912. Upper York Street (8)

I’ve noticed that Ryder’s work just seems to be getting better and better lately. His use of colours and textures in his writing has gone on to a new level in recent months and this is a prime example of a classy piece.

Ryder, Upper York Street, Bristol, June 2017
Ryder, Upper York Street, Bristol, June 2017

This is a more complex design than some of his previous work and it is only just possible to make out the letters in this wildstyle piece. both the top blue and bottom yellow portions go through a colour/shade gradient vertically which creates an impressive effect. I am liking =his work more and more. Expect further posts.

909. Dean Lane skate park (67)

I wouldn’t have been able to post about this piece if I hadn’t been talking with Hire. He was finishing off a piece at the Deaner (to follow soon) and he pointed out this work to me as having been sprayed by one of his friends Soge.

Soge, Dean Lane, Bristol, July 2017
Soge, Dean Lane, Bristol, July 2017

I have not come across Soge before, but it seems that he is another Polish graffiti artist hitting the streets of Bristol at the moment. This is a great piece of writing, spelling out SOGE in a rather Gothic style, sprayed over a blue brick wall backdrop. I am very much enjoying this cohort of young Polish graffiti artists in Bristol, they are bringing something different and interesting to the streets, and they seem to be very busy.

908. Jamaica Street (9)

Another piece from the crazy few days organised by Inkie for the Boogie Down Bristol event in Stokes Croft. This piece on the PRSC outdoor gallery is actually by Boogie – a German street artist and designer who now lives in Switzerland. I am not sure, but I think that the event was centred around him.

Boogie, Jamaica Street Bristol, July 2017
Boogie, Jamaica Street Bristol, July 2017

From talking to other graffiti artists, I believe Boogie is held in high esteem and is up there with some of the best in Europe. I am pleased to say that he left a few presents for the people of Bristol during his short trip to the city.

Boogie, Jamaica Street Bristol, July 2017
Boogie, Jamaica Street Bristol, July 2017

This is a really beautiful clean piece with loads of character. Great colours and nice to see the contrast of styles with the pink bubbly ‘oo’ lifted out from the rest of the writing. Some really nice drips too. I love it when visiting artists show us what they can do. It mixes things up a bit.

905. Bedminster

I am troubled by the fact that I have only really been aware of Lokey in the last three or four months, and yet I am now finding his pieces everywhere I look. Even though I am out and about photographing graffiti regularly, I still seem to be capable of missing so much.

Lokey, Bedminster, Bristol, July 2017
Lokey, Bedminster, Bristol, July 2017

Anyhow, his 3d writing is magnificent and I just don’t think I’ll tire of it. In this piece he has worked the writing over a colourful background of complementary colours. His white shading on the letters brings out the 3D effect, bringing out a kind of reflection. Clever work.

Lokey, Bedminster, Bristol, July 2017
Lokey, Bedminster, Bristol, July 2017

 

903. Jamaica Street (8)

There was a recent event held in Bristol, organised by Inkie, entitled ‘Boogie down Bristol’ held at the Full Moon pub. In the days either side of the event, a whole ton of graffiti art and street art went up in the Stokes Croft area.

Voyder, Jamaica Street, Bristol, July 2017
Voyder, Jamaica Street, Bristol, July 2017

The PRSC outdoor gallery was one of the walls sprayed. The middle section here is another high-quality piece from one of the best writers around Voyder.

Voyder, Jamaica Street, Bristol, July 2017
Voyder, Jamaica Street, Bristol, July 2017

Every piece he produces, and there have been quite a few recently, is a winner. Clean lines, great colour selections and an incredible eye for shading and shadows. Brilliant as always.

900. The Bearpit (79)

This is described by Smak as a ‘quick after school dub down the bearpit’, which was sprayed round about mid June 2017. I believe the piece is still there. Smak belongs to the Read and Weep (RAW) crew which includes Rusk, Ryder and T Rex amongst others. This is the first of his pieces that I have posted  and other than this Bombing Science blog post, I don’t know much about him.

Smak, The Bearpit, Bristol, June 2017
Smak, The Bearpit, Bristol, June 2017

Of course with all things like this, having seen one of his works, I have started seeing them around the place and in my archives. Expect more from Smak on this blog. He is clearly an accomplished writer and has a nice style with his letters. I particularly like the way he has filled the letters here, with an almost cosmic feel. Great stuff.

889. Lower Approach Road (4)

This is a magnificent piece down on the black hoardings beside Temple Meads station by Lokey. His work is really beautiful and the 3D writing that he creates is so very easy on the eye.

Lokey, Lower Approach Road, Bristol, July 2017
Lokey, Lower Approach Road, Bristol, July 2017

A different take on wildstyle writing, Lokey never fails to impress. In this particular piece his colour selections work really well with the black background, and the way he has shaded the letters with graded greens adds another level of texture to the piece.

Lokey, Lower Approach Road, Bristol, July 2017
Lokey, Lower Approach Road, Bristol, July 2017

As with so many writers, he has included a little character to the right of the writing. The character is a beautifully sprayed robot whose edges are highlighted by the ‘glow’ coming from the letters. Masterful work.

Lokey, Lower Approach Road, Bristol, July 2017
Lokey, Lower Approach Road, Bristol, July 2017

Taking a close up look at his lettering gives a real appreciation of the technical skills needed to create the 3D effect. A lovely piece.

871. Upper York Street (6)

This is an old one going back a year, but what a great piece to be able to pull out of the archives. It s a stunning piece of writing from Epok, with all the things we expect from him, strong lines and sharp angles merging with round edges and curves. A geometric style that is pretty unique to Epok.

Epok, Upper York Street, Bristol June 2016
Epok, Upper York Street, Bristol June 2016

I dug this out, because I am trying to finish the Upfest 2016 posts before Upfest 2017 at the end of this month. This particular work was sitting in my folders from 2016 which I have been trawling through and screamed out at me…’publish me’.

Epok, Upper York Street, Bristol June 2016
Epok, Upper York Street, Bristol June 2016

There are other oldies to follow. I can only guess that I didn’t publish this before, because I always have way more material than I can possibly post about on two posts a day.

860. Dean Lane skate park (60)

Sometimes you get lucky and see pieces by great artists that come and go in the twinkling of an eye. This was a quick one sprayed by Inkie to celebrate the opening of the ‘Graffiti Nation’ exhibition at Upfest back on 28 April 2017.

Inkie, Dean Lane, Bristol, April 2017
Inkie, Dean Lane, Bristol, April 2017

Inkie told me that he had sprayed it quickly that day and had also worked on his contribution for the exhibition an the day as well. A busy man. This is a wonderful work, simple in its colour selection but with such beautiful writing and lines.

Inkie, Dean Lane, Bristol, April 2017
Inkie, Dean Lane, Bristol, April 2017

When I look at something like this, it appears to have an effortlessness about it, the work of someone completely in command of his craft. It was painted over fairly swiftly.

857. St Werburghs tunnel (13)

It seems that street/graffiti artists tend to have peaks and troughs in their activity. I suppose that, like the rest of us, life, jobs, family and so on just get in the way a bit. I introduce this piece with this observation because Sled One, who was extremely productive last year, seems to be a little quieter. This may just be a false perception, and I am not seeing his stuff as much as I used to – I might be in the wrong place at the wrong time.

Sled One, St Werburghs Tunnel, Bristol, June 2017
Sled One, St Werburghs Tunnel, Bristol, June 2017

This is of the usual high standard that Sled One attains, it appears, with such ease. This wildstyle writing is so very easy on the eye, like much of his work. I particularly like the ‘accent’ lines he uses to emphasise the letters or that wisp around the piece giving it a sense of animation. I will not tire of his outstanding work.

Sled One, St Werburghs Tunnel, Bristol, June 2017
Sled One, St Werburghs Tunnel, Bristol, June 2017