A gallery of incredible street art from Bristol’s Nightwayss – can you spot the monkey?
All photographs taken by Scooj
Nightwayss
2468. Dean Lane skate park (250)
It always feels a little unusual finding a T-Rex piece in Dean Lane probably because she doesn’t paint here as often as in North Bristol, so coming across this rather nicely done piece of writing was a pleasant surprise.
This piece oozes with confidence and competence. The letters are beautifully done, the character dinosaur with its cheeky grin, the leopard spot and giraffesque fills in the letters and the 3D blue shadowing are all masterfully created with what appears to be total ease. She really is a fabulous writer and we are lucky to have her brightening up the streets of Bristol.
2467. Cheltenham 2018 (3)
As I mentioned in a previous Cheltenham post, this was my frist visit to the town’s paint festival and I was luck enough not only to see some of the incredible pieces from this year, but also some of the permanant walls from last year too. This was one of those wallsb with an iconic piece by London- based artist Gnasher.
I have a soft spot for chameleons because we have one in the family called George, who although he belongs to my daughter, might as well be mine given that I feed him, clean him out etc etc. He is a Panther Chameleon, the same as the one in the Gnasher piece… (note to self – take a picture of George posing on a spray can).
Gnasher is an extraordinary artist who uses a photorealistic style and knocks out some absolutely stunning work. I like the way this piece has a spectrum of colour starting with greyscale on the left shifting to full colour on the right – perhaps the influence of the chameleon.
The great thing about Chelteham is that there isn’t much of a culture of tagging, so pieces like this have remained untouched for a year.
2466. Cheltenham 2019 (5)
How fabulous to see a Decay piece in his old stomping ground of Cheltenham and what a stunner it is too. This writing, that we are all so familiar with has been given the ‘hades’ treatment, looking like the fiery colours of the Earth’s core. Actually it is a bit of a protest piece and has a message: ‘Flames rage while the Amazon burns’
I visited the festival twice, once on the Friday and again on the Saturday, but although I missed Decay painting this, I did catch up with him for a short while, and as ever it was a real pleasure. Like so many of his peers, he is so modest about his work which really has hit a new level this year.
2465. Cheltenham 2019 (4)
I don’t really have the right words to say about this piece by Deeds at the Cheltenham Paint Festival this year. It is simply quite brilliant. A study of cherries in a silver bowl. This is where fine art and street art meet…no blurred lines, this street art is fine art.
I have no idea how this piece was created, but I do know that Deeds works a lot with stencils, and pushing the boundaries with them, however I just can’t see how this might be from stencils. Instead of pondering too long, I’ll simply enjoy the piece for what it is rather than how it came to be.
It really is a classical still life piece and has more than a hint of Jeff Legg about it. I love it and celebrate it. Deeds has definitely raised the bar with this piece.
How dare you?
Humiliated
world leaders get dressing down
for complacency.
It takes determination
and courage to do these things.
by Scooj
Greta Thunberg is an extraordinary young woman. She has managed to bring a difficult message to the world stage and has been given tremendous exposure. I believe her when she says that she will not give up, and I believe that what we are witnessing is the beginning of a movement for change the likes of which we have not seen before.
Her speech is here: https://www.theguardian.com/environment/video/2019/sep/23/greta-thunberg-to-world-leaders-how-dare-you-you-have-stolen-my-dreams-and-my-childhood-video
Of course there are those who say that they agree, BUT (remember everything before the but is bullshit) that it can’t be done, that her demands are unrealistic. Those people are in my view wrong and this excuse has been used as a reason for inertia for decades. Had we been taking action 30 years ago, the urgency of action now would not have felt so acute.
The best Donald Trump could come up with on Twitter was this sarcastic comment
‘She seems like a very happy young girl looking forward to a bright and wonderful future. So nice to see!’
How immature, but then we know all we need to know about Donald Trump. On the other hand Greta Thunberg has behaved with utter dignity and has so much more credibility than any politician I can think of.
I subscribe entirely to Greta Thunberg’s mission and have been waiting for leadership on this issue for decades – little did I think it would come from a Swedish school girl, but then maybe that’s exactly where it needed to come from, from somebody outside the establishment.
The hard work begins now as changes to our learned way of life begin to gain traction. It doesn’t necessarily mean sacrifice, rather it means change, and much of that change will be for the better. Anyhow in its simplest form, the changes are necessary so that our children and their children can live in a world like the one we grew up in (or even better). Do we need any greater incentive than that?
All clear
A routine screening
for signs of bowel cancer
sigmoidoscopy.
by Scooj
* In the UK the NHS offers a bowel cancer screening appointment to all adults at age 55. I had mine today, and thankfully all seems to be ok. It is free screening programmes like this that do so much to protect the health of the nation that are at risk of being ‘privatised’ should we leave Europe without a deal. Trump already has his eyes on our health service, and I am sure he is not alone.
2464. Cheltenham 2019 (3)
The whole Cheltenham experience was new to me, but I had heard of the Honeybourne Line before I went to visit the town for the Paint Festival earlier this month. This disused railway line is now a beautiful footpath leading from the station into the town centre. The tunnels under a footbridge often play host to street/graffiti art, and the walls are buffed each year for the Festival. I will be posting more pieces from this spot in due course, but this first one is by Thisone.
I have seen (and posted) some of his work from London, but this is the first time I have seen his work away from the capital. His archetypal work is in shades of black and white with an animal or bird as a central character, usually dressed with some jewellery. This curious piece meets all of these criteria, but the beast is an unusual one, looking like a cross between a bird of prey and a rat. I was lucky enough to meet the artist, and will talk more about our encounter when I post his other Festival piece in due course.
2463. Millennium Square
In Millennium Square, a cultural centre of Bristol, a new piece by Jody has been commissioned and the piece is riding high on the crest of the wave of enhanced public awareness of environmental issues.
I’m not too sure where the commission has come from, but the subject matters owes an awful lot to the iconic film Jaws (one of course). Instead of an unwitting swimmer, the sea is full of floating plastic and the ‘prey’ a plastic bottle of water. The sad truth behind this sensational and clever piece with a strong message is that it does tell a story of our heavily polluted seas. It is a homage (probably the wrong choice of word) to the Anthropocene epoch. Such a piece of public art could not have even existed a hundred and fifty years ago. What have we done? Nice piece by Jody.
Forgotten. Never forgotten
.
In a smoke drenched box
brought from my late father’s flat
a forgotten man.
.
by Scooj
