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Clickety clacking
through this English countryside
silver snow blanket
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by Scooj
Tag: UK
Two-hour event
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Excited children
snow falling hard in Bristol
settled then melted
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by Scooj
6531. Sparke Evans Park (103)
This is yet another colourful outburst of joy and movement from Grimes, and a piece to enjoy and savour. Grimes has been smashing it with every piece he paints, and Bristol spots are without a doubt more colourful places when one of his pieces is present.
The three dimensional effect that Grimes creates in his work is outstanding, and this whole thing has the appearance of bursting out from the wall towards the viewer. Such is the energy in the piece it almost feels like an animation. The ‘fruit salad’ colours are beautifully distributed throughout the writing (Spelling GRIMES), and are set on a watery blue background, which is also full of swirling movement. In my eyes, this is a masterpiece of wildstyle writing.
6530. Sparke Evans Park (102)
I am seeing an awful lot more crazy character pieces by Scrapyardspec appearing on the streets of Bristol, which, as I said in a previous post, leads me to believe that he might have moved somewhere more local to the city. I am finding new piece almost on a weekly basis now.
This is quite a large specimen from Scrapyardspec on the long wall at Sparke Evans Park, squeezed in between writers. The monster character has all the features of a piece by the artist, that is to say, wibbly wobbly lines, crazy eyes, in this case three of them, and a tong hanging out from a goofy toothy mouth. More to come from Scrapyardspec soon.
6529. Cumberland Basin
It’s a funny thing, but I don’t know whether I simply haven’t registered Oust much in the past, or whether he is painting a little bit more often in Bristol, but I seem to be finding more Oust work about town these days.
This is a superb piece of writing, with all elements working well in harmony, although I think that the light blue of the letters is slightly washed out by some of the stronger colours around it. Obviously, the letters spell OUST and they have been filled with loads of patterning and symbols, mostly stars. There is a complex drop shadow in black and yellow and a busy red background. I’ll definitely be looking out for more from Oust.
6528. M32 roundabout J3 (639)
There is a simplicity and clarity in Zeks’ work, where less is definitely more. His child-like quality and themes work so very well. The autumn leaves in front of the piece complement the ‘blue sky’ background, so well, conjuring up visions of gorgeous autumn days.
The combination piece is split into distinct halves, with a beautifully illustrated urban landscape to the left (looking like one of those 1960-70s cartoon series), which is so full of character. The writing in contrasting and bright colours spells out ZEKS, and is filled with interesting but unfussy shapes and designs. This is a delightful and calming piece from Zeks.
6527. Dean Lane skate park (778)
This is a fabulous Halloween combination piece from Nice One, and one of a series of outstanding artworks from this most modest of artists. I think that the font he uses contrasts so well with all around it, creating a fresh look in amongst all the styles and fonts we get used to.
The portrait of the Joker is brilliantly reproduced and suitably menacing, perfect for Halloween. I love the way that Nice One has only hinted at his letters, with most of them obscured or falling outside the frame. There is simply so much to enjoy from Nice One’s work at the moment… long may it last.
6526. River Avon (67)
Completely unplanned I appear to have posted two chrome pieces in a row, from two artists that are known for the colourful work, Nips yesterday and Kid Krishna today. I’m not sure I have seen an entirely chrome and black piece from Kid Krishna before, but I like what I see, and it appears to have worked really well.
The letters, as always spell out CRIE, and having spoken to Kid Krishna recently, we will soon know why he uses these letters. In the middle of this combination piece is a crazy cartoon character bursting out and looking rather sketch-like. A fun two-tone piece.
6525. M32 Cycle path (277)
Nips is known for her wonderful colour selections and fill patterns and with this chrome piece on the cycle path, the question is could she carry it off with such colour limitations, the answer is unequivocally yes.
Nips’ letters do not change an awful lot from piece to piece, but her decorative artwork does, and here she has made the most of a simple fill pattern of black blobs. The overall effect works very well. Normally you’d expect the tittle (a word I learned last night, meaning the dot above the i or j) in Nips’ pieces to have a little character face, but here she has substituted it with a heart. Great work from Nips.
6524. Brunel Way (301)
This is a wonderful production wrap-around Halloween piece from Dibz and Fade. In fact this is the second time that the pair have bookended their former tribute collaboration with Jody and Acer One, to musician and DJ Randall. The central portrait by Jody and letters from Acer One have remained intact each time.
To the left Fade has painted a wonderful combination piece, along with Jody, with the letters FDE either side of a creepy pumpkin character. The purple, black and green colours together with the pumpkin orange are commonly used in Halloween pieces.
The pumpkin is super-fierce and beautifully painted by Jody (thank you Paul H for your unflinching reminders that I completely missed this) with the light overflowing from the lantern and spilling onto the floor and spelling out the crew letters THK. Clever stuff.
To the right, Dibz has similarly created a combination piece, but his character is a cartoon-style Grim Reaper, altogether less threatening than his pumpkin partner. The letters offer up wildstyle writing at its best, and contrasts somewhat with the comic character, but as ever, Dibz gets the two to work well together.
Overall a superb seasonal augmentation of an existing collaboration.
Natural adventures 