I can’t think how many times Dibz and Fade have teamed up in the last couple of years, but it must be into dozens, and this piece shows the true nature of total collaboration, where both artists created this incredible work together, and it isn’t possible to know who painted what. Lots of crew shout-outs are scattered around the outside of the piece in pink. Wildstyle writing at its best.
The piece spells out, rather appropriately, ‘Wild Style Addicts’ which probably sums up these two rather well. The gold and purple colours complement one another well, and it all looks very neat and tidy on the black wall.
I will have mentioned that Zinso has been rather busy of late, and also that he appears to be relatively new to Bristol. How wrong am I? I was looking through archives and noticed that I have posted pieces by the artist way back in 2019 and 2020, but those were character pieces and not writing. I can’t believe that in the intervening years I haven’t noticed his work, so have to assume that he has found a new burst of energy and time recently
Zinso, Dean Lane, Bristol, June 2025
This is a rather neat piece of bubble writing with a really deep 3D drop shadow, lifting the piece nicely off the wall. The piece is really nicely finished and greatly superior to most bubble writing that I see, that is usually associated with quick throw ups. Loads more to come soon, and below are a couple of his pieces from a few years ago.
Zinso, Brunel Way bridge, Bristol, January 2020Zinso, M32 Spot, Bristol, November 2019
These are three small boards outside a café on Narrow Quay, which I assume are commissions, or at the very least, permitted by the establishment. The artist is #DFTE and illustrate perfectly his philosophical musings delivered in his singular letter style with plenty of drips.
#DFTE, Narrow Quay, Bristol, June 2025
The first declares “love you too” presumably in response to a statement. The second is s little more challenging, and is perhaps a great reflective motto, “Don’t believe everything you think.
#DFTE, Narrow Quay, Bristol, June 2025
The third board in this trio, “Your anxiety is lying to you” is, I think trying to be helpful, but to anyone who suffers from anxiety, it probably just confuses and upsets – I can imagine tying oneself in knots over that statement. These original pieces represent a great way of integrating street art into our everyday lives. Nice work from #DFTE.
This is a wonderful old school combination piece painted at the L Dub spot by Turoe, although I think that the character might be by Veks. Everything about this oozes class and experience.
Turoe and Veks, L Dub, Bristol, June 2025
The character wearing a baseball cap has been buffing the wall with a roller, thus indicating a form of self-portraiture. The letters, spelling STYLE are perfectly filled with blended horizontal shades transitioning from purple through red and orange to brown. A striped 3D drop shadow rounds off this piece off nicely and create a metallic sheen effect.
Mage and Piewaste, Stapleton Road, Bristol, June 2025
This is one of those stacked collaborations that have to be taken as a pair, because separating them might look a little bit awkward. I am not 100% sure that it was painted as a collaboration or whether both artists painted their pieces separately, but you can see that Piewaste’s piece overlaps Mage’s piece above it, and was therefore completed second.
Mage and Piewaste, Stapleton Road, Bristol, June 2025
Mage has presented a regular set of letters, but with a creative fill that includes a dashed line pattern reversed out. It is great to see an artist reinventing himself in the way he has with a completely new set of letters, although I have to say I preferred his old letters.
Piewaste, who has written WASTE in letters that are close to anamorphic, creating a strong sense of depth and three dimensions, also includes his trademark eyes looking out from the writing like a cartoon forest at night (kind of thing). Nice to see these two pieces together like this.
It seems today that it is all about Hypo – the previous post was a birthday tribute to Hypo from Subtle, Ulow and Minto, and this is one of his very own pieces from L Dub. Hypo has had a purple patch that has been continuous for about two years now and shows no signs of abating.
Hypo, L Dub, Bristol, June 2025
The letter blocks in this piece are each assigned a different colour, and have a lot of strong graffiti writing motifs, such as the arrows and little double bars, stitching the letters together. It is interesting to note how different the ‘H’ and the ‘O’ chrome letters look quite different due to the different colour drop-shadows. Another nice piece from Hypo.
Subtle, Ulow and Minto, M32 roundabout, Bristol, May 2025
This fine trio of pieces was painted as part of Hypo’s birthday celebrations, and brings together Subtle, Ulow and Minto – quite a line-up. There is a whole lot of colour and talent on display, marking out this section of wall as being a bit special.
Subtle, M32 roundabout, Bristol, May 2025
To the left, Subtle has created a masterclass of colour and design, with some wicked letters spelling HYPO, set on a fabulous red background with pink spots, looking like wrapping paper around the writing. Outstanding stuff.
Ulow, M32 roundabout, Bristol, May 2025
We don’t get to see Ulow’s work all that often, so it is always a great pleasure to come across one of his characters. The superb presentation of different tones and shades create a wonderful 3-dimensional effect as if the character is walking straight out of the wall. A combination of simplicity and complexity all in one character piece.
Minto, M32 roundabout, Bristol, May 2025
Rounding off the trio is this busy piece of writing from Minto. The style here has as much to do with what is absent as it does with what is present, a little bit like Benjimagnetic’s writing. Lots of colourful splashes and unfilled spaces combine to spell out MINTO, in a complex arrangement. Altogether an outstanding collaboration. Bravo!
The emphasis of this post will walk through how augmentation works. In street art circles, augmentation (adding to an existing piece) is relatively rare and can be considered as a little insulting to the original artist, or lacking in creativity. On the other hand, it can be seen as flattering and complementary to the original work. Here is a wonderful example of a piece by Mr Klue that has been augmented by Posh.
Mr Klue, St Werburghs, Bristol, May 2025
This rather nice purple ‘KLUE’ abstract writing has been hanging around at the entrance to the tunnel for quite a while, which doesn’t really come as much of a surprise as he kind of ‘owns’ this spot, by occupation at least. The purple is beautifully picked out with white and yellow highlights that create wonderful depth to the piece. Now all is just fine and dandy, and then along comes Posh!
Mr Klue and Posh, St Werburghs, Bristol, July 2025
Quite a while after this piece was painted by Mr Klue, Posh came along and added into it three posh characters, in yellow, picking out some of the colour in the original piece. These ‘toffs’ have a strong political message, one that picked up a lot of coverage at the Glastonbury Festival, ‘Death 2 the IDF’. Once again, street art acts as a wonderful commentary on contemporary issues, and has an important role to play in free speech and expression. This is a great example of how augmentation can work really well, and Mr Klue thought it was rather funny.
This piece from Hire had me raising my eyebrows, in a good way, because it is quite unlike anything I have seen from him before. I would normally associate his work with quite intricate, spiky, angular letters, but here he has gone for something altogether softer and more fluid – to be honest I hind it a little disorientating. (Update – I am being particularly dense, the writing is, of course, by Sait Bare, which is why it is so different in style. I couldn’t see the wood for the trees.
Hire, Dean Lane, Bristol, July 2025
The combination of letters and two characters works well, with a face on the left and one of his trademark rabbits (see, it is spiky) to the right. The letters have a traditional 3D drop shadow with black and red stripes. This whole thing looks like Hire is experimenting a bit, departing from his customary style, and that has to be applauded.
Zinso has made a big impression in Bristol in recent months having burst onto the scene earlier this year. He took over this entire wall, buffed it out with white paint and then painted six pieces, in pairs, each with a small and a large piece. I guess it is one way of getting in some practice. I have split the total production into three posts of which this is the first.
Zinso, Brunel Way, Bristol, July 2025
Both the small and large piece are in a bubble-writing style, although the larger one is rather more sophisticated. The small piece has alternate colours for the letters, has a tidy drop shadow and neat red border. Great work. As for the larger piece, the fills are absolutely magnificent. Big, bold colours and some really nice shapes resembling calligraphy, create an outstanding overall impression. This is the work of a skilled, technical artist having a great day out. The full wall is shown below:
Natural adventures 