2567. Dean Lane skate park (263)

When I saw this little collaboration from Tasha Bee and Stupid Stupid Meathole, my first thought was that it looked a bit old and weathered, and I wondered if I might have overlooked it on previous visits to Dean Lane… in other words I have absolutely no idea when it was painted.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

The collaboration is bookended with two beautiful faces from Tasha Bee and filled with what looks like the word ‘meat’. These two have collaborated before in the past, but not for some time. In fact I don’t recall seeing much from Stupid Stupid Meathole for quite a long while.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

I’ll always have time for Tasha Bees stylised faces and am equally fond of SSM’s rather grotesque figures. This piece of writing though is quite uncharacteristic because there is lots of colour, not just the single pink SSM usually uses. A nice low-key collaboration.

Stupid Stupid Meathole, Dean Lane, Bristol, October 2019
Stupid Stupid Meathole, Dean Lane, Bristol, October 2019

2566. M32 roundabout J3 (177)

Ah, this is Mr Draws at his happy creative best. His wonderfully recognisable lettering filled with bright and imaginative colours and spme rather nice spotty patterning. Along the bottom of the writing we have some melty drips. All very neat and tidy.

Mr Draws, M32 roundabout, Bristol, October 2019
Mr Draws, M32 roundabout, Bristol, October 2019

This is unquestionably a feel good piece and with the blue skies behind it reminds us that not every day is dreary and wet, even if it feels like it sometimes. The shadow effect to the bottom and left of the letters is particularly notable. Do you know what, I think Mr Draws is moving up a gear.

2563. M32 Spot (51)

How lucky we are to have two such magnificent writers collaborating for a November 5th Guy Fawkes piece.

Remember, remember the fifth of November, gunpowder treason and plot. So the nursery rhyme goes and in keeping with tradition, this collaboration reminds us about the near destruction of parliament in 1605 by Guy Fawkes and his associates.

Another thing that rather resonates at the moment is the face mask for Guy Fawkes which has been adopted by protestors, often subversive, who rally against sitting governments or administrations – something we are seeing a lot of in the UK at the moment, but also globally in relation to the climate emergency or, for example, the protests in Hong Kong.

Decay and Ryder, M32 spot, Bristol, November 2019
Decay and Ryder, M32 spot, Bristol, November 2019

This piece is full of the fiery flames of bonfires and the two writing styles knit together rather well. It is unusual to see a writing collaboration arranged in this way, as we are more used to seeing the components side by side. I feel I ought to point out how stunning the flame fill in Decay’s letters is, quite awesome really. A nice seasonal collaboration.

2559. Upper York Street (17)

Sled One is hitting a bit of a purple patch just at the moment, and his Instagram feed is overflowing with recent pieces from all over the country. This is a reasonably recent collaboration with Ments and is located on a wall that both artists are familiar with.

Sled One, Upper York Street, Bristol, October 2019
Sled One, Upper York Street, Bristol, October 2019

Whether it is graffiti writing or character pieces, Sled One simply knocks it out of the park every time, and his writing in particular seems to embrace so many different styles and techniques. Although you can pretty much always identify the work as his, he has a very broad range of letter shapes and styles and no two pieces are remotely the same, unlike some artists who use the same essential building blocks for every piece. A master at the top of his game.

2548. L Dub (8)

I only make occasional trips to L Dub, which is OK, because the turnover isn’t quite up to the same level as it is in places like Dean Lane for example. Those rare visits though are totally worth it, and the dog rather enjoys the trip too.

Smak, L Dub, Bristol, October 2019
Smak, L Dub, Bristol, October 2019

This lovely piece of writing by Smak was alongside the Sled One mermaid which I posted a little while back, and the subtle colour selections work so well placed on the cloudy sky background. I am a fan of clouds, and since I started playing around with spray paint I have been looking at clouds a whole load more to make sure I don’t make silly mistakes (for example clouds that are darker on the top than on the bottom – it just doesn’t happen). Nice to see this Smak piece, it feels like a while since his last one.

2546. St Werburghs tunnel (108)

Another day, another Fiva piece in St Werburghs tunnel. This piece is perhaps a little less elaborate than some we have seen recently and there is no accompanying character, but it retains all the great hallmarks of Fiva’s fabulous work.

Five, St Werburghs, Bristol, October 2019
Five, St Werburghs, Bristol, October 2019

Brick walls in street art are something of a ‘thing’ and are painted as a backdrop by many Bristol (and other) artist to great effect. Fiva’s large full caps letters stand out from the brick background and are beautifully filled with a graded colour scheme and spots. All in all a lovely addition to this artist’s growing catalogue of pieces.

2541. St Werburghs tunnel (107)

One of the great things about Kleiner Shames is that he keeps coming back to Bristol and when he does he usually drops one of his stunning pieces which are always most welcome. The light in St Werburghs tunnel really doesn’t do the piece justice and it would be nice to see his next piece somewhere with more natural light.

Kleiner Shames, St Werburghs, Bristol, October 2019
Kleiner Shames, St Werburghs, Bristol, October 2019

Kleiner Shames was one of the first writers that I really appreciated and his work led me gently into the world of graffiti writing, which I had previously not engaged with much. It is definitely an acquired taste and takes some getting used to, but it requires as much skill and technique as other forms of street art. Kleiner Shames is a master of introducing a mature designed feel into his street work. Such a shame he doesn’t still live in Bristol.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2538. St Werburghs tunnel (106)

An unusual piece by Face 1st in St Werburghs tunnel, unusual because it is writing without a character. I think this is the first time I have seen this from him although he quite often does character pieces without writing.

Face 1st, St Werburghs, Bristol, October 2019
Face 1st, St Werburghs, Bristol, October 2019

Simple in its construction and tidy in his use of fills this is a rather fun piece, and it has lasted well in the tunnel where the turnover is often quite rapid. I particularly like the orange and red stripes on the ‘A’  – something for me to go away and practice. Also you might notice one of his girl faces at the base of the ‘F’. Always good to see Face 1st breaking boundaries.

2528. Dean Lane skate park (257)

Consistently out there and consistently upbeat Mr Draws continues to create his inspiring and light-hearted pieces wherever he can find space. I have just updated his gallery on Natural Adventures, and he really has been very busy over the last three years.

Mr Draws, Dean Lane, Bristol, October 2019
Mr Draws, Dean Lane, Bristol, October 2019

Mr Draws is quite unlike any of the other writers in Bristol and I would say that his style and fills are slightly unconventional. His lettering is reasonably straightforward, but the way he decorates his pieces is what brings them alive. In this piece I rather like the subtle shadow he has sprayed just to the left of the ‘D’ to lift it out from the wall a little. Nice technique.

2527. Dean Lane skate park (256)

There haven’t been nearly enough pieces by Hire in my view in the last twelve months or so. I like his unusual Gothic, almost brutal writing style that conjours up images of hardened steel weapons of the middle ages, or at least that’s what I see.

Hire, Dean Lane, Bristol, October 2019
Hire, Dean Lane, Bristol, October 2019

On the curved wall of Dean Lane, this one I am guessing spells out HIRE, but I have to confess that I can’t see it, so it might say something else. Hoping for more from this fabulous writer and now that Nevergiveup has moved to Bath, we will need his menacing rabbits more thasn ever to keep us going.