7275. St Werburghs tunnel (535)

Nips and Redeye, St Werburghs, Bristol, October 2025
Nips and Redeye, St Werburghs, Bristol, October 2025

Although I have posted many pieces by Nips, I think that this is a first on Natural Adventures from Redeye, in spite of having dozens of his pieces in my archive. I perhaps ought to put that right. I believe that the artists might be partners, although they might simply be painting buddies. Redeye, on the right here, tends to write variants of the letters of his name and in this instance has written Ryde – not to be confused in any way with Ryder. His letters here are filled with a concoction of red, yellow and white in lovely patterns and formations, bound by a strong black line.

Nips, St Werburghs, Bristol, October 2025
Nips, St Werburghs, Bristol, October 2025

Nips presents her letters with growing confidence, and this piece is beautifully presented in all aspects. Her strength is in her variety of fills and here she brings together a superb blend of warm and comforting oranges and purples, including some subtle reversed out spots. The drop shadow and white border to enough to define the letters and the little white highlight lines add significant depth. A fine piece from Nips.

7274. Cumberland Basin

Totosoapcity, Cumberland Basin, Bristol, October 2025
Totosoapcity, Cumberland Basin, Bristol, October 2025

By now, regular readers will be getting quite familiar with the distinctive ARS(Z)A letters from Totosoapcity. This is a recent piece from the artist in one of his favoured spots, Cumberland Basin.

Totosoapcity, Cumberland Basin, Bristol, October 2025
Totosoapcity, Cumberland Basin, Bristol, October 2025

The letter shapes of Totosoapcity’s pieces remain broadly the same, so it is the decoration that we can focus on. In this piece, the skilful application of greys provide a metallic look to the piece which jumps out from the wall thanks to the stripy drop shadow. This symmetrical piece is assisted in its regular shape thanks to the indented lines on the wall, which so many writers make use of to keep proportions true. A nice piece.

7273. Dean Lane skate park (881)

Lis, Dean Lane, Bristol, October 2025
Lis, Dean Lane, Bristol, October 2025

Even though Lis painted this piece well in advance of Halloween, such is my huge backlog of photographs, I am still several days late posting it, and I have loads of other Halloween pieces that I might just clear by Christmas.

Lis, Dean Lane, Bristol, October 2025
Lis, Dean Lane, Bristol, October 2025

This piece reminds me of one she painted under the M32 as it is like an archway with a vortex into another world or domain. A couple of menacing crows holding weapons in their beaks add a bit of horror threat, and of course there are a couple of spider’s web decorations. A nicely painted piece as part of a mini paint jam with Rowzgraff and Ozuk.

Lis, M32 Spot, Bristol, June 2025
Lis, M32 Spot, Bristol, June 2025

7272. Greenbank (174)

Avem808, Greenbank, Bristol, August 2025
Avem808, Greenbank, Bristol, August 2025

It gives me great pleasure to ‘discover’ an artist that is new to me, and Avem808 fits the bill really nicely. Following yesterday’s post of a lively piece by the artist in Peel Street Green, I recalled this piece from Greenbank back in August and thought I’d publish them consecutively, something I rarely do on Natural Adventures.

Avem808, Greenbank, Bristol, August 2025
Avem808, Greenbank, Bristol, August 2025

This clean and tidy piece, spelling AVEM is similar to the Peel Street Green one in that it appears to have a flat surface which is lifted from the hoarding with the help of a lovely golden two-tone 3D drop shadow. It is interesting that Avem808 doesn’t use any white highlight lines on his letters to give depth, preferring to retain a ‘flat’ surface to the letters. He has incorporated, however, some little starbursts which add variety and interest. Nice work from Avem808… looking forward to finding more.

7271. Peel Street Green (53)

Avem808, Peel Street Green, Bristol, October 2025
Avem808, Peel Street Green, Bristol, October 2025

It is always most satisfying to be able to put a name to a piece of artwork. Much of what I do is detective work, trying to work out or find out who a particular piece might be, using my own knowledge of the Bristol scene, the Interweb and Instagram in particular, and conversations with artists when I meet them. This one took me a little while, but I figured out that it is by Avem808 (it is signed) who I think might be a friend of Esme Lower.

Avem808, Peel Street Green, Bristol, October 2025
Avem808, Peel Street Green, Bristol, October 2025

This is a superb piece of graffiti writing, with a flat surface to the letters filled with an interesting blue cosmic-style scene. The letters pop a little due to the magnificent yellow (gold) 3D drop shadow with a central vanishing point. Blue and yellow work exceptionally in this piece, and the dark blue background with large bubbles also lifts the letters. An accomplished piece which triggered my memory that I had previously seen another piece by Avem808 (see tomorrow).

7270. Monarch’s Way

Sub, Monarch's Way, Bristol, October 2025
Sub, Monarch’s Way, Bristol, October 2025

In the centre of town, alongside the Harbourside (a floating harbour), there is a large office building called Canons House, locally known as the Lloyds building as it was the regional headquarters of Lloyds Bank, which they sold in December 2024. The Grade II listed building (only completed in 1991) is now undergoing a major redevelopment, and you know what that means… hoardings. The shiny white hoardings are not the easiest to paint, and the area is not one much frequented by street/graffiti artists, so finding anything of interest here is unlikely. However, Sub appears to have made himself at home with a couple of pieces, and there is a massive commission by Esme Lower too (coming soon).

Sub, Monarch's Way, Bristol, October 2025
Sub, Monarch’s Way, Bristol, October 2025

Sub has been working hard, and is improving so much with his overall presentation. His fills have been getting a little more intricate with some nice details, and here he has created a wonderful marbled effect on the white background, making good use of the hoarding colour. I do wonder if his enormous letters might be holding him back a little – it is a lot of space to fill, and whether an additional letter, might give him more creative latitude. I’m sure he is happy with what he is doing, but I think he is ready to take a big step forward.

7269. St Werburghs tunnel (534)

Tera, St Werburghs, Bristol, October 2025
Tera, St Werburghs, Bristol, October 2025

It has been a while since I last saw a scary clown piece, so this one from Tera is most welcome. It was painted as part of a belated birthday paint jam in the tunnel for Kool Hand, and served as a tasty precursor to Halloween. Tera’s meteoric rise as a street artist of great talent continues at pace.

Tera, St Werburghs, Bristol, October 2025
Tera, St Werburghs, Bristol, October 2025

This scary clown character is superbly presented within a colourful decoration, I want to say scroll, but it is more like a designed plate with interlocking parts. The clown itself is really demonic, and falls very squarely into Tera’s preference for all things satanic. Peeping over the top of the piece is another of the artist’s previous nightmarish creations, see below:

Tera, St Werburghs, Bristol, July 2025
Tera, St Werburghs, Bristol, July 2025

7268. Dean Lane skate park (880)

VZA, Dean Lane, Bristol, March 2025
VZA, Dean Lane, Bristol, March 2025

This wonderful character by Veeez, or VZA, is another one I have pulled out of my archive from earlier this year, because it is simply too good not to post. There was a time when VZA first hit the walls of Bristol that it was difficult to not stumble across one of his characters of toadstools, however, of late his pieces have become a bit of a rarity.

VZA, Dean Lane, Bristol, March 2025
VZA, Dean Lane, Bristol, March 2025

This is a wonderful, bold and bright alien bug painted with strong fills in two shades and an incredibly precise thin black outline. Obviously the work of a very skilled artist and a superbly creative subject too. It is a pity he doesn’t paint all that often, although it is always worth waiting for.

7267. Coronation Road

Rowdy, Ryder, Taboo, Sage and Solar, Coronation Road, Bristol, January 2025
Rowdy, Ryder, Taboo, Sage and Solar, Coronation Road, Bristol, January 2025

I photographed this building way back in January, but never got round to posting it. I am doing so now, because there was a large fire at the site, a former metalworks, in early October. The building ceased to be in use in 2020, and became an obvious opportunity for graffiti, and several writers from around the city duly obliged. I don’t believe that this was any kind of overall collaboration, more an accumulation of pieces over time from Rowdy, Ryder, Taboo, Sage, Solar, and one other.

Rowdy, Ryder, Taboo, Sage and Solar, Coronation Road, Bristol, January 2025
Rowdy, Ryder, Taboo, Sage and Solar, Coronation Road, Bristol, January 2025

The top row (the former canteen of the building and most severely fire-damaged part – arson, by the way) is a combination collaboration from Ryder and Rowdy, both of whom are significant players on the graffiti scene in Bristol. Taboo’s dominant epic piece takes up the whole of the middle floor, and some smaller pieces from Sage, Solar (PLB) and Phase (?) occupy the ground floor. This is more of an interesting mosaic than anything else really – iconic in its own way, but now alas, ashes.

7266. Stokes Croft

Kid Krishna, Stokes Croft, Bristol, October 2025
Kid Krishna, Stokes Croft, Bristol, October 2025

I simply cannot fathom why it has taken me so long to post this outstanding piece by Kid Krishna in Stokes Croft, painted alongside ESKA and Hemper. It has been around since April this year, and I photographed it shortly after it was painted. These pictures are more recent, and the piece is still in great condition, looking very fresh.

Kid Krishna, Stokes Croft, Bristol, October 2025
Kid Krishna, Stokes Croft, Bristol, October 2025

The combination piece combines his CRIE letters to the right with a group of surreal cartoon-style characters, showcasing Kid Krishna’s extraordinary talent. There is a lot of colour and movement in the piece, especially the three characters on the left who appear to be having an animated conversation.

Kid Krishna, Stokes Croft, Bristol, October 2025
Kid Krishna, Stokes Croft, Bristol, October 2025

Kid Krishna is something of an enigma. He is incredibly modest about his work, has unquestionable talent, paints high-end pieces and scruffy mega-tags. I think that the overriding sense I get from him and his work is the sheer love of art and creativity. Imagination and creativity are things he has in abundance, as you can see from this awesome piece.