2274. Dean Lane skate park (222)

Great to see Soap and Tasha Bee teaming up to paint this collaboration in Dean Lane skate park. What is interesting about this piece is that both artists are doing something a little different from what we normally see.

Soap, Dean Lane, Bristol, May 2019
Soap, Dean Lane, Bristol, May 2019

I’m not too sure why, but Soap has been doing a few chickens recently. I think it might be a bit of a legacy from a mini paint jam he took part in at St Werburghs City Farm. I think I have some pictures somewhere. I rather like the way that he has done a speech bubble with his tag in it. A fun piece.

Tasha Bee, Dean Lane, Bristol, May 2019
Tasha Bee, Dean Lane, Bristol, May 2019

Tasha Bee has been doing a bit of writing recently to accompany her beautiful styalized portraits and her choice of letters is LUNA. I think that she rather likes the symbolism of the moon and skies, of nature and love. Luna is a really great word and will lend itself to all sorts of writing variations. I totally adore her colour selections here and I have been using similar colours in my ‘teach yourself spray painting’ activities. Note to self, ‘get hold of some of that gold’. Very nice collaboration.

2267. Dean Lane skate park (221)

I think that the first piece of street art by Copyright that I became conscious of was a wheatpaste somewhere in the Stokes Croft area a few years ago, I have since seen so much more of his work, and like it very much. It was nice to find this paste up, in Dean Lane skatepark recently, still pretty much in mint condition.

Copyright, Dean Lane, Bristol, June 2019
Copyright, Dean Lane, Bristol, June 2019

Things have slowed a little on the street art scene in Bristol over the past ten days or so because of the dismal weather we have been having, but it has allowed me to catch up (the tiniest amount) on my posts.

There is something a little sinister in this piece, and I think it might be the lack of pupils in the eyes, and this edgy nature cuts slightly across the grain with the title ‘Love’. The spots read-across really well from the dress and onto the background providing a continuity to the whole. Fabulous to see another Copyright wheatpaste (or anything for that matter… it has been a while).

2265. Dean Lane skate park (220)

This lovely collaboration by paint amigos Laic217 and Cort is one of those ones that kind of passed the world by. I haven’t seen it at all on social media, and it might be that it was painted over shortly after completion and maybe I just got lucky.

Laic217, Dean Lane, Bristol, May 2019
Laic217, Dean Lane, Bristol, May 2019

On the left of the collaboration is a caracter piece by Laic complete with bucket hat and gold chain, and then to the right a rather tidy piece by Cort in his characteristic letter shapes with some decent fills and decorations. All in all a nice collaboration. Not sure the dog was all that impressed though.

2262. Dean Lane skate park (219)

This is a rather nice burner from an artist we tend to associate with bunny rabbits, but whose work is in fact broad and varied, Nevergiveup. There is an awful lot to like about this carefully put together piece, which spells out ZBOK, which I believe means deviant (or something of that nature) in Polish. The beautiful deep red background frames the extraordinary interior filling that displays wonderful technique with sharp patterning of the letters.

Nevergiveup, Dean Lane, Bristol, May 2019
Nevergiveup, Dean Lane, Bristol, May 2019

Nevergiveup tends to sign these pieces NGU although he has several different aliases which he uses on his Instagram accounts, such as @followmyrabbits or @zbok_ngu or @ngufam_vandals. This is a nice tidy example ofhis versatility.

2260. Dean Lane skate park (218)

Vibrant and sharp, this is a magnbificent bit of graffiti writing from Rezwonk and the left-hand half of a collaborative wall with Rusk. What really brings this piece to life is the clean letters and striking blue trim, it’s really something special.

Rezwonk, Dean Lane, Bristol, May 2019
Rezwonk, Dean Lane, Bristol, May 2019

Rezwonk, or Rezer as he writes, has been incredibly busy with his street work this spring/summer and he seems to enjoy painting with othert artists, often with Decay and Nightwayss. It is funny how these artists rise through the mist of anonymity. I think Rezwonk first hit my radar back in the summer of 2017, before that I can’t recall ever seeing any of his work. This is one of his best (IMHO).

2258. Dean Lane skate park (218)

I have always loved the work of Kid Crayon, and this fabulous burner in Dean Lane completely reinforces my view. The colours, brick red and two shades of green, work really well together and lift this piece away from the wall. Classy.

Kid Crayon, Dean Lane, Bristol, June 2019
Kid Crayon, Dean Lane, Bristol, June 2019

It seems that in recent months Kid Crayon has been enjoying his burners and also creating monsters. I’m very much looking forward to seeing more work like this in the near future. If you want to hear more from this lovely artist, thre is a great podcast interview with him from April on The Rough Skecth Podcast – an interesting insight into the life of an illustrator/urban artist.

2256. Dean Lane skate park (217)

It somehow always feels special finding an Inkie piece, probably because his work is so well known and sought after, and yet here he is creating something magical in Dean Land skate park.

Inkie, Dean Lane, Bristol, June 2019
Inkie, Dean Lane, Bristol, June 2019

This beautiful piece features one of Inkie’s trademark profile portraits of a girl with long flowing locks of hair and some block writing INK. When I look at this, I can’t make up my mind which way her body is facing, towards us or away from us, I think the latter.

Inkie, Dean Lane, Bristol, June 2019
Inkie, Dean Lane, Bristol, June 2019

It is not all that long ago when this wall lost a whole ton of its render and years of paint layers. I thought the wall might be doomed, but somehow looking at it now, you wouldn’t eve know it had happened. Lovely work from Inkie.

2255. Dean Lane skate park (216)

The curved wall in Dean Lane skatepark has been getting a lot of action lately and this pink blobby piece by Stupid Stupid Meathole only lasted a few days before being replaced by Inkie (see next post).

Stupid Stupid Meathole, Dean Lane, Bristol, June 2019
Stupid Stupid Meathole, Dean Lane, Bristol, June 2019

I have always rather enjoyed the faintly grotesque nature of Stupid Stupid Meathole’s work, and this piece with three eyes staring out of it is itself overwritten by the same artist with a little throw up saying ‘Hole’. I’m not certain that many people will have seen this piece, so it is just as well that I got there to record it for posterity.

 

2252. Dean Lane skate park (215)

What a fabulous piece this is by Rusk. I don’t tend to associate his work with character pieces, but this burner/character combo is a real winner. I never read any of the Garfield cartoons, but certainly know who he is, and this lazy cat is brilliantly suspended in the ‘U’ of Rusk.

Rusk, Dean Lane, Bristol, May 2019
Rusk, Dean Lane, Bristol, May 2019

The writing, as you would expect from Rusk is absolutely first class and the colour combinations absolutely perfect. That red is ‘to die for’. This piece was painted alongside an excellent Rezwonk piece (to follow) a couple of weeks back. Really great piece.

2249. Dean Lane skate park (215)

Elvs is a fine wildstyle writer from Wales, although I don’t know if he lives in Bristol or in Wales, but he tends to do several pieces every year in the popular Bristol graffiti spots. This is one of at least two pieces he did during May this year (more on his other one soon) and it really shows mastery of his elaborate ‘tag’, which remains broadly similar in shape from wall to wall.

Elvs, Dean Lane, Bristol, May 2019
Elvs, Dean Lane, Bristol, May 2019

This piece is characteristically clean and sharp, with three lovely horizontal layers of pink acting as a backdrop to the detailing in black that makes this so obviously an Elvs piece. I’m not certain what the Japanese writing says, but I do know that it is in the Katakana form. It might say HiSoKu. I’ve noticed that Elvs quite often has this Japanese influence in his pieces. I’ll have to ask him to elaborate next time I see him.