Bark and bite

.

Puppy has taken

a liking to silver birch

white shreds everywhere.

.

by Scooj

1305. St Werburghs tunnel (17)

I think I said it quite recently that I don’t often get down to St Werburghs tunnel, which is a pity really because I miss out on a lot of gems like this one from Whysayit. I am beginning to think that he might simply be whysay or YSAE, because his Instagram handle which used to be Whysayit has changed to Whysissy and again to Whydot. However, I am not retrospectively going to correct all my posts. I shall call him Whysayit.

Whysayit, St Werburghs tunnel, Bristol, January 2018
Whysayit, St Werburghs tunnel, Bristol, January 2018

Once again we such great quality of ideas and shading from this graffiti artist. When I see great writing, I often wonder whether the artists could do characters or something other than writing. There is something of a split between graff writers and street artists, but some have crossed the divide and others, such as Deamze and Voyder seem to be equally comfortable with both.

For making fires

 

old wooden drawers

branches from the garden

perfect for kindling.

 

by Scooj

 

1304. Stokes Croft

At a bus stop, just opposite Ashley Road, there is a hoarding which has slowly and steadily been claimed by graffiti artists. The building owner has tried to shoo them away, but it is a bit of a relentless tide. The initial graffiti that went up was mostly quick burners and none of it up to much, with the odd exception. Then with accelerated pace, more pieces have been going up recently and this lovely quick one from Jee See appeared a couple of weeks ago.

Jee See, Stokes Croft, Bristol, February 2018
Jee See, Stokes Croft, Bristol, February 2018

Of course, it was over -sprayed a couple of days later, but I was very pleased to capture it. This is a revolutionary motif that Jee See likes to use a lot, and I have to say I really like it. It was a piece like this that first put him on my radar. Power to the people! Briz Graff.

 

New toy

 

The first photograph

snapped on my new camera;

a stained glass window.

 

by Scooj

1303. Upper York Street (9)

This has been a winter where some of the giants of Bristol street art have awoken and decorated our walls with some of the finest works for a while. Sepr is one such giant who seems to be painting most weekends and turning out some really high-quality work.

Sepr, Upper York Street, Bristol, February 2018
Sepr, Upper York Street, Bristol, February 2018

What a stunner this is – ‘knock it on the head – before it knocks you on your arse’. I’ve not heard the expression before, but am willing to adopt it on the back of this wonderful Sepr work.

Sepr, Upper York Street, Bristol, February 2018
Sepr, Upper York Street, Bristol, February 2018

The common thread running through much of Sepr’s work is music, and musicians and here he has painted a pianist stretched out and toppling off his stool. For me, his works have a very strong retro feel and remind me of 1950’s cartoons – the hairstyle and the trilby are not of this decade.

Sepr, Upper York Street, Bristol, February 2018
Sepr, Upper York Street, Bristol, February 2018

These cartoons, beautifully drawn are pulled out from the wall by some expert shardos that govo it a bit of a 3D feel. Definitely worth a look.

 

Icy

 

Perilous flagstones

outside Bristol cathedral;

stairway to heaven.

 

by Scooj

1302. St Werburghs tunnel (16)

The turnover of work in St Werburghs tunnel is quite eye-watering. I don’t visit very often, but every time I go, pretty much everything is new. I went down there deliberately this time to find this piece by Hazard.

Hazard, St Werburghs tunnel, Bristol, January 2018
Hazard, St Werburghs tunnel, Bristol, January 2018

It is hard not to be utterly captivated by her work (hers is on the right) which usually features a female portrait, either face on or profile, with beautifully ornate hair and head decorations.

Hazard, St Werburghs tunnel, Bristol, January 2018
Hazard, St Werburghs tunnel, Bristol, January 2018

I am not too sure who the piece on the left is by, but the contrast in styles is really interesting and in fact both work quite well together. I’m not sure that this was a collaboration, but I might be wrong. A fine piece.

There is a comment below from Tasha Bee who painted the lady on the left, she says it was a collaboration, and seeing the joint signature now, it all seems obvious.

Winter seen

 

Winter-stripped branches

offer scant cover for the

marauding magpies.

 

by Scooj

1301. Old Ashley Hill

I have driven past this piece dozens of times and caught a glimpse of it out of the corner of my eye, but parking is tricky. Finally I found some time to double park, nip out and take these pictures.

Decay, Old Ashley Hill, Bristol, January 2018
Decay, Old Ashley Hill, Bristol, January 2018

It is a wonderful piece by Decay and one that is likely to be around for some time as it looks like a private commisssion. Many of his pieces, particularly in the centre of town get oversprayed, so it is nice to have a spot where it will be around for a while.

Decay, Old Ashley Hill, Bristol, January 2018
Decay, Old Ashley Hill, Bristol, January 2018

Decay is the master of these abstract designs and his work is easy to identify due to its distinctive shapes and use of the colours red, white, grey and black. This one is a stunner.