Cold crisp afternoon
grey stone buildings bleached by a
sunken autumn sun.
by Scooj
Cold crisp afternoon
grey stone buildings bleached by a
sunken autumn sun.
by Scooj
Opposite the Tobacco Factory car park, you (used to) come face to face with this building and a wonderful Thierry Noir pair. When I took the photographs, I hadn’t seen any of his work before, but on my escapades to London I have become more familiar with his very distinctive work.

These pieces were sprayed for Upfest 2015 and have since been over painted with a large Brexit commentary piece which was part of Upfest 2016 – I will post this newer piece soon.
Thierry Noir reminds me a lot of artists like Matisse, or the Stravinsky fountains outside the Pompidou centre in Paris, whose work contained bold and contrasting colours on simple figures and forms. Great stuff.
Every now and again you come across something quite different. Something that stands out from the crowd. This lovely colourful piece was at the end of one of the pedestrian tunnels at The Bearpit. It is by an artist I know nothing about, and I haven’t seen her work before. Her name is Georgie or Georgieartist as she signs herself and I think she comes from the West of England somewhere.

Her Facebook page demonstrates some of her work and how she creates it, it is well worth a good look. She has strong political convictions and I like that in a street artist, however this piece seems to be simply full of Bristolian joy. I love it. ‘Lush’ is a very Bristolian word which kind of means great or brilliant, but is usually used in the familiar vernacular. ‘That’s gert lush that is’.
Now the die is cast
there is no going back, no
second chance. It’s done.
by Scooj
.
Gateway to the west
awe inspiring construction
delights while I wait.
.
by Scooj
Bolton road is a small alleyway branching off the Gloucester Road in the St Andrews area of Bristol. This always seems an unlikely place to find street art, but this is Bristol, and you never seem to be too far away from something a bit special.



Tucked over to one side of the Bearpit, near the Premier Inn Hotel, I found this rather nice collaboration between Jee See and Mr Klue. In this piece we see the typical styles of each of these street artists. Mr Klue treats us to his swirling patterns in rich purples and lilacs, while Jee See offers a stencil of a girl with a revolutionary Castro look about her – a stencil I have seen repeatedly about Bristol.


Interminable
rain, eroding memories
of warm summers past.
by Scooj
This wonderful scene was created back in October by Sled One, in conjunction with a piece by Ments which I wrote about a little while back. It seems that Sled One has an endless energy and talent for conceiving and executing some of the most imaginative street art in Bristol. His style is quite cartoony and injected with humour, and as I have said before, there always seems to be a story going on in his pieces.

I’m not sure what the story is, but it includes one of those really irritating toy clockwork monkeys with clashing cymbals which is beautifully portrayed. In addition, the wisps of steam from the cup of tea are masterfully painted. There is some real quality about this piece. Sled One never seems to disappoint. This is in my view exceptional street art.

On the 15th October 2016 The Bearpit played host to an international exhibition entitled ‘Resiste’. The exhibition featured the works of the Assembly of Revolutionary Artists of Oaxaco, Mexico. I will cover this exhibition in more detail in a forthcoming post, but today I will focus on the participation in the exhibition by Bristol’s magnificent Aspire.


