I give up

 

Pain au chocolat

freshly baked, not enough to

get the children up.

 

by Scooj

1276. Wilder Street (22)

This is an unusual pice of writing from Ryder. I don’t think it is the writing itself that is unusual, rather it is the bare wood hoarding behind it. Usually a backwash is applied to make the piece stand out on a single colour. Not only does this piece ignore such things, it also spans around a concrete pillar.

Ryder, Wilder Street, Bristol, May 2016
Ryder, Wilder Street, Bristol, May 2016

Ryder is a fine Bristol writer, who I was slow to pick up on and appreciate, but I am a fan of his work now. This one does look a bit like a jelly though, all sort of wibbly wobbly, and the shading has a kind of electric/cosmos feel to it. Unusual.

1275. M32 roundabout J3 (63)

This is a cracking January piece by Smak of Read and Weep (RAW). Alongside a nice piece from Elvs, this fabulous example of wildstyle writing really showcases the technical art involved to create great graff.

Smak, M32 roundabout, Bristol, January 2018
Smak, M32 roundabout, Bristol, January 2018

With a little bit of training you can read the work SMAK, but it is all tghat surroubnds the letters that makes this piece stand out. the two predominint colours alternating through the piece, freat shadows and shading and a pleasing symetry to the whole work. One of Bristol’s best writers.

In a flap

 

Disturbed from their ledge

pigeons scatter then settle;

a daily pattern.

 

by Scooj

1274. The Bearpit (117)

In the partial light of one of the tunnels leading out of The Bearpit a little while back, there was this rather lovely collaboration between Kid Crayon and Ugar. I had caught up with Ugar a few days later and he talked about his collaboration partner most fondly and touchingly called him Crayon Kid. Well it works for me.

Kid Crayon, The Bearpit, Bristol, November 2017
Kid Crayon, The Bearpit, Bristol, November 2017

It is not often that Kid Crayon takes to writing, but I guess this was one of those days. What is lovely about his piece here is that he has included his signature crayon, which has been missing (and much missed) of late.

Ugar, The Bearpit, Bristol, November 2017
Ugar, The Bearpit, Bristol, November 2017

I am really enjoying finding Ugar pieces around the place. As a relatively new entrant into the Bristol scene, his work adds to the incredible diversity of street art that the city has to offer. He mostly works with the letters of his name, although not always, and here gives us an UG, beautifully filled and decorated. Nice collaboration.

1273. Brunel Way Bridge (5)

I think this is the last piece I have from the Halloween 2017 session by members of the ASK crew. The others were by Sepr, Sled One, Feek and Inkie. This is by the extraordinarily talented Epok.

Epok, Brunel Way bridge, Bristol, November 2017
Epok, Brunel Way bridge, Bristol, November 2017

Nobody writes quite the way Epok writes, with his highly designed angular letters which have a stro9ng geometric and architectural feel to them. The photograph really doesn’t do justice to this piece which is positioned under a bridge, where the light competes with the dark. All of the pieces here are much better seen in the flesh, than captured by a rank amateur like me. At least I can give you a feel for the artworks.

Missed out

 

Did I miss something?

It doesn’t happen often,

once in a blue moon.

 

by Scooj

Thursday doors

Door 16

Door, Pastimes, Lower Park Row, Bristol
Door, Pastimes, Lower Park Row, Bristol

These doors belong to a small shop called Pastimes, which tells us everything really, a shop was never so aptly named. I don’t think that anything about the decor of the shop, and indeed much of its content, has changed since the 1960s.

Door, Pastimes, Lower Park Row, Bristol
Door, Pastimes, Lower Park Row, Bristol

I would guess that it is owned and managed by a passionate collector, and not a shopkeeper. It looks very much like a situation where a hobby has spiralled out of control. I cannot recall seeing the shop being open…ever, and it appears to have been in a condition of stasis over the last couple of years. Maybe the owner is unwell or too old to look after things. But it is still there, and when I pass I gaze through the windows trying to see what lies within. Wartime memorabilia, stamps, cigarette cards, coins, plates…all those kinds of things adorn the walls (and floor space).

It is interesting that the shop seems to span two buildings, each with its own front door. I don’t know if they join up inside. The building itself is not kept in the best of repair, and I am left wondering if the owner of the shop is also the owner of the buildings – how else could the shop still be there?

I think every town has a shop like this. A wonderland. An old curiosity shop.

 

Thursday Doors – Norm 2.0

 

 

1272. Nelson Street (4)

I am including this piece, in spite of the fact that it has been around forever, because I have only rarely seen it, when I am in this part of town and the shutters are down. It is by DNT, who normally reserves his talents for the Stokes Croft area.

DNT, Nelson Street, Bristol, November 2017
DNT, Nelson Street, Bristol, November 2017

The shutter piece is situated on Nelson Street at the oriental supermarket, and has a western-oriental flavour to it. The cherry blossoms, characteristic of the Far East, fringe a portrait of a girl, almost geisha like but with western eyes.

DNT, Nelson Street, Bristol, November 2017
DNT, Nelson Street, Bristol, November 2017

I like this piece, especially as it is quite different from the kind of stuff I’m used to seeing by DNT. Worth waiting for.

1271. St Michael’s Hill (2)

This is not a new piece by Shab, it has been here for months, but it replaces a piece by him that was here before and which I posted in February 2017. It would seem that Shab has the permission of the owners to claim this spot as his own.

Shab, St Michael's Hill, Bristol, November 2017
Shab, St Michael’s Hill, Bristol, November 2017

I never tire of the abstract form that Shab brings to his work, enjoy the anatomical references he makes in his work, which recently has been the inclusion of an eye. In this piece he includes another eye and also the eye scokets and nasal cavity of a skull.

Shab, St Michael's Hill, Bristol, November 2017
Shab, St Michael’s Hill, Bristol, November 2017

This is an interesting piece and slightly off the beaten track. One for the locals.