I saw this on Angus’ Instagram feed recently…knew where it was and felt I just had to go and photograph it. This is his ‘Purple Rain’ tribute piece, and a rather beautiful one too. Simple and somewhat experimental I would suggest. I say that because there is another similar work nearby using the same ‘dimple effect’ technique.
Angus, Dean Lane, Bristol, July 2016
When I saw this on Instagram I totally liked it. Now that I have seen it for myself in the flesh, I really totally like it. I am really enjoying Angus’ work at the moment, and given that he seems to be rather prolific, I think I’ll be seeing quite a lot more over the coming weeks and months.
As regular readers will know by now, I have recently taken on a new job for six months which involves being in my native London two days a week. This week, instead of staying in a lonely sad hotel, I stayed with my lovely sister and family in Stoke Newington. Ever the opportunist, I realised that this would afford me an opportunity to snap some London street art. Hurrah! This is between Finsbury Park station and my sister’s house.
Muretz, Blackstock Road, London, July 2016
This is a spectacular mural by a Sao Paulo-based artist ‘Muretz’ (Mauro Golin), which was painted when on a flying visit back in March this year. There is more about this and one other work on the excellent London Calling blog. I cannot hope to cover London works in the incredible way that London Calling does, so I won’t try to duplicate.
Muretz, Blackstock Road, London, July 2016
I think that one can predict Brazilian artists will feature skeletons in some of their work, as death is celebrated in a way quite different to the somber conventional ways in the ‘West’. I love this. It is witty and simple. A bit like Stik meets Banksy…or something. I love the way the character appears to be sitting on the steps of the house.
This is a lovely work, and I feel thrilled at coming across it. On a slightly off-topic note, I wonder if the Green Grocer is always open…the sign would suggest it is.
The last time I posted about this spot, it was decorated with a collaboration between E.Lee and Copyright. Shortly after I blogged about the piece, it had been replaced by this Soker piece.
Soker, North Street, Bristol, June 2016
I rather like this simple burner by Soker. It is colourful, beautifully crafted and in some way humorous…I can’t quite put my finger on why though. Maybe it is the light fixture in the middle. I don’t know. I know that I like it though. I expect it has been over-painted by now though.
This is another piece that was created as part of Upfest 2015. It sits in the covered car park area immediately behind the Tobacco Factory and is by Bristol-trained artist Stephen Quick. On his website, he describes his work as follows:
“My art mainly represents contemporary culture via pop art; I embrace our materialistic nature, which often defines who we are”
Stephen Quick, Raleigh Road, Bristol, January 2016
I don’t think he does a lot of street art, which may make this piece rather unusual. At first I wondered if it was a studio piece that was placed here, but I think the spray paint has overlapped onto the fence behind and that it was probably painted in situ. In my view, however it was executed, it is a great work – lovely drips.
Another winning bird, this time a Blue Jay – not a native of Britain – by Aspire. I have run out of things to say about Aspire’s work. It is simply fabulous, and I am lucky to have such a talented artist in the neighbourhood.
Aspire and Mr Klue, City Road, Bristol, March 2016
Accompanying him on this occasion is the unmistakable work of Mr Klue. The swirling pattern working off the right hand side of the bird. Two great local artists keeping things fresh.
Just a quick post this time of the very prolific Voyder. This piece was down on the hoardings with pieces by Sepr and Deamze and Sled One, so I guess it was part of an ASK get together.
Voyder, Old Bread Street, Bristol, June 2016
This is so typical of the outstanding pieces Voyder produced in a style that is unmistakably his. Although prolific (I make that assumption from looking at his Instagram stream), I think some of his works are quite inaccessible. He seems to spend a lot of time in large derelict buildings, which are off the beaten track, and certainly not on my radar. I think I have a large enough territory without seeking out new places.
Inspired by this recent post by Frankie Beane, I went in search of some pictures I had in my archive by the same artist. Miss Wah is a street artist and designer from Worcester who loves to doodle (you’d never guess) and who’s art is in the Kawaii style. There is more about the artist on her website.
Miss Wah, Greville Road, Bristol, January 2016
This piece sits in the garden/yard of the Hen and Chicken on Greville Road, and is in the very good company of a piece by My Dog Sighs – a favourite artist of mine. This was not so much a collaboration as a sharing of space at Upfest 2015.
My Dog Sighs, Greville Road, Bristol, January 2016
The day I went photographing these was too bright, and unfortunately the pictures are not very good because of the sun/shade issues. This is part of the reason I hadn’t posted them, but thanks to Frankie Beane, here they are. I would expect this whole area of Greville Road to be repainted in less than two weeks when Upfest 2016 begins.
My Dog Sighs, Greville Road, Bristol, January 2016
I think that most of the posts about the pieces I photographed in Leake Street on 4 July 2016 are going to be quite short. I say this because I am having difficulty researching the artists, and it is a world unfamiliar to me. I guess also, because I have a Bristol bias, I am lazier about finding out more about London-based artists. Is that a bad thing?
This rather charmingly grotesque piece is by Woskerski – I would guess a Polish immigrant, who like all Europeans, is most welcome in our country. I cannot express my shame at what our nation has decided to do, and how some sectors of our society think it is ok to behave in the way they have since the referendum. I will always stand shoulder to shoulder with Europe and seek greater integration, collaboration and understanding.
Woskerski, Leake Street tunnel, London, July 2016
The piece was sprayed as part of the #do1cancer campaign to raise awareness and money for Colchester Hospitals Charity.
There is little doubt in my mind that the brightest rising star on the street art scene in Bristol is Sled One. His work, both the wildstyle writing and his freestyle characters are second to none, and yet I feel there is still so much more to come from this extremely talented young artist. My son tells me he is a good skater too, which obviously adds to his credibility as a street phenomenon.
Sled One, M32 Roundabout,Bristol, June 2016
This writing demonstrates his incredible range. His shapes vary from piece to piece. He seems to have an incredible capacity to see what he wants to create and then go and do it. I find this piece really compelling, and just by looking at it you can see the quality shining through.
Fortune favours those who go in pursuit of dreams (or something like that). My new role took me to London Earlier this week, and I spent a night in an hotel in Vauxhall. I don’t know much about the street art scene in London, other than that there is a lot in Shoreditch and in Camden Town. I keep a close eye on the London Calling blog to keep pace with the astonishing stuff that hits the streets of London.
I had heard about a tunnel in Waterloo that had loads of street art in it, so I went off in search of it. It took a while to find, because I didn’t really know what I was looking for, but find it I did, and I was staggered. Here were dozens of works on the walls and ceilings along the entire length of the tunnel. Aladdin’s Cave, no messing.
I was in for even more luck – my trip coincided with a very recent festival that had been held (at the weekend?) in support of raising funds for the #do1cancer graffiti jam. The walls were festooned with fresh pieces with a cancer theme. This is the first of my posts from Monday 4 July. Please read the link above, as it puts this festival into context.
Gnasher, Leake Street, London, 4 July 2016
This extraordinary piece is by Gnasher (David Nash), who uses spray cans to produce hyper-real art – just amazing. This piece looks like an enormous blow up of a photograph. Big respect indeed.
Gnasher, Leake Street, London, 4 July 2016
You can find out more about this incredible artist from his excellent website. Together, the #do1cancer campaign has raised awareness of how cancer can impact on our lives, and is actively raising money through the support of graffiti artists and graffiti enthusiasts. Admirable stuff.
Natural adventures 