Month: May 2017

775. Kings Square Avenue (4)

There are several street/graffiti artists in Bristol who never seem to stop, and ranking high amongst those is Deamze. This compressed piece is from a few weeks ago and takes the format of his wildstyle lettering and a character.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

I am guessing that the character is some kind of hog or pig – probably from a cartoon series that I never watched on TV.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

The colours in this work, especially the dayglow pink and green set on a purple background create an eye-catching piece for passers by. Deamze has occupied this spot for as long as I have been blogging, and probably sometime longer than that.

 

 

Dry

 

Prolonged dry weather,

as we call it in the trade,

set to hang about.

 

by Scooj

774. Dean Lane skate park (46)

As Whysayit pieces go, this really is a first class one. Sprayed on what is probably the premium wall at Deaners,  it oozes with confidence and colour. I think what really marks this out from his other work, is that he has taken a bit of time to prepare a backwash, and it definitely helps the writing to stand out.

Whysayit, Dean Lane, Bristol, April 2017
Whysayit, Dean Lane, Bristol, April 2017

I liked this piece from the moment I saw it, and although it didn’t last long (nothing much does here) I’m glad I got to see it.

Whysayit, Dean Lane, Bristol, April 2017
Whysayit, Dean Lane, Bristol, April 2017

773. St Augustine’s Parade (1)

Something fresh and new in Bristol. As you will know by now, I am a big fan of wheatpastes, so when I saw this I had a small pang of excitement. In fact it turned out to be the first of four I found on my home. It is by qWeRT, a wheatpaster based in London, who must have had a mini-break in Bristol and left a few ‘presents’.

Qwert, St Augustine's Parade, Bristol, April 2017
Qwert, St Augustine’s Parade, Bristol, April 2017

This colourful happy piece appeared to have been here a little while as one bit was starting to peel off – I can’t believe I have not seen it before though. Since Kid Crayon moved onto spraying, I have missed my fix of paste ups. Discovering the work of qWeRT has quenched my thirst a little.

772. The Bearpit (67)

Tuesday 2 May was something of a special day. I took a lunchtime walk to Dean Lane, and was lucky enough to come across an artist spraying a large buck-toothed bunny. This was a significant moment, because I have taken several pictures of this bunny about the place, but never posted it because I didn’t know who it was by.

This was my chance – I asked if he minded if I took a picture and I had a chat with him. Turns out he is Hire (pronounced ‘he ray’) and comes from Poland and sometimes paints with Laic217 (who he told me is also Polish). So now the piece I recently posted by the pair of them makes more sense.

Hire, The Bearpit, Bristol, March 2017
Hire, The Bearpit, Bristol, March 2017

So here is a toothy bunny from a little while ago from The Bearpit, and guess what…it is by Hire. You would not believe how many google searches I have done for street art bunnies/rabbits/graffiti/buck-teeth/scary and so on. Nothing, not a dicky bird. Anyhow it doesn’t matter anymore.

Hire, The Bearpit, Bristol, March 2017
Hire, The Bearpit, Bristol, March 2017

Feast your eyes on this bunny and enjoy. There will be more dredged from the archives soon.

Second life

 

On the allotment

Heath Robinson contraptions

harvest rainwater.

 

by Scooj

771. M32 roundabout, J3 (36)

I was in two minds about posting about this Laic217 piece, because it is so unlike anything I have seen from him before, and something of a departure from the trajectory he has been on recently. I am not too sure also that I like it very much…it might be something to do with the insipid colours. But hey this blog isn’t just about what I like, it is about what I see.

Laic217, M32 Roundabout, Bristol, April 2017
Laic217, M32 Roundabout, Bristol, April 2017

Actually, now that I am scrutinising it a little more thoroughly, there is quite a lot here to like. The animal, the alien in a spaceship over eyes and the customary brick wall. I guess the monochrome approach is something I’ve not seen before from this artist (spoiler alert…but I have seen since).

Laic217, M32 Roundabout, Bristol, April 2017
Laic217, M32 Roundabout, Bristol, April 2017

Not the best, but still something rather compelling about his work, and how much has he improved over the last year?

Wisteria

 

Elongated sweet

smelling purple blooms cascade

from the balustrade.

 

by Scooj

770. The Bearpit (66)

Street art and graffiti can often tell a story about the ever-evolving scene. The original piece by Angus, which is one of his favourite stencil concepts was sprayed as part of the paint jam in the Bearpit over Easter.

Angus, The Bearpit, Bristol, April 2017
Angus, The Bearpit, Bristol, April 2017

Angus had completed the work by the time I got down there, but it was still in pristine condition. Now, I understand that taggers really have very little time for stencil art, and don’t take long to spoil it, or ‘add’ to it with their own scrawlings and witticisms. By the time I went back the next day there were already quite a few tags on the piece.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

How brilliant then, that Dice 67 went the extra mile and augmented the piece with a fabulous stencil of his daughter spraying the words ‘I must not write on the walls’. How brilliant is that – a living piece that takes a pop at taggers, but in a really clever way, and sets the piece off beautifully. Evolution.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

769. The Bearpit (65)

Sirens is an artist that I have only recently come across, and I have to say that on both occasions I have met him, I really enjoyed our conversations and what he has to say about his art.

Sirens, The Bearpit, Bristol, April 2017
Sirens, The Bearpit, Bristol, April 2017

His work is on the fine art side of the spectrum, and it is possible to see that there might be numerous influences in his work. This piece, again of an industrial environment is in one of the tunnels of The Bearpit, and offers both a depressing scene, and also an uplifting one in the single work. I like his style, and believe he is still developing, so I await further appearances and opportunities to chat.