I believe that this is a reasonably old piece from Mote on one of the columns under Brunel Way, but I have only recently photographed it – there are so many in this spot it is difficult to keep up.
Mote, Brunel Way, Bristol, February 2023
Every time I have seen this piece, I instantly get images of the caped crusader and am not sure if this is deliberate or accidental on the part of Mote, who is not known for his characters drawn from popular culture, but rather from his imagination. Whatever the inspiration for this column piece, it is cheerful and fun and typically clean as you’d expect from Mote.
The whole of the M32 spot has become really untidy lately, and the flyposters have been very busy covering every surface with irritating posters. I never thought I’d say it, but I reckon the whole place could do with a bloody good buffing, tidy up and starting over again. Bogat has managed to find some space on this column to paint one of his trademark faces.
Bogat, M32 Spot, Bristol, February 2023
Although relatively simple in design, Bogat’s work is captivating and packs a punch, and he has a look and feel that is quite unique in Bristol. I particularly like the red cap, which reminds me of my own personal super-hero Jacques Cousteau, who was rarely seen without one. A nice column piece from Bogat.
I first became aware of Cartoonneros when he painted a Kurt Cobain piece in Dean Lane in February 2019. I followed him on Instagram and have been intrigued by his work ever since. It is quite unlike anything we tend to see in Bristol, and although on first inspection it looks a bit untidy, his work is always really creative and imaginative.
Cartoonneros, Moon Street, Bristol, February 2023
His decision to paint in Moon Street was a good one, as this little alleyway, my favourite spot in Bristol, which is suffering slightly from neglect, is in need of some TLC from artists.
Cartoonneros, Moon Street, Bristol, February 2023
This stencil is a fabulous take on the iconic Rene Magritte “Ceci n’est pas une pipe” painting, but instead with the words “Este no es un stemal”, which literally translates as this is not a stem, although I guess stemal means pipe. Great stuff from Cartoonneros here in Bristol. He will be welcome here anytime.
Hypo and Hemper, M32 roundabout, Bristol, February 2023
It has been a joy to watch some recent collaborations from Hypo and Hemper, and this is the most recent on the M32 roundabout. What is immediately apparent is that their styles are quite different, and that this is less a collaboration and more a painting together, and that is part of the gig, knowing that friends paint together having fun.
Hypo, M32 roundabout, Bristol, February 2023
The Hypo piece is a rhapsody in green, accompanied by four graffiti arrows, adding a bit of dynamism to the letters. Due to the recent burst of activity by Hypo, I feel I now have enough of his pieces to post a gallery of his work, so watch this space.
Hemper, M32 roundabout, Bristol, February 2023
Hemper has absolutely smashed it again with this outstanding HEMS piece, which is technically (and visually) brilliant. The burst of colours cross-faded through the lettering is masterful, and filling in the gaps between the letters with little green spheres in genius. Hemper has a knack of creating perfectly unique graffiti writing pieces every time he splashes paint on a wall. Love it.
I came in search of a Face 1st piece, but instead found this wonderful Slakarts colour fest, so you win some, and you lose some, I guess. I have noticed that in some areas of Bristol, the turnover has been on the high side, which means that if you snooze, you lose, and I have been doing a fair amount of snoozing recently.
Slakarts, M32 Cycle path, Bristol, February 2023
Although Slakarts has had a fairly quiet twelve months, the pieces he has painted are real belters. I’m not sure that I can convey just how good this piece is technically. The design is great, but the definition between elements with the thick, crisp black lines is outstanding, and the colour fades and shading, to give depth are excellent too. This is Slakarts at his best.
How nice it was to see Mr Klue again, when he was painting a new piece adjacent to this one last week in the tunnel. At first, I didn’t recognise him, as it has been a few years since we last met. During the course of our conversation, I managed to establish that he always writes KLUE in his pieces, and never deviates, which is great to know, because there have been times when I thought he has written something else altogether.
Mr Klue, St Werburghs, Bristol, February 2023
This, I think, is one of my favourite Mr Klue pieces, Mainly on account of the colour selection. I love the reds, yellows and oranges, which combined with the wispy, smokey style of Mr Klue’s work give the impression of fire. Now that I know it definitely says KLUE, I can see it so much more clearly – funny how the mind can fill the gaps when you have a little bit of information/confirmation. A wonderful piece from a lovely man.
Acer One and Andy Council, Chatterton Square, Bristol, December 2023
Although I photographed this piece reasonably recently (back in December), it actually dates from October 2022. It is yet another fine combination from painting pals Acer One and Andy Council, and what a productive year they both had in 2022.
Acer One and Andy Council, Chatterton Square, Bristol, December 2023
To the left is a rather nice birthday shout out by Acer to fellow graffiti writer Ziml, painted in the stylised font that is by now so familiar on the streets of Bristol. To the right is a Cheech Wizard, by Andy Council, constructed out of buildings and other component parts. It has just occurred to me while writing this column that the way Andy Council composes his work resembles the work of the incredible 16th Century Italian artist Giuseppe Arcimboldo, who painted portraits composed of fruit and vegetables. I never thought I’d be writing that in Natural Adventures, but there you go.
This bright piece from Gosia Wadada both delights and frustrates me. Firstly, it is great to see that this artist made the most of her time in Bristol, painting both here and in Cumberland Basin, however, her choice of panel to paint on, was not great, because she painted over a one third of a very fresh and magnificent portrait piece by Rozalita.
I was once told by an artist that it is a bit disrespectful to partially obscure somebody else’s work, you should either leave it or go over the whole thing, and sometimes you can tag the artist in your new replacement as an acknowledgement. But as I am frequently told, there are no rules and it is a jungle out there. In fairness, I’m not sure that Gosia Wadada would have known that the Rozlita piece was only a few days old.
Gosia Wadada, Greenbank, Bristol, February 2023
Gosia Wadada has visited Bristol before (thank you, Paul H, for your Instagram post) and I will dig the piece out and post it some time soon. In this ‘swapsies’ piece, Gosia Wadada has painted two of her trademark mouths, but switched the colour combinations, to create opposites, although you might spot the small inconsistency in her approach. The mouths work well on the carefully constructed red backdrop, and overall this is a refreshing and fun piece. I would love to see more of her work in Bristol.
I met Kid Krishna for the very first time when he just completed buffing this wall and had begun this large and complex piece. As luck would have it, I met him again in exactly the same spot a couple of days later, it is funny how things like that happen.
Kid Krishna, St Werburghs, Bristol, January 2023
This is a magnificent beast, monumentally intricate and bewildering. His letters are so well disguised, that they simply become part of the overall experience – a little bit like Mr Klue’s work. This piece is a real workout for the eyes, in that search to make sense of it. The technique Kid Krishna uses to paint these writing pieces is to lay down the main structure of the letters with a roller, and then to add the borders and details, and it works very effectively. Kid Krishna told me that he is thinking of shifting to a new idea, so I’ll be scouring the streets to see what he does.
I met Desi earlier this week when she was painting a new piece in Dean Lane with her friend Lupa. I took the opportunity to ask Desi why she had started painting the letters VEIL, and her answer was swift and honest – “no reason, I just wanted to play with some letters”. So there you have it, sometimes there simply isn’t a backstory or meaning.
Desi, Cumberland Basin, Bristol, January 2023
This is a very nice piece, simple in structure and well executed. Desi continues to improve, with strong fills and sharper lines, getting better with each new piece. It is interesting that most times (but not always, as I have learned to my deep embarrassment) you can spot the gender of the artist. For example, it would be a rare thing for a male artist to put a heart instead of a dot on top of the “i” as Desi has done here. It is almost as if handwriting is transposed onto the wall in some way.
Natural adventures 