A nation decides

 

Democratic vote.

Pencil crosses in the box

unbearable wait.

 

by Scooj

 

2624. St Werburghs tunnel (118)

As you can probably guess from the last post, I have been having a bit of a rummage around in my archive of 2019. Regrettably there are so many great pieces that haven’t made it into Natural Adventures, many of them because at the time of taking the photograph the artist was unknown to me and I try not to post too many ‘unknown’ pieces.

Conrico, St Werburghs, Bristol, February 2019
Conrico, St Werburghs, Bristol, February 2019

From back in February 2019 this might be one of the earliest works I have from Conrico but it is a really cracking piece of writing, beautifully designed in a cartoon style and nicely set in a coastal scene with the sea, a beach and palm trees – it is details like these that mark it out as a Conrico piece. Nice to see a reference to ‘the Monday Club’ a loose crew that is now well established in Bristol.

2623. M32 Spot (55)

On one of the ramps of the M32 DIY skatepark is this rather sombre looking face, unmistakably the work of Slakarts. This picture was taken way back in January, before I knew who the artist was, and it has been languishing in my archive ever since. This is liberation day. It is also election day and the results will map out our national journey for the next five years… I fear the worst.

Slakarts, M32 Spot, Bristol, January 2019
Slakarts, M32 Spot, Bristol, January 2019

Slakarts paints using broad black outlines with solid fills to create his trademark faces which are often coloured with muted tones. The works are modest, both in creation and design and there is often a sadness or strangeness in the faces – this piece in particular feels peculiar without an iris or pupil in the eye. More to come from Slakarts.

2621. M32 roundabout J3 (181)

Meeting artists is pretty much always a real pleasure, and a couple of weeks back I got lucky when I met Warp for the first time while he was painting this piece. During the course of our conversation he explained that he has two street personas, Warp (his more commercial tag) and another name that he writes under. He explained that he had been somewhat forgetful and sprayed this Warp piece, when he had actualy intended to paint a different piece under his other name.

Warp, M32 roundabout, Bristol, November 2019
Warp, M32 roundabout, Bristol, November 2019

The writing here is seriously good. All the elements have been executed with care and precision. The fills in the letters, the deep 3D red fill, superb slim black lines outlining the letters and a clean yellow surround, all of it neat and crisp. I haven’t seen too many pieces by Warp, but those that I have seen are all of the highest quality. I hope to bump into him again sometime.

Oven ready

 

What is it that they

admire about Boris J

a sound-bite fraudster

 

by Scooj

 

Sorry for getting all political, but I am utterly baffled by the adulation Boris receives. He has an abysmal record in high-office and yet because he promises to deliver one policy item (something he has promised and failed to do before) he is winning hearts (and minds?), but there is no scrutiny of the man and the damage he has done in the past and the damage he might do over the next five years if he is returned as PM.

Cult of celebrity. Enough said.

2620. St Werburghs tunnel (117)

At the Farm end of St Werburghs tunnel a little while ago was this beautifully colourful piece by Corupt, in fact I think it is probably my favourite of his ever. The letter shapes are typical of his style, from the sloping ‘C’ to the ornate stem of the ‘T’, but it is the upbeat fills and childish colours that make this piece stand out from the crowd.

Corupt, St Werburghs, Bristol, October 2019
Corupt, St Werburghs, Bristol, October 2019

The whole piece looks like a child’s colouring-in book (in a good way) and has a lightness and joy about it. A magnificent work from this quiet and often overlooked artist. I have so much more of his work to share with you.

2619. Upper York Street (19)

A stunning piece by Ments on a great wall. This whole area is being redeveloped, and I fear that the wall may have already been demolished, which is a real pity because it has hosted some really spectacular art. The reduction in available walls to paint in this area is going to be a bit of a challenge for street/graffiti artists and is a pattern being replicated all over the city. It will be interesting to see if new areas become popular painting spots in the future.

Ments, Upper York Street, Bristol, October 2019
Ments, Upper York Street, Bristol, October 2019

The piece is so very typical of Ments’ organic style, and this one has a molten metallic feel about it. The letters spell out MENTS (although the T looks like it is missing). I also get a slight sense of the surrealist Yves Tanguy here, or at least the meltinng shapes and shadows reminnd me of his work. A classy and unusual piece.

Rally

.

Jeremy Corbyn

rouses the Bristol rabble

with a red red flag

.

by Scooj

2618. St Werburghs tunnel (116)

Within a matter of days of Fiva painting his blockbuster piece in St Werburghs tunnel, Zake gave us this fabulous piece contained within the F. Fiva’s large letters were just too good to resist, and his invitation to ‘paint over me’ was readily taken up by Zake.

Zake, St Werburghs, Bristol, November 2019
Zake, St Werburghs, Bristol, November 2019

I am really taken with this curious piece by Zake which reminds me a lot of the incredible work in Winser McCay’s ‘Little Nemo’ cartoon strips. There is something a little creepy and fascinating about this moon character, an I’d like to see more like this.

2617. Wilder Street (38)

Rezwonk has had a very busy year, and a particularly busy summer, so it is not really surprising that he has slowed down a little over the last couple of months. In general, the turnover of street/graffiti art slows a little during the winter months, which makes sense really.

Rezwonk, Wilder Street, Bristol, November 2019
Rezwonk, Wilder Street, Bristol, November 2019

This piece at the far west end of Wilder street is on a wall that has been curated by Where the Wall, but I am not so sure if it still is because a few ad hoc pieces seem to be appearing. This whole area though is rapidly being redeveloped, and several walls with some lovely pieces have been knocked down in recent weeks. Of course this is a pity for the street art community, but the buildings were falling into dereliction and perhaps no longer fit for purpose. My issue however is that instead of building affordable housing for the local community, which is far from affluent, all the developments are earmarked for student accommodation.

Back to the Rezer piece which is a thoroughly decent burner and which (I guess intentionally) has an effect of being slightly blurry (around the white accents) – or maybe this is an artefact of my failing eyesight. Always good to see work from Rezwonk.