1115. Raleigh Road, Vector (16)

It is all too easy to become a bit blasé about Voyder’s incredible writing as everything he does is of such a high standard and in a class of its own. One expects perfection and usually that is what he gives. This piece, in one of his favourite haunts is so crisp and clean and beautifully set off by the neon green flash.

Voyder, Raleigh Road, Bristol, October 2017
Voyder, Raleigh Road, Bristol, October 2017

Unfortunately, the true colours of the piece haven’t really come across very well as I took the pictures on a bright day, but the wall was in the shade. Nonetheless the quality of the piece shines through.

Voyder, Raleigh Road, Bristol, October 2017
Voyder, Raleigh Road, Bristol, October 2017

I really like the clever way he seems to be able to lift the neon squiggle from the writing by giving it a shadow that drops below the lettering, giving it a stunning 3D effect. Do I like this piece? Do you need to ask?

1109. First Street Garden, New York (1)

Each morning when visiting NYC, I took a stroll for about an hour before the rest of the family got up, and went on the hunt to find some graffiti/street art. I didn’t think for one minute I would find so much. This piece was one of several in a little alleyway off East First Street.

Stem, First Street Garden, New York, October 2017
Stem, First Street Garden, New York, October 2017

This piece is by an old school New York graffiti artist called Stem. It is just possible to make out his name from the wildstyle writing. This is a really lovely piece that oozes a New York style one is so accustomed to seeing in books, documentaries etc.

Stem, First Street Garden, New York, October 2017
Stem, First Street Garden, New York, October 2017

There was a nice man who chatted with me about this piece and some of the others in this little lane. He seemed to know a lot about them. He also suggested I visit the ‘wall of fame’ in Harlem, which I did with limited success.

 

 

1092. Dean Lane skate park (83)

OK, so I’ve got a bit of an Elvs thing going on at the moment, but that is alright isn’t it? I mean it is my blog after all, and if I rather like something I feel it is the right thing to do to share it. Elvs really is a fabulous wildstyle writer, and I’m sure that even if you don’t like graffiti art, you can appreciate the great technical qualities of great writing.

Elvs, Dean Lane, Bristol, October 2016
Elvs, Dean Lane, Bristol, October 2016
I don’t know what the oriental characters across the top say, if indeed they say anything at all, but Elvs tagged this picture on Instagram with a geotag of Japan, so I guess it is Japanese. As with his other pieces, the top of the E and S share the same design. More great stuff from Elvs.

1091. St Werburghs tunnel (15)

Having recently posted about Elvs, I thought I would dig out more of his work from my files, and this beautiful piece was in St Werburghs tunnel back in May 2016. He really does have a wonderfully ornate style, but he keeps his lettering even in height, so the whole piece could fit into a rectangular surround.

Elvs, St Werburghs tunnel, Bristol, May 2016
Elvs, St Werburghs tunnel, Bristol, May 2016

I really like the way that he has replicated the pattern in the top part of the ‘e’ and the top part of the ‘s’, which I think is a trademark feature of his work. There is also a cheeky little one-eyed pyramid poking out of the top of the piece. This is really superb wildstyle writing.

Elvs, St Werburghs tunnel, Bristol, May 2016
Elvs, St Werburghs tunnel, Bristol, May 2016

1087. Dean Lane skate park (82)

This piece is a wonderful example of Sled One wildstyle writing at it’s very best, I only wish I could say the same about my photography. There is a lot of glare, which obscures the piece a bit.

Sled One, Dean Lane, Bristol, September 2017
Sled One, Dean Lane, Bristol, September 2017

Sled One has an amazing ability to create fabulous elaborate letter shapes which are hugely complex in the shading and filling. Trying to follow all the folds and overlays is a tricky business. There is a nice little nod to Soker at the bottom of the piece too.

Sled One, Dean Lane, Bristol, September 2017
Sled One, Dean Lane, Bristol, September 2017

1085. Upfest 2017 (85)

The fifth RAW piece on this Upfest wall is by Ryder, whose work is just going from strength to strength at the moment. His use of colours in this piece is exceptional, and the wildstyle writing is everything I have come to expect from him.

Ryder, Upfest, Bristol, July 2017
Ryder, Upfest, Bristol, July 2017

There is so much going on in this piece, and the different letter styles combined with different colour schemes is somewhat reminiscent of the work of Sky High. I cannot emphasise enough how much I am enjoying the work of Ryder, I’m just surprised at how long it took me to properly register his stuff.

Ryder, Upfest, Bristol, July 2017
Ryder, Upfest, Bristol, July 2017

Ryder was sandwiched between Jaksta and his trusty painting buddy T-Rex…a good place to be.

RAW wall, Upfest, Bristol, July 2017
RAW wall, Upfest, Bristol, July 2017

1083. Upfest 2017 (83)

I think that RUSK is probably the most diligent street artist/graffiti writer I have met so far. He takes his time with his work and adjusts it until he is satisfied. He was still spraying and revisiting this piece long after the rest of the RAW crew had packed up and left.

Rusk, Upfest, Bristol, July 2017
Rusk, Upfest, Bristol, July 2017

In this piece, the third from the Upfest RAW wall, he has some fabulous colour layers and texture infills in his writing – in my view this is a really classy piece and his attention to detail really pays off.

Rusk, Upfest, Bristol, July 2017
Rusk, Upfest, Bristol, July 2017

In taking a look at at the piece in progress, it is possible to see how the basic colours and shapes are laid down first, and then the detail and outlines are added afterwards, almost like the opposite of painting by numbers.

Rusk, Upfest, Bristol, July 2017
Rusk, Upfest, Bristol, July 2017

Rusk is a quiet and gentle fellow who it was my pleasure to chat with at Upfest. I hope it is not too long before I bump into him again.

RAW wall, Upfest, Bristol, July 2017
RAW wall, Upfest, Bristol, July 2017

1081. Upfest 20127 (81)

I have been mulling over the best way to present the Read and Weep (RAW) wall at Upfest this year, because there are six artists involved in the whole thing. I could have written one post about the whole collaboration, but regular readers will know that I like to concentrate a little on each artist…it is the way I do this blog. So here is the first of the RAW wall from left to right – Smak.

Smak, Upfest, Bristol, July 2017
Smak, Upfest, Bristol, July 2017

This is a fabulous piece of wildstyle writing, and I have been trying to decypher it. Obviously, the first thing I would look for is SMAK, but I just can’t see it, so my guess is that it says RAW, which is a little more visible in the image above.

Smak, Upfest, Bristol, July 2017
Smak, Upfest, Bristol, July 2017

The colour scheme was pretty much observed by all six artists, and the bright blue background really set off all the pieces brilliantly, particularly in the changeable weather over the three days. This long wall really was one of the highlights of Upfest 2017.

RAW wall, Upfest, Bristol, July 2017
RAW wall, Upfest, Bristol, July 2017

1080. M32 roundabout J3 (51)

As long as FaceF1st keeps spraying, I will keep posting his work. This one looks like it is a tribute to someone called Minty. Perhaps this is why the face looks sad. This is yet another fine piece from FaceF1st and I particularly like the sprayed drips and the real black drips.

FaceF1st, M32 roundabout, Bristol, September 2017
FaceF1st, M32 roundabout, Bristol, September 2017

I’m not sure if this is a Google algorithm feature linked to my computer or if it is a real thing, but when I type ‘FaceF1st Bristol’ into google images, I see an amazing gallery of many of the images I have taken of his work. I have to admit it makes me feel pretty good that I have been able to record his work over the last couple of years.

1079. M32 roundabout J3 (50)

This is the first piece that I have posted from Elvs, but it is not the first I have seen and I will have to dig out others from my achives, because this is very fine wildstyle writing indeed. There is little on the Interweb about Elvs, and I guess he would want it that way. but I suspect he is a London-baased artist who comes occasionally to Bristol.

Elvs, M32 roundabout, Bristol, September 2017
Elvs, M32 roundabout, Bristol, September 2017

This stunning piece has adopted the same technique that I have featyred from Deamze and Voyder, where there is a diagonal split through the writing, and in this case the primary colours, black and white, are reversed either side of the diagonal. Thuis is highly accomplished stuff and beautiful crisp writing. I can’t think why I haven’t posted any of his work before.