31. Long, tiring days

This is another of my infrequent posts which is what Natural Adventures was originally set up for. For those of you unfamiliar with my Falkland Islands journal I will offer a quick recap. In 1988 I landed a job as a fisheries scientist working with the Falkland Islands Government on a contract just shy of a year. This blog is a faithful digitisation of the journal I wrote on that trip. For me, this is a catharsis, for you it may be an insight into the mind of a 24 year old on an exciting and challenging adventure.

The scene is set in the first post ‘An Ill Wind‘, which you might like to read for context.

 

Suday 26 June 1988. Koei Maru 30

Aah, at last a day off. I slept so terribly, the rough sea rolled me about something rotten. It is a little better now, but would have been terrible if we had tried a set (setting the longline) this morning.

I think my stomach bugs are caused by the sashimi! my body just isn’t used to it. I must confess that the raw tuna is excellent.

Wrote letters to Mum and Ad and to Deb.

I have been considering a reply to Karen’s rather frustrated letter in which she seems to ask ‘what are we doing here?’ or something similar.

I’ve thought of many answers, but some may seem a little brutal, and sinceshe thinks I am a brute anyway I don’t want to upset her again.

Began to write my schedule for other scientists (I refuse to call them observers) who will work on the KM30 while I am on leave, namnely Crag and Phil.

I am still furious about my tax position with PDA – this company seems to be nothing but trouble.

 

Monday 27 June 1988. Koei Maru 30

A beautiful sunrise – I wonder if I will see such lovely sights again when I return to the UK – for starters I don’t think I will ever be up in time!

I hear Africa calling

Africa calling

Possibly cos I’m listening to African Sanctus at this moment.

Some more pretty corals today – I should be able to build up quite a good collection.

Several albatross were caught up in the lines today – I think they go for the squid bait  when the line is deployed and get caught up, dragged down and drown – it is very sad indeed. I also thought it was unlucky to kill an albatross, but maybe that is only if it is intentional.

Black browed albatross and giant peterels alongside the Koei Maru 30, 1988
Black browed albatross and giant peterels alongside the Koei Maru 30, 1988

Not long now ’til home.

 

Tuesday 28 June 1988. Koei Maru 30

I’m getting sick and tired of saying long, tiring day, but today really was – I hope I get some decent sleep.

Had a good radio chat with Elizabeth today – she’s also due for a break in August. She gets two holidays in the time I’ve only had one! RAW DEAL!

The fishing was ace today – I hope it puts egg on the Fishing Master’s face – the crew were working fairly close to capacity I reckon.

5 tons/day, yeah pull the other one shortie!

Zone IV has been the best covered so far – all this is quite a laugh really.

Wrote a letter to Beth – very sweet of her, Charlie and Carl to write, but thwen I suppose I did write first. Letters are my life-blood.

Watching ‘With love from Oregon ’87’ for the third time – what a terrible drama, but a gorgeous half Indian (red) (OMG – we don’t say that these days – native north American) half Japanese girl of about 16 in the starring role.

I now feel at ease with all but two of the crew – ‘Rolf Harris’ and Iagi – they don’t seem to want to be friendly. I’ve made good friends with the grumpy old man – he’s really quite a good bloke.

Abe and Abe, crew members of the Koei Maru 30
Abe and Abe, crew members of the Koei Maru 30

Aah – shower and bed – nice.

 

Wednesday 29 June 1988. Koei Maru 30

A short day – it became too rough to set more than 60 lines (baskets). It was all over by 7.30am. So I decided to sleep, to make up for lost sleep last night – unfortunately this means that I won’t be tired and won’t be able to sleep tonight – vicious circle.

It’s funny but however hard I try I just can’t conjure up any original thoughts – I have none, so my diary becomes a dull, dreary account of my days and not an abstract random selection of my thoughts. I hope the reader (if any) will bear with me. It must be obvious that I’m not very happy at the moment, perhaps this can explain sume of this mundainity (is there such a word?).

As I write I often wonder if any of my children or grandchildren (if I have any) will pick up my diaries and read them. Perhaps they will understand me better for it and see into who I am a little more clearly.

 

Ophelia’s edge

 

Ophelia’s edge

brings premature Autumn dusk;

heavy yellow skies.

 

by Scooj

1068. Moon Street (37)

Moon Street has an ecclectic hotchpotch of tags, throw ups, stencils, tiles, paste ups and pieces, which is probably why I like it so much. Sometimes you have to look quite hard for things and this is a good example of that. This tile by RIP is secured quite high up on a wall, and could be easily missed.

RIP, Moon Street, Bristol, September 2017
RIP, Moon Street, Bristol, September 2017

The tile is of a stencil piece of a woman’s face looking like she is from the 1920s or 1930s. Unfortunately there is a bit of light reflection on the tile, but it is a fun piece nonetheless. I think the tile went up around the time of Upfest, when RIP was in town.

1067. Bedminster

Fish and chips, horse and carriage, Morecambe and Wise…these are all things that we are accustomed to seeing together and so it is with Ryder and T-Rex. This is a rather nice little collaboration in Bedminster by these two painting buddies.

Ryder and T-Rex, Bedminster, Bristol, September 2017
Ryder and T-Rex, Bedminster, Bristol, September 2017

The radioactive R on the left is an icon that Ryder uses quite a lot, particularly when he is doing a quick throw-up. This one is a little more elaborate than some I have seen recently.

Ryder and T-Rex, Bedminster, Bristol, September 2017
Ryder and T-Rex, Bedminster, Bristol, September 2017

The dinosaur is obviously by T-Rex, this time opting for a rather fetching lilac colour, which seems to be in vogue at the moment in Bristol. There is something familiar and comforting about a collaboration between these two.

Ryder and T-Rex, Bedminster, Bristol, September 2017
Ryder and T-Rex, Bedminster, Bristol, September 2017

1066. The Bearpit (96)

I have always liked the work of Object… and his unswerving political ideology that cuts through all of his work. In this small piece in The Bearpit his message is clear ‘Plant more, chop less…’.

Object..., Moon Street, Bristol, August 2017
Object…, Moon Street, Bristol, August 2017

I am not too sure what the figure in this work represents, it looks a little like an alien to me. However I subscribe to the overall sentiment.

Thinking ahead

.

Garlic bulbs purchased

ready to plant tomorrow;

thinking of summer.

.

by Scooj

 

1065. Moon Street (36)

Right up at the north end of Moon Street you will still find this nice writing from Whysayit. Unfirtunately, every time I pass it, which tends to be in the mornings…these days I get the bus home…it is in shadow, so these pictures don’t really bring out the full colour Whysayit has used.

Whysayit, Moon Street, Bristol, July 2017
Whysayit, Moon Street, Bristol, July 2017

His choice of colours is unusual, especially the lilac background. Maybe he buys his paint from the same place as Face F1st. The writing spells out YSAE, which I guess stands for ‘Why Say’. Always nice to find work by this modest graffiti artist.

1064. Bedminster

Yet another really sharp piece from Deamze, using colours that he likes to use together tucked away in Bedminster. This clever piece bisects his wildstyle writing and character diagonally from top left to bottom right, the top half being monochrome pink and the bottom monochrome green.

Deamze, Bedminster, Bristol, July 2017
Deamze, Bedminster, Bristol, July 2017

It is a striking work that demonstrated Deamze’s talents to the full. I am not sure who the cartoon character is…answers on a postcard.

Ophelia enters

 

October records

due to be broken as the

warm weather moves in.

 

by Scooj.

1063. Upfest 2017 (75)

These are two really beautiful pieces that I wish I’d spent more time looking at during my walk around North Street Green at Upfest. Each of them is calming and serene, and they make a fine pair. I am not sure if the co-location was by accident or by design, but it works very well.

Paintily, Upfest, Bristol, July 2017
Paintily, Upfest, Bristol, July 2017

The left hand side is by Paintily, a Bristol-based artist originally from Brighton. There is something about this stencil that I like a lot, and the stripes on the face of the girl finish the piece off beautifully. I have not seen any of her work before, but would love to see her take her work to the streets.

Taina, Upfest, Bristol, July 2017
Taina, Upfest, Bristol, July 2017

The right hand side is by Taina, and has the feel of a children’s book illustration. Such a simple idea and so beautifully painted, there is a whole story unfolding here, and one I want to know more about.  Taina is a Swiss-Finnish artist based in Zurich whose work I think I could very well fall in love with. A quick look at this website might give you an insight as to why I like her work so much. I definitely want her to return next year.

Paintily and Taina, Upfest, Bristol, July 2017
Paintily and Taina, Upfest, Bristol, July 2017