7531. Dean Lane skate park (908)

Weas, Dean Lane, Bristol, March 2026
Weas, Dean Lane, Bristol, March 2026

The lifecycle of a wall is often fascinating, and under this piece by Weas(el) is a little bit of recent history that can be made out, because artists have painted over one another without buffing the wall. The sequence, over about 10 days or so was a beauty by Werm, then a piece from Seed, followed by another piece that I never saw and finally this one from Weas – I’ll show the others at the end of this post.

Weas, Dean Lane, Bristol, March 2026
Weas, Dean Lane, Bristol, March 2026

Weas’ work can be found literally all over Bristol – one of his tags has even made it onto a utility box very near my house. Although his ‘mega-tags’ are fun, he actually is, in my view, a much better artist when he turns his attention to his graffiti writing. His letter fills always give the impression that he is a man in a hurry, or that he likes his paint to go a long way. His letter style is quite easy on the eye, and of course combines the writing with the mega-tag I mentioned earlier. Weas certainly likes to make his mark.

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026
Weas, Dean Lane, Bristol, March 2026
Weas, Dean Lane, Bristol, March 2026

 

7530. Cumberland Basin

Smak, Cumberland Basin, Bristol, March 2026
Smak, Cumberland Basin, Bristol, March 2026

One of the joys of looking for and photographing street art is that every trip turns up surprises. These might take the form of a new artist or an entire wall decorated during a paint jam or sometimes with a jaw-droppingly great piece. This beauty from Smak falls into the latter category.

Smak, Cumberland Basin, Bristol, March 2026
Smak, Cumberland Basin, Bristol, March 2026

Over the years, Smak has managed to stretch out his SMAK letters with elaborate details and beautifully worked designs. The patterns, shapes and colours disguise the letters so well that they can be difficult to make out at times. This is a classy and confident piece by one of the best graffiti writers around.

7529. Brunel Way (351)

Squire, Brunel Way, Bristol, March 2026
Squire, Brunel Way, Bristol, March 2026

Squire is becoming a bit of a regularly featured graffiti artist in the pages of Natural Adventures. His lettering is distinct and there is something rather interesting about the word ‘SQUIRE’ that has some meaning and connection with the past, it is something of an old-fashioned word.

Squire, Brunel Way, Bristol, March 2026
Squire, Brunel Way, Bristol, March 2026

This piece has unequal and unruly letters that somehow fit into a form, probably contained by the deep white drop shadow. I think that there is something slightly confused with the drop shadow beneath the ‘Q’ and the ‘I’ that doesn’t quite work for me. There is a nice RIP shout-out for Dorns and a small HMG crew tag rounds the piece off. Squire seems to favour this area beneath Brunel Way, which is good news, because turnover here at the moment is quite slow.

7528. M32 roundabout J2 (13)

Haka, M32 roundabout J2, Bristol, March 2026
Haka, M32 roundabout J2, Bristol, March 2026

In my wanderings in search of Bristol street art and graffiti, I tend to visit the ‘honey pots’ most often, and then radiate outwards to the spots where turnover is lower, or where wall space is limited to one or two pieces only. This means that I tend to miss quite a few pieces from these less visited places. I was pleased therefore to stumble across this Haka piece in a tunnel under the M32 recently.

Haka, M32 roundabout J2, Bristol, March 2026
Haka, M32 roundabout J2, Bristol, March 2026

I think that Haka painted this some time ago, but it still looks in fair condition. Haka’s combination pieces usually feature children’s picture book characters. The pirate in the piece, standing on a barrel is unknown to me, and a quick Google search didn’t help. A fun piece for the kids.

7525. Sparke Evans Park (147)

Nips, Sparke Evans Park, Bristol, February 2026
Nips, Sparke Evans Park, Bristol, February 2026

Nips continues to delight with her work and her pieces seem to be coming thick and fast at the moment. Although the last piece I featured here by Nips was a chrome delight, it is her fills that are the trademark of her work. The letters are separated from the background with a contrasting purple drop shadow, but it is the outstanding letter fills that are so captivating in this piece.

Nips, Sparke Evans Park, Bristol, February 2026
Nips, Sparke Evans Park, Bristol, February 2026

Nips’ letter shapes tend to remain fairly constant, so the interest is around what she does with colour and form in her fills and background. Here she has mastered both. Starting with the background, Nips has opted for a fairly minimal coverage but used it well with a blend of fiery oranges and yellows. A combination of greens and browns are washed together, creating something similar to a tie dye effect. This is brilliant and presented by an artist who shows confidence with her colour selections. Excellent.

7524. M32 roundabout J3 (751)

Corupt, M32 roundabout, Bristol, March 2026
Corupt, M32 roundabout, Bristol, March 2026

I was so lucky to catch up with Corupt minutes after he had completed this outstanding piece of graffiti writing on the roundabout. We had time for a long conversation as he was with a friend who was only halfway through completing his piece. It sounded like things had been a little turbulent for him for a while, but that they were settling down, and he will be able to concentrate a little more on his writing now.

Corupt, M32 roundabout, Bristol, March 2026
Corupt, M32 roundabout, Bristol, March 2026

These STICK letters (he switches between STICK and CORUPT) are superbly presented with a stunning array of fill patterns in reds and oranges, and a classic stripy vertical drop shadow. Set on a dark buffed wall, this is a classy piece of work, but then why wouldn’t it be?

 

 

7521. Sparke Evans Park (146)

Dog Bless the Band, Sparke Evans Park, Bristol, February 2026
Dog Bless the Band, Sparke Evans Park, Bristol, February 2026

I am taking a bit of a punt on this one, because it can be difficult to be sure who the artist is of an unsigned work… you have to go on style alone. I haven’t seen much lately that I could nail down as a dead cert Dog Bless the Band piece, although there have been a few candidates. He used to make it a bit easier by always writing MOTEL with a very distinctive ‘M’, but those are not necessarily the letters here. The selection of modest earthy colours is another indicator as well as the soft and blended fill style. Looking at his previous work, I think that I am reasonably confident it is the work of Dog Bless the Band.

Dog Bless the Band, Sparke Evans Park, Bristol, February 2026
Dog Bless the Band, Sparke Evans Park, Bristol, February 2026

I have to say that I am a big fan of this style of writing, there is something organic and ‘mother earthly’ about it. It is gentle and unthreatening, almost as if created by nature itself. I will be on the lookout for more from this artist, and may have to raid my archives to dig out some ‘probables’ that I can attribute to him. Very nice piece.

7520. River Avon (114)

Werm, River Avon, Bristol, February 2026
Werm, River Avon, Bristol, February 2026

Werm has been on fire this year, turning out a variety of tight pieces, each with a slightly different look. This piece brings us back to his favoured structural letter style with a solid bilateral symmetry.

Werm, River Avon, Bristol, February 2026
Werm, River Avon, Bristol, February 2026

What makes this one stand out for me is the superb colour selection and freshness of the piece. Everything is near perfect. The letters are beautifully proportioned. The turquoise fill with its contiguous pattern of blue circles joined with lines has a molecular model feel to it, and is simply amazing. The red border is regular and clean and the piece sits on a beige buffed wall with superb red bricks randomly distributed. A very classy piece from Werm.

7519. M32 roundabout J3 (750)

Rakem, M32 roundabout, Bristol, February 2026
Rakem, M32 roundabout, Bristol, February 2026

This is the last of five outstanding wildstyle graffiti writing pieces that were painted alongside each other a couple of weeks ago. This final piece is by Rakem, and is technically outstanding. While the letters are heavily disguised, they can be quite easily read if you know what to look for.

Rakem, M32 roundabout, Bristol, February 2026
Rakem, M32 roundabout, Bristol, February 2026

I don’t know the artist, and haven’t posted his work before. I have a feeling he might be from Cardiff, but am not sure.  The work speaks for itself, and any description I offer wouldn’t do the piece justice. Fabulous work from all five artists:

Hemper, M32 roundabout, Bristol, February 2026
Hemper, M32 roundabout, Bristol, February 2026
Turoe, M32 roundabout, Bristol, February 2026
Cesto One, M32 roundabout, Bristol, February 2026
Cesto One, M32 roundabout, Bristol, February 2026
Karmone, M32 roundabout, Bristol, February 2026
Karmone, M32 roundabout, Bristol, February 2026
Rakem, M32 roundabout, Bristol, February 2026
Rakem, M32 roundabout, Bristol, February 2026

7517. M32 Cycle path (309)

Nips, M32 Cycle path, Bristol, February 2026
Nips, M32 Cycle path, Bristol, February 2026

Nips has been super-busy recently, which is a good thing, because I love her work. Normally I wax lyrical about her fills, but in this instance it is a straightforward chrome fill, with some minimal black accent lines and spots.

Nips, M32 Cycle path, Bristol, February 2026
Nips, M32 Cycle path, Bristol, February 2026

What makes this piece for me is the wall preparation of a dark blue background, and the vibrant lime green/yellow outline, which combine to help this piece stand out and shout. Imagine if there had been no background or strong border, the writing would be in danger of being absorbed by the wall altogether. A wonderful bold piece from Nips.