5. Street Art – Page 242 – Natural adventures

5288. M32 Spot (167)

I have a feeling that Zake might be slowing down a little, having had an incredible start to the year with an increase in both quality and quantity of his original character pieces. This incredible piece is painted on one of the columns (if not, a different face of the same column) where I first encountered Zake’s work back in July 2018, so it feels like a bit of a full circle, and my goodness, how he has developed over that time.

The long face (an inevitability on columns) has a double set of eyes, which are thankfully closed, and is spewing fiery water from the mouth. The colour selection works beautifully, and as ever Zake’s work is so full of depth, afforded by clever use of light and shade. This is a really striking piece, noticeable from quite some distance.

5287. M32 Spot (166)

I don’t quite understand why, but I have posted very few pieces by 3rdeye on this blog, perhaps because he only paints occasionally, but I’m sure I have more in my archives somewhere. 3rdeye pieces are a rare thing, especially outside of festivals, so it was a considerable surprise and delight when I stumbled across this piece a little while back.

Painted on a utility box and wall at the top end of the M32 Spot, underneath the motorway, 3rdeye has split the piece into two parts. On the utility box is one of his imaginary characters, perched on top of an eye with a thought cloud saying “sexual chocolate”. I have no idea what this means and won’t be asking.

On the adjacent wall, there are several cleverly concealed characters, painted in 3rdeye’s distinctive style, together with some letters, but I can’t quite make out what they are… it looks like E A E, but that doesn’t seem right. The piece is nicely signed at the top and demonstrates the strength in depth of talent in Bristol.

5286. Dean Lane skate park (607)

This outstanding piece by Dibz was painted alongside Werm and Veeez, both of whom are edging towards the ‘top table’ when it comes to collaborations. I have genuinely run out of things to say about Dibz and the quality and creativity of his work, and am tempted to not write too much more but simply let you enjoy this piece, which is so easy on the eye.

Dibz’ confidence and talent allow the viewer to wonder at the detail of the piece in the knowledge that absolutely everything is perfectly finished. The addition of pixels and stars embroiders, what is already an outstanding piece of graffiti writing.

5285. M32 roundabout J3 (480)

Kid Krishna, M32 roundabout, Bristol, May 2023

It took me two visits to get a clean picture of this piece by Kid Krishna, because his bike was parked in front of it the first time (while he was painting an adjacent piece). What is interesting is that the light conditions were different on each occasion, which affects the colours in the images.

Kid Krishna is smashing it everywhere he paints at the moment, and in a very short space of time has become a dominant force in the city. In this fascinating piece the writing, CRIE, is compressed into the central part of the work and is surrounded by fish designs, some realistic and some abstract. The piece demonstrates a strong artistic bent and creative mind. The explosion of ideas in his work is sometimes difficult to interpret, for example what is the man in the top hat, eating a sardine, all about? His work continues to surprise and delight… regularly.

5284. M32 roundabout J3 (479)

Tick-tock, regular as clockwork, Hypo keeps turning out new pieces, each of which is a welcome addition to his expanding and improving portfolio. I have definitely seen an improvement in his work in recent months, and although he has been around for a long time, I think he is reaching a new level.

Hypo continues to produce pieces with an element of symmetry to them, achieved through shapes and colour schemes. I have seen him use this kind of fill pattern in the past (Upfest 2017), producing what looks like a horizon on a landscape. Another great piece from Hypo.

5283. Purdown (56)

A little bit about the mechanics of Natural Adventures, which might explain why there is a bit of a time-lag between a piece being painted and that piece being posted on the blog. I would guess that on a typical day I will come across 5–10 pieces of street/graffiti art that are new to me, and all of these go into a monthly folder. I then select from the folder pieces I’d like to feature on the blog and upload them in batches, so that I usually have at least a week’s worth of images ready to go, which gives me time to write the post in the morning before work, or the evening before.

So anything appearing on Natural Adventures will be at least a week old, and often considerably more. In exceptional cases I might fast track something special to the front of the queue, but that is rare. So if you are looking for ‘breaking news’ blog posts here, you are in the wrong place.

This is an interesting piece from Daz Cat in a spot that he likes to frequent. The blue cat character, with the yellow top, appears to be casting away an abominable creature with rabbit ears, horns, cat-like claws and a dragon tail – what is that thing? There is lots of movement in the piece, aided by the cream flashes, but its meaning is a little lost on me.

Looking at it again, the creature looks like it is by GYS? And the style is rather different from Daz Cat’s. There is nothing on Instagram that would help me work this out, though.

5282. Dean Lane skate park (606)

#DFTE and Fishlock, Dean Lane, Bristol, June 2023

#DFTE is having a bit of a renaissance at the moment, creating some nice work in his unique and humorous philosophical style. In this piece, he has joined forces with Fishlock to create this vibrant collaboration on the famous curved wall in Dean Lane.

In nature, black and yellow colouring often denote danger, not so in this piece where #DFTE has written the phrase, ‘you are not alone’ – a comforting and caring message. The decorations around the writing is by Fishlock and carries several of her favoured motifs. This is an eye-catching piece from the pair, painted during a recent Bristol Mural Collective paint jam.

5281. Cumberland Basin

Mote, Cumberland Basin, Bristol, June 2023

After a short pause, Mote has been hitting the streets hard and with larger and ever more complex pieces. This delightful monster, part of as series of ‘birds’, is tucked away in the passageway on the long curved wall at Cumberland Basin.

Mote doesn’t need to sign his work, as it is so distinctive and original, but he tends to do so with a little upturned crown – here in green at the bottom of the piece. The bird monster is in three main colour blocks, which complement each other nicely. Mote rarely uses prime colours, tending to stick with softer pastel shades, creating a more modest offering than some of the artwork in Bristol. Improving with every new piece, Mote is firmly establishing himself on the Bristol street art scene.

5280. Dean Lane skate park (605)

Hire and Laic217, Dean Lane, Bristol, May 2023

I remember quite clearly the first collaboration I saw between these two artists, and it was also the first time I encountered Hire’s work; it was in Armada place and had a vibrant pink background. That was in April 2017, and both artists have come a long way since then.

To the left of the collaboration is a squat HIRE from Hire. There is a softening of the jagged edges he is known for, but other elements of this style are intact, such as the mid-line running through his letters. Two things help this piece stand out, the subtle flame coloured accent lines which give depth to the shadow and the solid white border, so very neat and tidy.

To the right, Laic217 continues his purple patch with this typical skeleton character. As ever, the folds in the fabric of the hoodie and baseball cap are trademark skills that the artist excels at. Interestingly, the skull has an ear, which adds to the intrigue. The piece is brought to life with the red skull badge on the cap, without which the piece simply wouldn’t shout so loudly. This is a fine collaborative wall from the Polish artists.

Laic217 and Hire, Armada Place, Bristol, April 2017

5279. Weston-super-Mare

Sophie Long, Weston wallz, Weston-super-Mare, May 2023

Bristol artist Sophie Long is a favourite, not only in her home city, but also on the street art festival circuit, so it is no surprise to find a piece by her in Weston-super-Mare for the Weston Wallz project. What is perhaps a little surprising is the scale of the piece, taking up two entire walls of a corner building, occupied by ‘Dolphin Square Kitchen’.

On the front of the building, Sophie Long has painted a happy dolphin, some coral and a jellyfish, and this fits very nicely with the restaurant below and the overarching marine theme of the Weston Wallz project, but it is what lurks on the side of the building that I expect will generate most interest.

The open-mouthed great white shark looks like it will be making short work of the restaurant branding – or it is targetting the 20 mile an hour sign. The piece is beautifully painted, with the mottled shades of the shark’s skin faithfully reproduced. Another fine piece in a string of amazing festival pieces from Sophie Long.

	hitandrun1964 on Minor injuries unit
	skat on Minor injuries unit
	equinoxio21 on 7613. David Street
	Laura Newhampshire on Minor injuries unit
	wrookieschu on Thursday Doors – 30 Apri…

	hitandrun1964 on Minor injuries unit
	skat on Minor injuries unit
	equinoxio21 on 7613. David Street
	Laura Newhampshire on Minor injuries unit
	wrookieschu on Thursday Doors – 30 Apri…

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