Looking at a single wall and how it changes over time.
2. Door on the M32 Cycle path, Bristol






Looking at a single wall and how it changes over time.
2. Door on the M32 Cycle path, Bristol






This epic collaboration between Conrico, Acer and Zake, an unlikely trio of collaborators, appeared on the Greenbank hoardings about two weeks ago and is truly eye catching in its boldness and presence.

I know that pairings of these three artists have happened in the past, but I don’t think I can recall that the three have collaborated together before. Starting at the left hand side, Conrico has provided a landscape backdrop, that actually runs to either side of the whole collaboration. Conrico definitely seems to enjoy painting these landscapes, and they have that paintbrush appearance that he achieves, I think by using banana caps. The mountain range and greenery is in stark contrast to the outstanding ACER writing in the prism colouring and superb letter design that Acer is painting with at the moment.

It has been fun observing Acer, whose central theme is geometric design, change his ‘look’ several times over the years. This latest rainbow lettering is such a strong statement, and demands to be looked at and enjoyed.

To the right hand side of the collaboration is the painting of Zake and Conrico, with the latter rounding off his mountainous landscape which incorporates a rather cheesy full moon in a blue sky scape.

The Zake portrait is as good as any I have seen from him, and is a reminder of just how far the artist has come over the last two or three years, especially if you look back at his column pieces at the M32 Spot. The features and shadows are outstanding in this face, and there is a movement from Zake’s figurative style towards a more realistic style… watch this space to see what direction his work goes in. What an eclectic and amazing collaboration from these three artists.
Doors 181 – another instalment of street art doors
When I am super-busy, I tend to share doors that I have posted previously on Natural Adventures, under the street art category, and today’s post is one of those. You might have to look quite hard to find the doors in some of these images, but they are there. It is nice to repurpose these pictures and give them a second life. These doors were originally posted in August and September last year:








So, that’s it for another week. I hope to resume with some doors of Bristol I recently photographed next week.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
I do love my walks to the L Dub spot and although it only happens occasionally, both my dog and I love the remoteness of this curious brownfield site, brimming with wildlife, that runs alongside the M5 motorway. These occasional visits are always worthwhile because at the end of the walk is a water treatment pumping station and a pedestrian underpass with plenty of wall space for graffiti/street artists to play with. On my last trip a week or so ago, it would appear that some members of the LRS crew had been having fun.

This piece is by 3F fino and creates a scene from Fineas and Ferb, a cartoon TV series that my children used to love, and which features Dr. Heinz Doofenshmirt, the villain of the piece. The bubble fill for the lettering is absolutely outstanding and has a sense of evil chemistry about it, and the character has been faithfully recreated. All in all a fabulous piece from 3F fino, one of his best in my opinion, and worth the long walk alone.
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Struggling Arsenal
play a resurgent Chelsea
I predict a rout
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by Scooj
Truly, good things come to those who wait, and what a long wait it has been to see a public piece by Pelmo, but this is one of three very recent pieces that I know about and it is great to see he is out and about painting again.

This small piece in Dean Lane skate park features one of his oversized characters flipping a little skateboard. What a joy to find this. I have long been a fan of Pelmo’s unusual work, that tells stories about people of extraordinary proportions doing ordinary things. There is something most endearing and compassionate in the way Pelmo portrays his characters with love and affection. Watch this space for more.
Mote certainly finds some secluded spots to practice his art and this one is tucked away in Cumberland Basin, which I only found because I decided to extend my usual circuit of the area a little. I’m not too sure how long this piece has been here, but it looks reasonably fresh.

The monsters that Mote creates are nicely thought out and designed, and his crisp, sharp lines and solid fills give away the identity of the artist in his unsigned pieces. Another common theme in Mote’s work is the use of strong colours, especially green, yellow and red all featuring in this piece. His monsters are all rather loveable and have added to the wonderful free art gallery that is available to all on the streets of Bristol.
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With faux contrition
PM Johnson fools no one
only cronies fawn
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by Scooj
So far on Natural Adventures, we have seen a few pieces from this artist under the name Asre, but they were all the same character, this is another one from his portfolio, a rather cheeky comic strip kind of character. The artist’s Instagram handle is @runaway_joey, and somehow this character seems to fit that moniker rather well – he looks like a Joey.

There are several of these around Bristol, but this one on the River Avon wall has lasted really well. Full of character and very nicely sprayed with some nice thick clean lines – Asre is no one trick pony, that’s for sure.
After a very quiet lockdown period, there seems to have been no stopping Biers, who now writes WD40, from decorating walls all over the city. This piece from a couple of weeks back is on one of the best known walls in Bristol, and a particular favourite of mine – I have even done a special gallery of it, that needs updating.

In this lively piece, Biers takes something of a self-deprecatory look and critique of his own work that is not entirely complimentary. I would beg to differ with his analysis, as I think it is a rather tidy piece with loads of activity and movement, and the character with the speech bubble is nicely done too. Don’t be so hard on yourself Biers.