Pain au chocolat
freshly baked, not enough to
get the children up.
by Scooj
Pain au chocolat
freshly baked, not enough to
get the children up.
by Scooj
This is an unusual pice of writing from Ryder. I don’t think it is the writing itself that is unusual, rather it is the bare wood hoarding behind it. Usually a backwash is applied to make the piece stand out on a single colour. Not only does this piece ignore such things, it also spans around a concrete pillar.

Ryder is a fine Bristol writer, who I was slow to pick up on and appreciate, but I am a fan of his work now. This one does look a bit like a jelly though, all sort of wibbly wobbly, and the shading has a kind of electric/cosmos feel to it. Unusual.
This is a cracking January piece by Smak of Read and Weep (RAW). Alongside a nice piece from Elvs, this fabulous example of wildstyle writing really showcases the technical art involved to create great graff.

With a little bit of training you can read the work SMAK, but it is all tghat surroubnds the letters that makes this piece stand out. the two predominint colours alternating through the piece, freat shadows and shading and a pleasing symetry to the whole work. One of Bristol’s best writers.
Disturbed from their ledge
pigeons scatter then settle;
a daily pattern.
by Scooj
In the partial light of one of the tunnels leading out of The Bearpit a little while back, there was this rather lovely collaboration between Kid Crayon and Ugar. I had caught up with Ugar a few days later and he talked about his collaboration partner most fondly and touchingly called him Crayon Kid. Well it works for me.

It is not often that Kid Crayon takes to writing, but I guess this was one of those days. What is lovely about his piece here is that he has included his signature crayon, which has been missing (and much missed) of late.

I am really enjoying finding Ugar pieces around the place. As a relatively new entrant into the Bristol scene, his work adds to the incredible diversity of street art that the city has to offer. He mostly works with the letters of his name, although not always, and here gives us an UG, beautifully filled and decorated. Nice collaboration.
I think this is the last piece I have from the Halloween 2017 session by members of the ASK crew. The others were by Sepr, Sled One, Feek and Inkie. This is by the extraordinarily talented Epok.

Nobody writes quite the way Epok writes, with his highly designed angular letters which have a stro9ng geometric and architectural feel to them. The photograph really doesn’t do justice to this piece which is positioned under a bridge, where the light competes with the dark. All of the pieces here are much better seen in the flesh, than captured by a rank amateur like me. At least I can give you a feel for the artworks.
Did I miss something?
It doesn’t happen often,
once in a blue moon.
by Scooj
Door 16

These doors belong to a small shop called Pastimes, which tells us everything really, a shop was never so aptly named. I don’t think that anything about the decor of the shop, and indeed much of its content, has changed since the 1960s.

I would guess that it is owned and managed by a passionate collector, and not a shopkeeper. It looks very much like a situation where a hobby has spiralled out of control. I cannot recall seeing the shop being open…ever, and it appears to have been in a condition of stasis over the last couple of years. Maybe the owner is unwell or too old to look after things. But it is still there, and when I pass I gaze through the windows trying to see what lies within. Wartime memorabilia, stamps, cigarette cards, coins, plates…all those kinds of things adorn the walls (and floor space).
It is interesting that the shop seems to span two buildings, each with its own front door. I don’t know if they join up inside. The building itself is not kept in the best of repair, and I am left wondering if the owner of the shop is also the owner of the buildings – how else could the shop still be there?
I think every town has a shop like this. A wonderland. An old curiosity shop.
I am including this piece, in spite of the fact that it has been around forever, because I have only rarely seen it, when I am in this part of town and the shutters are down. It is by DNT, who normally reserves his talents for the Stokes Croft area.

The shutter piece is situated on Nelson Street at the oriental supermarket, and has a western-oriental flavour to it. The cherry blossoms, characteristic of the Far East, fringe a portrait of a girl, almost geisha like but with western eyes.

I like this piece, especially as it is quite different from the kind of stuff I’m used to seeing by DNT. Worth waiting for.
This is not a new piece by Shab, it has been here for months, but it replaces a piece by him that was here before and which I posted in February 2017. It would seem that Shab has the permission of the owners to claim this spot as his own.

I never tire of the abstract form that Shab brings to his work, enjoy the anatomical references he makes in his work, which recently has been the inclusion of an eye. In this piece he includes another eye and also the eye scokets and nasal cavity of a skull.

This is an interesting piece and slightly off the beaten track. One for the locals.