Another quick one. It is easy to forget, from his superb graffiti writing portfolio, that Werm, when he first started, used to paint a lot of characters, so to see him paint this excellent Halloween pumpkin character shouldn’t come as too much of a surprise.
The concrete slab is the perfect shape for this piece, and is beautifully framed by its surroundings. The artwork itself is very neat and tidy, with brilliant depth created in the teeth especially. A very nice pumpkin piece.
Werm has not only had a great year, but actually several great years. He has been turning out his graffiti writing pieces with regularity and consistently high quality. This large piece in Peel Street Green is an absolute belter for many reasons.
First off, he has buffed the wall with a brick-red colour, taking the wall back to its original appearance. The wonderful writing itself in blended shades of blue are given a wonderful 3D appearance augmented by the drop shadow with its central vanishing point and some carefully crafted thin white highlight lines. The writing is bordered with a solid red line and the whole piece is beautifully neat and tidy. In my view, this is an outstanding piece from Werm.
This is another contribution to the Bristol Mural Collective paint jam, protesting against the war in Palestine from a couple of weeks back, painted, quite obviously, by Werm.
Werm has used has symmetrical writing to great effect, incorporating three horizontal stripes of red, green and white to represent the Palestinian flag, with the tidy 3D drop shadows providing the black colour. While I wholeheartedly support such protests, I wonder how much they will change anything. It seems that while Trump is in power, the Israeli Government will act with impunity, knowing that Trump is only interested in some kind of business transaction outcome that will make him richer and adored. He cares nothing for people, for victims.
Thank you, Bristol Mural Collective, for organising this paint jam.
In my mind, some collaborations were just meant to be, and this magnificent joint venture from Werm and Scrapyardspec is simply awesome. Two utterly different styles, a writer and a character artist, have combined with skilful design and colour sharing to create a piece that just works brilliantly.
There is nothing pretentious about this combination piece, just two artists comfortable with what they do where the resulting whole is greater than the sum of the parts. The letters by Werm are nicely executed with straightforward fills and a bold white border. Scrapyardspec’s goofy character replaces the ‘E’ of ‘WERM’ and is integrated into the word with the clever use of an orange border bringing everything into the single piece. Excellent work, full of the joy of street art friendship.
I think I have probably laboured the point in blog posts passim about my aversion to brown tones in street art, but it seems to be the ‘flavour of the month’ at the moment, so I will just have to get used to it. Strictly speaking, this piece by Werm isn’t brown, but it has that brown complexion to it.
Colour selection aside, this is a marvellous technical piece of graffiti writing, spelling WERM, but cunningly designed to almost disappear as letters and reappear as shapes instead. The spheres around the outside soften the hard edges of the writing in this beautifully presented piece, painted as part of Wispa’s birthday celebration paint jam.
This is a fine collaboration from two artists who never seem to stop, both totally dedicated to their art and sharing it with us. This is the kind of collaboration which is more about artists painting together rather than any kind of fusion between their styles, colours or design.
On the left, Conrico presents a portrait of a woman in the foreground, who looks like she is taking a selfie in front of an island paradise – probably a Japanese island in the East China Sea. Conrico’s portraits are improving all the time and becoming more of a feature of his work. Of course, he has enough paint to add in his letters, with a feint reflection in the inviting sea.
To the right, Werm’s letters are beautifully presented, with the middle two letters a little smaller and ‘sitting on top’ of the rest of the piece. Lots of depth and intricate design work in this graffiti writing. Both artists have very different technical styles, but this collaboration works incredibly well.
Now, regular readers will know that brown is my least favourite colour when it comes to graffiti writing, and it is a path I am unlikely to deviate from or be persuaded otherwise, so the selection of brown aside… this is a really nice tight piece by Werm.
I rather like this letter style, which while keeping up the symmetry theme that Werm enjoys so much, also has something of a feel of Marvel or DC Comics about it, as if it should say ‘blam’ or ‘whack’ or something like that. Definitely a fun piece, well presented. Pity about the colour.
This is a delightfully clean and crisp piece by Werm, whose symmetrical pieces are a well known sight in the various graffiti spots around Bristol. I particularly like this one with its delightful colour scheme, and the boldness of it set on a white background.
It is well worth getting up close and taking a proper look at the letter fills in this piece, the overall colour is a blend of reds from dark to light, and running through the midline is a wonderful continuous orange line… a golden thread through the piece. This is a very attractive piece by Werm, that unfortunately only lasted a short time.
I am chronically short on time for today’s post, indeed I was short of time when I wrote it yesterday. This is another intricate bilaterally symmetrical piece piece from Werm, to bolster his catalogue of such pieces. I feel that he might move on to another theme before too long, especially as he has been painting these types of pieces for a while now.
This set of letters spelling WERM are rather nicely filled with a white and off-white colour and a contiguous pattern that runs through the piece. A deep pink drop shadow is bordered with a blue line and the whole thing is set on a blue splash, also symmetrical. Nice work.
Tucked away behind the iron fence of the swimming pool at Dean Lane is this fabulous collaboration combination piece from Werm and Zake. Werm, more than adequately providing the symmetrical letters, and Zake offering a couple of different cheeky characters peering over the top of them.
The horizontal band colour scheme, painted on an off-white background, works really well, and Zake has cleverly incorporated the band of colour into his characters. I’m not quite sure what it is about it, but this feels like a really classy piece to me, and I really like it.
Natural adventures 