Writer – Page 40 – Natural adventures

6834. Dean Lane skate park

Fade, Jody and Dibz, Dean Lane, Bristol, March 2025

After a few posts from a trip to Liverpool, I return to my comfort zone of Bristol with this magnificent production piece from Fade, Jody and Dibz on the long wall at Dean Lane.

The triptych begins with some great writing from fade on the left, where the absence of colour and decoration within the letters demonstrates the artist’s talent in its rawest form. All the artwork is beautifully tight, and he switches up things a little with the black border fading to orange on the right.

In the middle is a superb portrait by Jody – I think the first I have seen this year – which presents a woman in three-quarter profile with loads of interesting light and shade cast across her face in red and blue tones, creating so much depth and interest. So very well painted, and as an example, have a look at the shadow cast under her nose. Brilliant. The hair is sensational too.

To the right, Dibz continues with the white letters, reflecting those of Fade on the left. This piece from Dibz is pretty much an archetypal work by the maestro and rounds the collaboration off perfectly.

Real Madrid

To become the best

you must meet and beat the best

change the paradigm

by Scooj

6830. M32 roundabout J3 (668)

Kid Krishna, M32 roundabout, Bristol, March 2025

The council, for whatever reason, seem to like buffing the walls of the M32 roundabout with a neutral grey paint. I am not too sure what the purpose is, other than to give people doing community service a civic activity. That the exercise is costly and futile doesn’t really come into the equation. Once buffed, the wall becomes an inviting canvass for street/graffiti artists.

Kid Krishna didn’t waste too much time creating this CRIE piece in blue lettering with some yellow splashes. The piece carries a couple of messages: ‘drugs don’t work’ and ‘fight the power’, which suggests the artist is working through a few things, as are we all, at the moment. A nice ‘virgin wall’ piece.

6829. Cumberland Basin

Dirtygypo, Cumberland Basin, Bristol, March 2025

Dirtygypo has returned to the streets with a few pieces this spring, and this is a rather nice one painted in Cumberland Basin. The letters still puzzle me. There are thoughts that they could spell Pilger or Dirty, but I don’t think it is either of these.

The letter forms are consistent with his usual approach, but he has added in some great colours, and the lightening breaks in white really stand out through the piece. The characterisation of the first letter is one of several signatures that aid with identification, but to be honest, his writing is unlike anything by any other artists in Bristol and is easy to identify. It is just those damn letters that perplex me.

6827. Cumberland Basin

Butch, Cumberland Basin, Bristol, March 2025

I have to confess that I have a real soft spot for Butch’s graffiti writing. I like the name, I think it lends itself well to the art form, I like his letter shapes and I like his understated presence.

Butch has a fairly standard approach to arranging his letters where, going from left to right, each letter overlaps its successor. With the addition of some shadows, this method provides some depth to the piece. This looks like a bit of a quick one, with a white fill that barely does the job of filling. A couple of nice spots round the piece off nicely. More on the way from Butch.

6826. Sparke Evans Park (127)

Grimes, Sparke Evans Park, Bristol, March 2025

Grimes has pretty much made it to the top of my list of Bristol graffiti writers at the moment, taking into account the frequency of his pieces and the outstanding quality of them. Unlike some graffiti writers, his style remains broadly the same, but he manages to squeeze out every square inch of space on the walls he paints and create the most amazing burst of energy and movement.

Colour and quality are two words I would use to open my description of this piece. Every element is in its place and finished perfectly. I particularly like the plasma ribbon running through the whole thing. This piece continues Grimes’ run of good form, which shown no signs of letting up.

6824. St Werburghs tunnel (487)

Mr Klue, St Werburghs, Bristol, March 2025

I would say that Mr Klue is the (undisputed) king of St Werburghs tunnel, on a measure of number of pieces painted there. It seems to be the place he enjoys painting most, and it is rare to not be able to find something of his at any one time.

This is a colourful one, as ever spelling out KLUE, which is notable perhaps for the way the wispy tops of the letters bleed into a cloudy mass, which might have been there from a previous piece. The central colours are green and orange, which often work well together, but there are also injections of purple and white. The use of these colours combines to create depth to the piece which is on the cusp of being anamorphic. We can be certain that there will be more to come.

6822. River Avon (83)

Werm is becoming one of those consistent, drumbeat graffiti writers whose work is always there and reminds us what the Bristol street/graffiti art scene is all about. His current style takes us through his playing with symmetry of the letters WERM, forever striving for perfection.

In addition to his beautifully presented letters, Werm has set the piece on a pattern of pixelated cubes, adding just enough interest to lift the piece. Unfortunately, the afternoon sun has crept into the right-hand half of these pictures, but that is a daily hazard when photographing street art… and bins, and parked cars etc.

6821. The Carriageworks (48)

Kid Krishna, The Carriageworks, Bristol, March 2025

There was a time, when the Carriageworks was being redeveloped, that I thought we’d never see graffiti or street art appear on the arches again. That is true for the two right-hand arches, which have now been replaced with large windows, but the left-hand arches continue to play host to the occasional piece. This is a beauty from Kid Krishna.

The artist has a real eye for form and colour and combines these with his letters CRIE, to create a whole that is greater than the sum of its parts. I can almost see the emergence of a masked character in the purple section – is it real, or am I imagining things? Clever and technically brilliant work from Kid Krishna.