It hangs in the air
a constant veil surrounding;
looking for clearings.
by Scooj
Tag: UK
Starburst
Magnolia tree
bursting with delicate blooms
snow white in the spring.
by Scooj
1417. The Bearpit (129)
I recently found out, from reading an interview with John D’oh, that he tends to create these single layer political stencils for places like The Bearpit, where their lifespan may at times be only a day or two. His more complex multi-layered work is reserved for walls where longevity is more likely…an utterly understandable position.
This piece is highly critical of Theresa May and the growing problem of homelessness and rough sleeping that is plaguing towns and cities across the UK. I really like the work he does and the way he uses his art to express political ideas. Much of his artwork tends to encourage ‘embellishment’ from passers by, and this one is no exception. The ‘cock and balls’ motif being put to good use.
Keep it going John D’oh.
1416. St Michael’s Hill (3)
Occasionally I vary my walk to work, and instead of sweeping through Stokes Croft and The Bearpit, where I am guaranteed to find some lovely new stuff, I take the hilly route and drop down St Michael’s Hill. This is not an area known for its street art, so finding this large wall by Cheba is a real find.
What a lovely way to decorate a ‘dead’ wall like this one with one of his cosmos pieces. He really has nailed this technique and is quite the best at it that I have seen. I managed to get a shot of it before completion, and it was some time before I visited it again.
I always like to see his work, it is something fresh and different.
1415. Stokes Croft, the Carriageworks (36)
I love this piece which has remained intact and unspoiled for such a very long time in Stokes Croft. It is beautifully well proportioned and the shading is first class – it is a crisp and fresh piece of writing that stands out from the mess around it. The artist is Sofly
On trying to find out a bit more about Sofly, I managed to find her website. It turns out Sophy Robson is a nail artist from London who appears to be at the top of her game, and as a sideline she runs graffiti workshops. How brilliant is that? I know she has visited Bristol on a few occasions, and I have another of her pieces from Dean Lane somewhere in my archives. I love this a lot.
Comma (2)
A warm Spring morning
punctuated only by
a passing comma.
by Scooj
- adapted from an earlier haiku, prompted by seeing my first garden butterfly of the season. Origination is not coming too easily for me at the moment.
1414. Ashley Road (18)
I like collaborations, I think they shed the street art community in a good and friendly light. This particular one is between Mr Draws, the writing, and NEVERGIVEUP whose bunny is unmistakable.
After his phase of spraying monsters everywhere it seems that NEVREGIVEUP has resumed with his rather friendly rabbits, there are a lot of them about, which is fitting I suppose.
The Mr Draws writing is playing with an idea he has used before, which is to spell out ‘draw’ in German (Zieht) and replacing the Z with a 3. I think however, that this word draw means to pull like drawing water from a well, but don’t quote me on it…I know no German at all. A fun collaboration.
Making plans
.
Woodland burial
with willow wicker coffin
return to the earth.
.
by Scooj
1413. The Bearpit (128)
I wasn’t too sure whether to feature this work from Unlucky 15th or not, mainly because up until now I have not been clear in my own mind whether this is a tag or graffiti art. Then I thought, does it really matter? This motif has been appearing around Bristol for a while now, and it is only recently that I found out whom it is by. It is highly distinctive and the artist keeps it consistent.
I think what I would really like to see is some other ideas, to establish whether Unlucky 15th is a ‘one-trick-pony’ or a budding Bristol artist. There is a part of me that really likes this piece, and the overall message is a good one…I think there is another level to achieve though.
1412. M32 cycle path (12)
I think this might be the third piece I have posted by Howl since meeting him a couple of months back. His style of writing is something quite different and has a unique character. Of course, the little dog character is like a signature and adds to the uniqueness of Howl’s work.
I particularly like the deep shadow in this piece with its blue dots, which contrasts nicely with the rest of the writing. I am pretty certain the whole thing spells out ‘HOWL’ although I must confess I have a little difficulty seeing it myself.
Natural adventures 