Thursday doors – 9 July 2020

Doors 114 – More street art doors

There is no end to my busy period, I rarely seem to have time to come up for air. I am writig this when I should be tucked up in bed. To make things easier for me until I get a bit of a break I have once again plundered my archives for some more street art/graffiti doors, first published in 2018. Enjoy…

Graffiti door, Lydstep Terrace, Bristol
Graffiti door, Lydstep Terrace, Bristol
Alex Lucas, Charlotte Street, Bristol, November 2017
Alex Lucas, Charlotte Street, Bristol, November 2017
Paul Monsters and Loch Ness, Upfest, Bristol, July 2017
Paul Monsters and Loch Ness, Upfest, Bristol, July 2017
Buff Monster, Upfest, Bristol, July 2017
Buff Monster, Upfest, Bristol, July 2017
Door, 161 Essex Street, New York
Door, 161 Essex Street, New York
Barcelona door, March 2018
Barcelona door, March 2018
Alex Lucas, Stokes Croft, Bristol, February 2018
Alex Lucas, Stokes Croft, Bristol, February 2018
NEVERGIVEUP, Moon Street, Bristol, April 2018
NEVERGIVEUP, Moon Street, Bristol, April 2018
Unify, Shoreditch, London, February 2018
Unify, Shoreditch, London, February 2018
Andy Council, West Street, Bristol, April 2018
Andy Council, West Street, Bristol, April 2018

So that’s it for another week. I’m off fishing in Cornwall this evening and for the weekend… I’ll be thinking of you all.

If you have made it this far, you probably like doors and you really ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.

 

by Scooj

3043. Brunel Way bridge (42)

I am still puzzled about how I have only recently (over the last year or so) noticed work by Turoe One. I know he has been around for a long while, but It is only in recent months that I can recall seeing his work just about every time I look up. I guess it is a bit like when you hear a new word that you have never heard before, and then, would you believe it, you hear it again and again and think how did I miss that?

Turoe One, Brunel Way, Bristol, June 2020
Turoe One, Brunel Way, Bristol, June 2020

A digression I know, but I wonder how many Turoe pieces I missed before he came onto my radar. This is a fine specimen and perfectly turned out. It would appear from the last few pieces that Turoe is going through a bit of a ‘green’ period at the moment, or maybe he simply over ordered on the green paints. I happen to rather like green pieces, so that is good.

3042. Cattle Market Road (3)

A new piece from Bnie and something really quite different from her. Bnie is an artist that I love, particularly for the fills she uses in her letters. Well, in this large piece there are no letters, only fills on a geometrically divided background.

Bnie, Cattle Market Road, Bristol, June 2020
Bnie, Cattle Market Road, Bristol, June 2020

Five creative and beautifully consistent patterns have been cleverly distributed along the length of the hoarding and there is an oblique reference to cows (Cattle Market Road) in the black and white cow-print pattern. This is a fine piece and sits comfortably with the other artists in this magnificent outdoor gallery.

Jee See

A gallery of seismic proportions from Bristol’s Jee See (G. C. – Goshiku Chavu).

All photographs by Scooj

Jee See, Dean Lane, Bristol, August 2020
Jee See, Dean Lane, Bristol, August 2020
Jee See, Brunel Way, Bristol, June 2020
Jee See, Brunel Way, Bristol, June 2020
Jee See, Dean Lane, Bristol, September 2019
Jee See, Dean Lane, Bristol, September 2019
Jee See, Dean Lane, Bristol, November 2018
Jee See, Dean Lane, Bristol, November 2018
Jee See, The Bearpit, Bristol, January 2018
Jee See, The Bearpit, Bristol, January 2018
Jee See, Upfest, Bristol, July 2018
Jee See, Upfest, Bristol, July 2018
Jee See, Dean Lane, Bristol, July 2018
Jee See, Dean Lane, Bristol, July 2018
Jee See, Dean Lane, Bristol, July 2018
Jee See, Dean Lane, Bristol, July 2018
Decay and Jee See, The Bearpit, Bristol, April 2018
Decay and Jee See, The Bearpit, Bristol, April 2018
Jee See, Stokes Croft, Bristol, February 2018
Jee See, Stokes Croft, Bristol, February 2018
Jee See, The Bearpit, Bristol, November 2017
Jee See, The Bearpit, Bristol, November 2017
Jee See, Dean Lane, Bristol, December 2017
Jee See, Dean Lane, Bristol, December 2017
Jee See, Upfest, Bristol, July 2017
Jee See, Upfest, Bristol, July 2017
Jee See, M32 Spot, Bristol, June 2017
Jee See, M32 Spot, Bristol, June 2017
Jee See, Stokes Croft, Bristol, April 2017
Jee See, Stokes Croft, Bristol, April 2017
Jee See, Dean Lane, Bristol, March 2017
Jee See, Dean Lane, Bristol, March 2017
Jee See, The Bearpit, Bristol, January 2017
Jee See, The Bearpit, Bristol, January 2017
Jee See, Picton Lane, Bristol, September 2016
Jee See, Picton Lane, Bristol, September 2016
Mr Klue and Jee See, The Bearpit, Bristol, February 2016
Mr Klue and Jee See, The Bearpit, Bristol, February 2016
Mr Klue and Jee See, The Bearpit, Bristol, February 2016
Mr Klue and Jee See, The Bearpit, Bristol, February 2016
Jee See, Dean Lane, Bristol, October 2016
Jee See, Dean Lane, Bristol, October 2016
Jee See, Dean Lane, Bristol, May 2016
Jee See, Dean Lane, Bristol, May 2016

3041. Dean Lane skate park (330)

In this recent piece by Soge on a ramp in Dean Lane skate park, the artist is showing off his versatility with a rather different style than the one we are more accustomed to seeing. I don’t know the origins of why street artists use this ‘Hello my name is’ card, but I have seen it several times over the years and rather like it. (Note to self, do a special post on these?)

Soge, Dean Lane, Bristol, June 2020
Soge, Dean Lane, Bristol, June 2020

I think that I have seen more pieces by Soge since lock down eased than any other artist and have been enjoying his resurgence greatly. This piece is very easy on the eye and the greens of the lettering contrast well with the red and white base. More quality work from Soge.

3040. St Werburghs tunnel (174)

Since I started writing about street art some five years ago or so I have seen many established artists, but I have also seen the emergence of a great many artists new to Bristol. Of course some artists have jumped off the conveyor belt or moved out of the city, but I would say that there are more street/graffiti artists in Bristol now than there have been at any time in history.

Pl8o, St Werburghs, Bristol, June 2020
Pl8o, St Werburghs, Bristol, June 2020

An artist I am starting to notice more around the place is Pl8o (Plato-geddit?). I imagine that Pl8o is new to the city rather than new to street art, because the work I have seen is all really good and not the work of a novice (I should know). There is a lot to like about this piece – the shape of the letters, the fill designs such as bricks, stars and drips and the overall clean and tidy lines. More to come from Pl8o soon.

3039. M32 Spot (75)

When I first saw this lovely piece I couldn’t place the artist. I was familiar with the style, but I don’t know, it was bothering me and I couldn’t immediately see the signature because of the skaters’ bags in front of it. A closer inspection revealed it is by Zake, but is quite unlike most of his other pieces that I have seen.

Zake, M32 Spot, Bristol, June 2020
Zake, M32 Spot, Bristol, June 2020

This is a really classy and thoughtful piece that makes perfect use of the awkward column space. The green-faced girl has beautiful blue hair that turns into a waterfall. Her right hand is holding a spray can that is painting her purple hair that stretches over her head and transforms into a hand that is reaching down to her left hand. Personally I think this is a wonderfully composed piece and concept, beautifully carried out. I love it.

There is a name Diana Abdul at the bottom of the piece, but I don’t know what significance this holds.

3038. M32 roundabout J3 (226)

One thing you know for sure is that when you find a piece by Subtle, you know it is going to be an absolute cracker, and this one is a cracker with a cherry on the top. It was painted during a paint jam a week or so back alongside so many other great Bristol artists, and is the first piece I have seen from him since the start of lock down.

Subtle, M32 roundabout, Bristol, June 2020
Subtle, M32 roundabout, Bristol, June 2020

The colours, fill, decorations and 3D shading contrast really well and contribute to this vibrant and feisty work. I’m not sure what ‘outsiders gents club’ refers to, but it is probably a reference to the fellow paint jammers on the day. Like the rest of us, Subtle has been impacted by coronavirus and has mentioned it on his last couple of pieces.

3037. Cattle Market Road (2)

This is the second outstanding piece from a gathering of great street artists a week or two back orchestrated by The Hass. On Cattle Market Road, a theme has emerged on some of the pieces, involving a cow/cattle, the first one by Sled One that I posted yesterday.

Hazard, Cattle Market Road, Bristol, June 2020
Hazard, Cattle Market Road, Bristol, June 2020

This beauty is of course by Hazard and it really is an absolute stunner. Hazard talked about this a little in her Instagram feed saying that the vibrant red colours were chosen to reflect the sizzling lay hot day on which the piece was painted. The cow is magnificent, but it is the whole composition that screams out Hazard, with the amazing flowers and soft touch she creates with her spraying.

I hope that these hoardings remains intact for a while and that the taggers keep clear, because here we have a great showcase of Bristol talent.

3036. M32 Cycle path (64)

Another artist who has been pretty busy since the end of May is Taboo, and his ‘new school’ work is really rather quirky and organic. The central part of this piece looks like a standard throw up, and then it has a dynamic and beautifully painted character incorporated into the work, almost as it it were by two artists – something Taboo does very well.

Taboo, M32 cycle path, Bristol, June 2020
Taboo, M32 cycle path, Bristol, June 2020

I really don’t like this hoarding at all though. It is at the start of the M32 cycle path, and the large sky above it makes photography, without flaring, almost impossible. Dull days or dusk are probably the best times to come down to this spot.

Taboo, M32 cycle path, Bristol, June 2020
Taboo, M32 cycle path, Bristol, June 2020

Back to the piece ‘landed in the wrong dimension’, Taboo has painted an incredible Mickey Mouse figure with a surreal distortion to the top of his head that circles round into the A of TABOO. There is something edgy and unsettling about the whole thing, challenging the familiar. Great work.