at the time. The print is a good one, and awaiting framing, along with dozens of other pieces of artwork I have accumulated.
Inkie, Dean Lane, Bristol, January 2025
This lovely piece by Inkie is a tribute to an old friend of his Paul ‘Peewee’ Miller, who’d recently died. Inkie mentions on his Instagram that he painted this exact wall, presumably with Peewee, 36 years ago. That is going some.
It is always, always a great pleasure to welcome Wispa to Bristol, and finding her pieces (almost always an unannounced surprise) is such sweet joy. This recent piece was painted to celebrate Pekoe’s birthday, hence the shout out top left.
Wispa, Dean Lane, Bristol, December 2024
Wispa’s work is always immaculately turned out, and the clever fills in this piece read across from letter to letter. Simply a wonderful piece.
Vane and Bnie, Cumberland Basin, Bristol, September 2024
This stunning collaboration from Vane and Bnie was painted a little while ago during a paint jam organised to wish Mena a swift recovery from her accident in Thailand. The character on the left is by Vane and the writing, spelling MENAS is by Bnie.
Vane and Bnie, Cumberland Basin, Bristol, September 2024
The colour selection in this collaboration is really quite something, with the purples, pinks and mint green working exceptionally well together. I don’t get to see much artwork by Vane, and Bnie hasn’t painted too much this year, so this collaboration was bonus and a bit of a treat. I hope all the good vibes created during this paint jam have helped Mena on her journey to recovery.
When I first came across this piece, I really wasn’t too sure what it meant, but photographed it anyway, because it is a clean and classy piece of writing with an important message. It turns out that it is by Vane and is a get well shout-out to his friend Holly, AKA Mena – regular readers will know that she is a Bristol writer who had an accident in Thailand recently and is currently recovering in the UK.
Vane, Jamaica Street, Bristol, July 2024
This is a heartfelt and touching piece by Vane, who, although he is a Bristol artist, hasn’t appeared on Natural Adventures all that often. I think it says much about the graffiti/street art culture in the city that so many artists have rallied around Mena and painted messages of support for her over the last few weeks. I hope her recovery continues well.
Bbygwya (Flux), Cumberland Basin, Bristol, September 2024
There have been many ‘get well’ tribute pieces about the place for Mena, who suffered a motorcycle accident (I think) while travelling in Thailand a while back, and this one in Cumberland Basin by Bbygwya, or Flux as she is more commonly known is an absolute beauty.
Bbygwya (Flux), Cumberland Basin, Bristol, September 2024
Bbygwya is something of an enigma who can produce some really high quality pieces in varying styles, but is also rather fond of quick and dirty throw-ups. I particularly like the horizontal fills in this piece and how they give the whole thing the appearance of shiny metal, by design or accidentally. A nice shout out of ‘We love you’ rounds the whole thing off nicely.
Natural adventures 