673. North Street, In Recovery

I took this picture during Upfest 2016, and was going to enter it as one of the pieces from the event. What a mistake that would have been. The piece is a collaboration between Copyright and Gemma Compton and was sprayed some years ago.

Copyright and Gemma Compton, North Street, Bristol, July 2016
Copyright and Gemma Compton, North Street, Bristol, July 2016

Of course I never usually get to see shutter pieces, because they tend to be up during the times I am out on the streets taking pictures. The work of these two artists works so well in combination; they both like bold colours, reds and blues, and both usually include female subjects. Gemma in particular likes to incorporate natural motifs setting the pieces off nicely.

Copyright and Gemma Compton, North Street, Bristol, July 2016
Copyright and Gemma Compton, North Street, Bristol, July 2016

This is a striking and enduring collaboration from this couple.

 

 

672. The Bearpit (45)

Photographing street art and posting it on digital social media can be a frustrating thing sometimes. Some bloggers or Instagrammers, put up their images within hours or minutes of finding a new piece. This is great for getting a picture of ‘what’s new’ but is usually unaccompanied by any sort of narrative, and rarely a location…I don’t understand why people are so guarded. Others like myself, like to add a little bit of a back story…sometimes a little tedious (I’m sorry)…to give the reader just a little bit more than a snapshot. The big disadvantage of the latter approach is that images about contemporary news events seem rather out dated by the time I get to post them. A case in point is this witty ‘love is’ piece by John D’oh in one of the tunnels of The Bearpit.

John D'oh, The Bearpit, Bristol, February 2017
John D’oh, The Bearpit, Bristol, February 2017

So my apologies to all for the tardiness of this post, but I think it is still worth including in the blog. I don’t need to say much about the subject matter – it has been world news after all. I love the subtle (?) reference to Trump’s hair. This is a fun piece ridiculing the ridiculous.

John D'oh, The Bearpit, Bristol, February 2017
John D’oh, The Bearpit, Bristol, February 2017

671. Moon Street (24)

Regular readers of these posts should have no difficulty in identifying this artist as Laic217. This is the sixth piece I have featured by the artist since the beginning of February, and I still have a couple more in the queue.

Laic217, Moon Street, Bristol, February 2017
Laic217, Moon Street, Bristol, February 2017

Back to his bucket hat character and distorted face. The Smilie is sprayed in a 3D viewer style, and with the pixelated shirt fragments around the character’s shoulders, the whole amounts to a rather ‘trippy’ piece.

Laic217, Moon Street, Bristol, February 2017
Laic217, Moon Street, Bristol, February 2017

I have said a number of times recently that I am really enjoying witnessing the development of this Bristol artist who has still managed to remain rather aloof. Googling ‘Laic217’ simply brings up loads of my images. Perhaps I should try and contact him for an interview.

Laic217, Moon Street, Bristol, February 2017
Laic217, Moon Street, Bristol, February 2017

670. St Werburghs tunnel (9)

Face F1st has been rather busy lately, and I am struggling to keep up with posting all his new works. This is a nice piece from St Werburghs tunnel, but as with all of the tunnel pieces, the photographs just don’t do the work justice.

Face F1st, St Werburghs tunnel, Bristol, February 2017
Face F1st, St Werburghs tunnel, Bristol, February 2017

I couldn’t quite get the shots I wanted of this piece, because there was some kind of a photoshoot going on in the tunnel, and someone had parked a car in the way. The colours are really great, and the characteristic face is nicely folded into the C of FACE. I still get a bit of a kick out of finding a Face F1st piece.

Face F1st, St Werburghs tunnel, Bristol, February 2017
Face F1st, St Werburghs tunnel, Bristol, February 2017

Tatties

 

Laying potatoes

out to chit; ready to plant

on St Patrick’s day.

 

by Scooj

669. M32 Roundabout J3 (33)

This is an extraordinary collaboration between two Leeds-based artists Meds (from the Uprising Crew) and Peal (from the Bad Taste Krew) and Bristol-based Ments. It is a stunning work, and what I don’t get is how they all manage to stick to the style and stay ‘on message’ if there is such a thing in graffiti art.

Meds, Peal, Ments, M32 roundabout, Bristol, February 2017
Meds, Peal, Ments, M32 roundabout, Bristol, February 2017

The colour selections are terrific and in line with many of the other pieces that were sprayed at the same time on this long wall. I can definitely see the Ments influences on this piece, but as I am not familiar with the other two artists, it is hard to know who influenced what. The piece says ZORDS, although I’m afraid my ignorance shines through at this point as I have no idea what Zords is.

Meds, Peal, Ments, M32 roundabout, Bristol, February 2017
Meds, Peal, Ments, M32 roundabout, Bristol, February 2017

It is always great to see the work of visiting artists on the streets of Bristol, especially having a great time with a collaboration like this. They also sprayed another large wall in Wilder Street, probably on the same trip, which I will feature soon. Great work.

Meds, Peal, Ments, M32 roundabout, Bristol, February 2017
Meds, Peal, Ments, M32 roundabout, Bristol, February 2017

668. Horley Road (1)

This is a gargantuan collaboration by some of Bristol’s very best street artists, that I first saw back in October 2016, although I am not sure how long it had been there. It is in the St Werburghs/St Pauls area of Bristol, and is a street I rarely get to.

FLX, 3Dom, Epok, Soker, Sepr, Horley Road, Bristol, October 2016
FLX, 3Dom, Epok, Soker, Sepr, Horley Road, Bristol, October 2016

I can’t tell you too much about what the whole piece is about, but I can tell you it was by FLX, 3Dom, Epok, Soker and Sepr. Who did what is a bit of guesswork, but this is how I think it works… The robot on the right looks like Sepr’s work, the wildstyle writing by Soker and Epok, The character in the top left with the big hair by FLX? and the crystal dome thing in the bottom left by 3Dom?

FLX, 3Dom, Epok, Soker, Sepr, Horley Road, Bristol, October 2016
FLX, 3Dom, Epok, Soker, Sepr, Horley Road, Bristol, October 2016

I am not too fussed about who did what, simply because the whole is a truly wonderful collaborative piece . I’m not sure how often this lot get to collaborate, but I wouldn’t think it is too often, so this really is a bit of a one-off.

FLX, 3Dom, Epok, Soker, Sepr, Horley Road, Bristol, October 2016
FLX, 3Dom, Epok, Soker, Sepr, Horley Road, Bristol, October 2016

667. Norfolk Place (2)

Painted at the same time as the Deamze piece in my previous post, this is a rather more colourful offering from Soker, which was almost certainly sprayed at the same time. This vibrant piece seems to have something that reminds me of Captain America…is it the stars?

Soker, Norfolk Place, Bristol, August 2016
Soker, Norfolk Place, Bristol, August 2016

I like Soker’s work a great deal and together with his ASK crew members he really brightens up Bristol’s streets and walls. Another old piece surviving in mint condition.

 

666. Norfolk Place (1)

This is a rather old piece from Deamze, but I was down there very recently, and it is still looking in good nick. I have to say though that this is not my favourite piece by this artist. I feel the colours are all wrong for this location. It feels to me a little drab and lacking in vibrancy.

Deamze, Norfolk Place, Bristol, August 2016
Deamze, Norfolk Place, Bristol, August 2016

It happened from time to time. I can’t ‘love’ every piece I see. Technically this is a great piece…it just doesn’t do it for me. It is utterly untagged and respected though which shows the high esteem in which Deamze is held.

Deamze, Norfolk Place, Bristol, August 2016
Deamze, Norfolk Place, Bristol, August 2016

Tautological scam

 

Cold callers selling

a service to prevent cold

callers rom calling

 

by Scooj 😡