Hypo has started to paint a little more frequently lately, and one might describe him as becoming Hypo-active (see what I did there?). This is another fine example of his work in the tunnel, a venue that he appears to favour.
Hypo, St Werburghs, Bristol, October 2022
On a light blue background, the letters, spelling HYPO, are nicely filled with a horizontal transition grading from, dark red at the bottom to sky blue at the top. The whole piece stands out from the wall thanks to a 3D drop shadow with horizontal lines adding depth. All in all a satisfying piece.
Soker is painting more often and that can only be a good thing. His quality always stands out and he really is one of the godfathers of the Bristol street art scene.
Soker, Dean Lane, Bristol, October 2022
This is a piece of pure beauty. Letters in two main colours and several shades interlock in a way that flows and is so easy on the eye. With some spotty details and drip features, this is a fine example of what outstanding graffiti writing can look like.
It is a joyful thing when Logoe comes to town, because he doesn’t imply come and paint one piece, oh no, he absolutely sweats it out with several pieces over a weekend. These blitzes have become a bit of a highlight or interruption in the steady flow of new work that we see every week in the city.
Logoe, M32 Spot, Bristol, October 2022
This is the first of several wonderful pieces of graffiti writing by Logoe that I will be sharing over the next month or so, all painted over one weekend. Logoe has painted a real beauty of one of my favourite walls, showcasing his distinctive thin script letters spelling out his name in beautifully complementary colours, finished with a horizontal splash of little oval dots running through the whole piece. It is so good that he keeps returning to Bristol to share his talent with us all.
I rarely venture down ‘crack alley’ these days, as I don’t walk into the office often, since lockdown, meaning that there are some spots that I have neglected. This nice one from Kid Krishna is at the top end of the alley where it opens out into Stokes Croft.
Kid Krishna, Hepburn Road, Bristol, October 2022
Kid Krishna’s style is fairly unique, and it is not difficult to identify his work. His letters are slim and closely packed, and I am still getting my ‘eye in’ with regard to what his writing says. He has worked a nice transition from orange to light blue, two colours that aren’t natural bedfellows, but it seems to work here. I have many more pieces from Kid Krishna to share… watch this space.
Jody and Dibz, Sparke Evans Park, Bristol, September 2022
Sparke Evans Park plays host to so many stunning collaborations, something that has developed in recent years, and I think it is favoured by artists because there isn’t much tagging and pieces tend to stay intact for a while. I have heard that the police are showing a little interest in the spot, and that spraying isn’t quite as straightforward as it has been historically.
Jody, Sparke Evans Park, Bristol, September 2022
This pairing of Jody and Dibz has turned up a very special and captivating wall. The portrait of Goldie is by Jody, and absolutely captures the artist perfectly. It is interesting to see how Goldie is becoming quite a strong influence on the Bristol scene at the moment.
Dibz, Sparke Evans Park, Bristol, September 2022
The writing from Dibz is, as you would expect, close to perfection. I am not entirely spectra in what the letters spell out, but I am sure that Paul H will be able to help me with this.
Another short one today as I am late getting my fishing gear together.
I have already said in previous posts how much I am enjoying seeing Desi thrive and improve from piece to piece. Not only is her technique and finished product getting better all the time, but her confidence of selecting where to paint is migrating from the margins to more mainstream spots.
Desi, M32 roundabout, Bristol, September 2022
This piece is pretty tight, with nice sharp borders and some nice colour transitions in the letters. There are a few decorative elements and interest in the fills. I continue to enjoy her journey, and I can’t be too far away from publishing a gallery of her work.
Chatterton Square is a stone’s throw away from Bristol Temple Meads station and boasts two stretches of wall that tend to be relatively untouched by tagging, and it is a great place for artists to go to town with ‘special’ pieces. This is a rather nice collaboration between two LRS artists, Werm and 3F Fino.
Werm and 3F Fino, Chatterton Square, Bristol
The writing is by Werm and spells WE-RM. It is technically very well done, with a great colour transition in the fills and a deep drop-shadow that has a central vanishing point. The rather intimidating character, perhaps loosely based on the ‘Texas Chainsaw Massacre’, is by 3F Fino. Although the proportions of the character are a little inconsistent, it is well painted and certainly conveys an element of fear.
It is always tough to lose those we love and care about, and no matter how often it happens, it doesn’t seem to get any easier. Grief is a powerful and important emotion, and through it we remember what we have lost. Stivs has painted several tribute pieces for his friend Sear, and each one is a touching reminder.
Stivs, St Werburghs, Bristol, September 2022
This piece, at the farm-side entrance to the tunnel combines Stivs’ calligraffiti with a little bit of landscape in the orange circles. The colours are eye-catching and the whole thing on-point, although the lettering and the circles look a little bit out of balance, but maybe that is just me. A fine tribute from a loyal friend.
One of the most consistent and busy artists in Bristol is Cort, an artist who likes to keep a low profile and stay out of the limelight. This is a wonderfully striking piece by Cort that switches things up a little bit, as he usually likes to write his name. Here he has written PAD KS, both, I think are crew names.
Cort, M32 Cycle path, Bristol, September 2022
I have only met Cort on a couple of occasions, which is weird really, given the amount he paints and how often I am out and about. The colours of this piece are nicely juxtaposed, with a vibrant red background and dark grey letters with a black 3d drop shadow. There are a couple of signature yellow strings and shiny circles to add interest. All in all, this is a very nice piece from Cort.
When you photograph street/graffiti art two or three times a week, every week, you become very used to and familiar with ‘Bristol’ art, even if you can’t identify the artist. That might sound strange, but Bristol art has a look and feel, even across the diverse range of artists and styles, and anything that is not Bristol art, stands out a mile. When I saw this piece, it stood out a mile!
Qwynto, Dean Lane, Bristol, May 2022
Qwynto is an artist based in the UK, but I am not entirely sure where, but I note he has painted in Haringey and Brighton recently, so I am guessing he is from the south-east of England. He took a trip to Bristol and left behind this wonderful piece. It has something that remind me of Mudra and Kid Crayon, and although there are similarities, there are also differences. His use of colour and tone is fantastic, bringing about a very soft pastel effect, and the writing incorporates a portrait and some other contextual elements, such as the car tyre and plants. This work is right up my street, and I am thrilled that Qwynto visited us in Bristol. Fabulous.
Natural adventures 