This is yet another stunning piece from Dibz in Dean Lane. I can honestly say that I can’t remember such a productive period from this artist before in my (sometimes limited) experience.
Superb writing with a green surround is brought to life with delicate red thread encircling the whole piece. This is classy writing of the highest calibre and really something to behold. Great work from a great artist.
John D’oh’s busy summer just keeps on delivering time and time again, and the theme of his work continues to be dominated by coronavirus. This piece is a warning to those who might appear hypocritical having clapped for the NHS and then failing to be careful as restrictions ease.
The warning has already proven to be a sensible one as we are seeing localised increases in infection rates across the UK and beyond. The simple single layer stencil shows Walt Disney’s Dopey enjoying a pint of beer. I am guessing that the Aberdeen football club players are wishing they had heeded such a warning.
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Overwhelming heat
who needs to travel abroad?
COVID staycation
.
by Scooj
I’m not entirely certain I have seen a collaboration between Andy Council and Soker before so this recent piece on North Street is something of a wonderful surprise. The whole thhing is beautifully balanced and the colour selections work perfectly. The Soker burner in the middle is book-ended with the front and back of a dragon with parts of the back running the length of the whole piece for continuity.
I’ll start with the Soker writing, which as ever is top notch with a five colour horizontal fill that works really well and some pink/mauve 3D shading that adds real depth to the lettering. On its own this is remarkable.
The front end of the dragon by Andy Council is made up of individual components stitched together with pink looping thread. There is movement and power in this dragon, but its form is a figment of our imaginations. Very clever.
The rear end of the dragon is more of the same, but some of the component parts begin to resemble feathers flutteing away, which I am sure is no accident, because Andy Council’s usual preference for dinosaurs woud include scales and primitive feathers (derived from scales). A wonderful collaboration from thes two godfathers of Bristol street art.
You will know that I have a very large soft spot for the work of Kid Crayonm, and what makes it extra good is that he is a seriously nice bloke too. I managed to catch up with him while he was painting this trpical protrait piece at the M32 paint jam back in July.
We stopped for a while to chat and KC told me that this section of wall is a little tricky for him because of his height and he needs to stand on stuff to reach the top. I love the way that over the last couple of years, the party hat has become almost as much of a thing in his work as the crayon, both featured here.
I have enjoyed this little spate of pieces from KC and am looking forward to hunting down a collaboration piece he has just finished with SPZero76. There are some things that have been great about this summer and this is one of them.
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End of week fatigue
is offset by a fillip
week away from work
.
by Scooj
This was a quiet one from Decay that snuck out without fanfare. It is great to see Decay experimenting with some new paint textures and ideas, such as spraying large clouds of paint on the wall as a kind of backdrop to his writing.
The white shading in the letters has a kind of distressed effect, something interior decorators were particularly fond of in the 1980s. The whole thing is high-class and exactly what you’d expect from Decay. There are two crew names on the piece that are HTM – Hold the Mustard, and LRS – Last Radical Souls, they are a loosely based crew operating all over the world since 2001.
It is always great to catch up with Rusk, a real gentleman if ever there was one. On this occasion he was joining in with the M32 paint jam that included Tizer, Inkie, Soker, Hemper and Minto last month. The sun was against me for the final photographs, but the work in progress shot shows off the colours a little better.
Attention and care are what I associate Rusk’s work with. He is always diligent and tidy with his pieces and takes his time to get things right. I can’t imagine my stopping for a chat was particularly helpful, but he didn’t seem to mind.
The letters are typically Rusk, spelling out RUSKY and are given a horizontal tricolour fill, with some nice spots in the middle section. If I am honest I am not sure the three colours work too well, especially the bottom two as there is not enough contrast between them, but that is nit picking really, this is a fine piece of graffiti writing.
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On a damp hillside
I sit while the dog works hard
top dog, under dog.
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by Scooj
Interesting fact… the terms top dog and under dog are derived from (woodland) saw pits where the worker at the top end of a double ended saw was called the top dog and the worker in the saw pit underneath with all the sawdust dropping down was called an under dog.
Usually when Mr Klue hasn’t painted for a while (and we are in one of those moments now) his first new piece is often followed up with a spate of creative work and I am hoping that will be the case this time. This new piece is in his favoured spot at the far end of St Werburghs tunnel.
There is a lot going on in this abstract dreamscape which to understand would probably necessitate the unpacking of the artist’s mind. In amongst all the atmospheric swirls and recognisable elements, such as the lamp post, hat and helmet, there are the letters KLUE… I think. A wonderful piece and worth waiting for.
Natural adventures 