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A new soloist
leading his concert chorus
dunnock centre stage
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by Scooj
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A new soloist
leading his concert chorus
dunnock centre stage
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by Scooj
Doors 260 – Doors of Nottingham, November 2023 (Part II)
This week I share some more doors from Nottingham from a work trip I made back in November 2023. I think the fun thing about visiting cities is that there are always so many interesting doors to photograph, which is a good thing, especially as I find it challenging to find new doors from my home city of Bristol. All the doors posted in this three-part series from Nottingham were captured during a one and a half hour walk between the hotel I was staying in and the office.
There are so many curious doors and architectural periods in Nottingham that I was rather spoilt, snapping away to my heart’s content. I hope you enjoy this week’s selection.









Quite an eclectic bunch this week with no theme to connect them, but I quite like that as it gives you a flavour of the diversity of architecture and styles in the city. One more post from this Nottingham visit to come next week, until then, have a great weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj

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‘Our’ turn to host it
book chat and wine consumption
hide in the study
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by Scooj

My initial irritation with finding this piece – I had come to find something else (I think a piece by Hire) that I hadn’t yet photographed and that had only been on this wall for a few hours – was quickly replaced with the joy of seeing another fine piece from visiting artist Zaenone.

Zaenone’s pieces can be broadly described as having chunky letters ZAEN, with character bookends, although occasionally he omits the characters. The sumptuous reds of the letters occupy much of the space of the piece and smack you in the face. The strength of the colours is offset and counterbalanced by the two wizard characters augmenting the whole thing perfectly. It is always a pleasure to find Zaenone’s work, even when painted over other artist’s recent work – it is a jungle out there.

I think that Hypo and his friends are particularly partial to this spot on the M32 roundabout, and I say that because many of his pieces have been painted here. This one was painted alongside Hemper and Turoe, two legends of the Bristol graffiti writing scene.

Hypo hasn’t gone for the symmetry that we often see with his letters, or at least, not as obviously. There are some great colours in the vibrant piece, and some classic drips and spots by way of decoration. I am not fully convinced by the 3D drop shadow, which looks a little conflicted in one or two places. Overall though this is yet another cracker from Hypo.

There is an artist in Bristol, who occasionally hits the walls of the city with his curious creations, often in chrome. I am talking about Blimma Blamma, at least I think that is what he is called (he/she doesn’t sign his/her work).

This piece includes some letters, which I can’t make out and a character,, customarily wrapped up in clothes with only his face poking through. There is something endearing about the characters and mysterious about the work, which leaves one guessing what the story is. I think I need to do a little more research on the enigmatic Blimma Blamma.
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A young man in Greece
magical awakening
entrancing story
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by Scooj

The wall on the Coach and Horses is one of the best ‘outdoor galleries’ in Bristol and often hosts some really classy work that tends to remain untagged for reasonably long periods. It probably doesn’t have the same turnover as some of the more accessible or popular walls, which means we can enjoy the artwork for longer. This collaboration is by Smak, Sled One and Oust.

Smak needs no introduction on Natural Adventures, being something of a staple over the years. This is a finely crafted and executed piece of writing that spells out SMAK. The colour palette is is perfect, and offset by the appearance of a black and white stripe design on some parts. The writing is wonderfully intricate without being over-fussy – clean crisp and classy.

We don’t get to see enough of Sled One’s genius on our walls these days, so everything we do get to see, we ought to be grateful for. In this central panel, Sled One has painted a cat toasting a mouse on a stick over a fire, surrounded by barbed wire. There is a story here, but not one I can tell you. There is a mixture of styles, which is a bit unsettling. The cat is approaching photorealistic, but the mouse is most definitely cartoon, which confuses my brain somewhat. Brilliant artwork.

The right hand side of the collaboration is some unusual writing from Oust. The letters are more like constructions, with hints at industry and engineering. I haven’t come across Oust’s work before, so am a little unsure if his style is always like this or that this is a one-off. I guess Oust was visiting, and took the opportunity to paint with friends/acquaintances. There are some great colours and ideas in the piece which is full of contained energy. Fabulous collaboration.

Trawling through my archives in search of a particular piece definitely has some extra benefits, which mainly consist of unearthing ‘lost’ work that was either by an unknown artist at the time or simply got left behind due to the volume of photographs coming in each week. I was so pleased therefore, to stumble on this lovely wheatpaste by Abbie Laura Smith from last summer during my last rummage.

The small paste up, looks like it is slightly out of focus, but that is due to the double line outline of the portrait. I love the way that Abbie Laura Smith has placed this colourful piece on a colourfully tagged column, almost disguising it, and as I have said before, the placement of paste ups is just as important as the artwork, and she has smashed both elements with this one. I am so pleased to have been able to share this, albeit ten months late.

This is a throwback piece to last June, which has remained dormant in my archives, because at the time of photographing the piece the artist was unknown to me. Since then, the artist’s identity has emerged and is known as j9449j, which is a bit of a mouthful. This is great news, because I have several more pieces in the archives to share and I really like their work.

The abstract piece hints at a rural landscape, certainly there are some organic forms in the piece. This artwork is so original, at least in the context of street art, that it is difficult to assess against any normal criteria or conventions. For example the small additional piece to the right works perfectly as a counterbalance to the larger piece on the left, There are some lovely shapes and patterns and a carefully thought out colour palette. Enjoyable and unusual stuff from j9449j.