209. Mina Road (1)

It has been a little while since I posted anything about Silent Hobo. This is a shopfront commission in the wonderful St Werburghs area of Bristol, slightly north east of St Pauls.

Silent Hobo, Mina Road, Bristol, March 2016
Silent Hobo, Mina Road, Bristol, March 2016

Silent Hobo’s work often depicts a ‘happening vibe’ going on among the subjects in his pictures. Here he has captured the aspects of fun and leisure that cycling offers, and I’m sure it says more about it than some stock corporate photographs of people cycling.

Silent Hobo, Mina Road, Bristol, March 2016
Silent Hobo, Mina Road, Bristol, March 2016

I have never been to the Sportsman Bicycle Shop before as I have several closer to where I live and work. Maybe next time I am ‘snapping’ in the area I’ll pop in. I love the fun the couple are having on their bike, and the detail he includes of a little hedgehog…these days a rare sight.

Silent Hobo, Mina Road, Bristol, March 2016
Silent Hobo, Mina Road, Bristol, March 2016

All in all a really nice commission and one that showcases the best Silent Hobo has to offer.

206. Stokes Croft, Canteen (2)

No self-respecting Bristol street art blogger can ignore what is probably regarded as the most Bristol Banksy of them all. The Mild Mild West still sits proudly on the wall outside the Canteen, and opposite Cosmo Sarson’s Breakdancing Jesus, in spite of attempts to vandalise it (layered irony there).

Banksy, Stokes Croft, Bristol, July 2015
Banksy, Stokes Croft, Bristol, July 2015

This iconic Banksy (and which ones aren’t) tells so many Bristol stories, which are really nicely captured in this 2008 article from the The Telegraph. I see this wall pretty much every day and it is special, really special. The area in which it stands is an area which has played host to several riots, the most recent of which was the ‘boycott Tesco’ riot.

Banksy, Stokes Croft, Bristol, August 2015
Banksy, Stokes Croft, Bristol, August 2015

So established is this piece, that it makes it into the ‘Visit Bristol’ website as a must see attraction. How things have changed from the days of rounding up and arresting Bristol street artists.

This work simply has to be one of my all time favourite pieces in my adopted city.

200. M32 Roundabout, Junction 3 (8)

The final one of a quickfire burst of Deamze wildstyle works. This is yet another one on the M32 roundabout. Doing this reminds me that I really ought to get back down there to see what’s new.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

This time we are treated to pinks and reds in this intricate work. Unfortunately it is very tricky to photograph, because it is in quite a narrow passage which makes it difficult to get the whole piece in frame. The sideways shot just about does it.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

OK, I’ll leave Deamze alone for a while now and concentrate on some other works.

199. M32 Roundabout, Junction 3 (7)

So here we have another fine example of wildstyle writing at its very best. Deamze is really a master of his craft and prolific too. It can be really difficult to keep up with his new work.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

This work sits alongside a work by Soker that I featured a little while back. I think that they were concentrating on the yellow and blacks, and I assume that they sprayed the wall on the same day. Another great work by Deamze.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

198. Jubilee Street (4)

An old, and now long gone wildstyle piece from Deamze in my favourite backwater, Jubilee Street. This is a beautiful work, which is offset really well with the robot character at the right hand end.

Deamze, Jubilee Street, Bristol, November 2015
Deamze, Jubilee Street, Bristol, November 2015

There are so many Deamze works in Bristol, the next couple of posts will also feature some of his great stuff.

195. The Bearpit (13)

Walking home yesterday, I came across an artist painting a new work on the PRSC Open Air Gallery. The previous piece by Cheba had been badly defaced with Buzz tags (which are becoming a bit of a menace) so a new work was going up. I spoke with the artist, ObjectØØØ, another incredibly nice person, and we swapped Instagram addresses. I said I hadn’t seen any of his work yet and he told me he put something up in The Bearpit over the weekend. The penny dropped – I had photographed his work on Sunday and here it is:

Object000, The Bearpit, Bristol, April 2016
Object000, The Bearpit, Bristol, April 2016

This is a wild creation and a strong message too, like Narnia meets Billy Bragg. I like the ‘other worldliness’ of it. I am now looking forward to the completion of his mural on the Open Air Gallery, which also has a strong message.

Object000, The Bearpit, Bristol, April 2016
Object000, The Bearpit, Bristol, April 2016

190. Moon Street (10)

Laic217 is certainly providing me with loads of material at the moment.This is his latest work in a very busy Moon Street. In my view, this is the best that I have seen of his work so far. Weird, trippy and well executed – perfect for the wall it has been sprayed on.

Laic217, Moon Street, Bristol, April 2016
Laic217, Moon Street, Bristol, April 2016

I like the melting face and acid house theme. More of his work can be viewed on his profile page of streetpins.com a site for graffiti artists to show their work.

Laic217, Moon Street, Bristol, April 2016
Laic217, Moon Street, Bristol, April 2016

This piece was, I think completed over the weekend of 16/17 April.

189. Cheltenham Road, Boston Tea Party

The Boston Tea Party cafe marks out the northern border of the Stokes Croft area for street art. It is also a great place to start a tour of all the wonders in the area. This is a lovely commission by Alex Lucas adorning the front right hand side of the building. I presume it is a March hare, given its boxing gloves.

Alex Lucas, Cheltenham Road, Bristol, September 2015
Alex Lucas, Cheltenham Road, Bristol, September 2015

Unfortunately the piece and many others nearby have been obscured by red spray, really calling into question the whole debate about art, street art, commissions, illegal, graffiti, tagging, vandalism and so on. It will be very difficult to clear this piece up – maybe she’ll get a commission to replace it (please).

Alex Lucas, Cheltenham Road, Bristol, September 2015
Alex Lucas, Cheltenham Road, Bristol, September 2015

188. Brunswick Square hoardings (1)

A couple of weeks ago I discovered, quite by accident, a goldmine of new pieces in Brunswick Square, St Pauls. There is a large new development along the south side of the square with hoardings all around it. It would appear that the developers have encouraged Bristol’s finest to decorate the hoardings, and they have done an amazing job.

Inkie, Brunswick Square, Bristol, March 2016
Inkie, Brunswick Square, Bristol, March 2016

This piece is by one of Bristol’s most well known street artists, Inkie, and is a bright and colourful wildstyle burner in his very distinct style. A lovely piece.

I will, of course, feature other works from this magnificent site soon.

187. Stokes Croft, the Carriageworks (6)

Over the last weekend the fabulous pairing of SPZero76 and Mr Wigz got busy on one of the middle arches of the Carriageworks. Their combinations work very well and have a vibrancy and humour about them.

SPZero76 and Mr Wigz, Stokes Croft, Bristol, 17 April 2016
SPZero76 and Mr Wigz, Stokes Croft, Bristol, 17 April 2016

SPZero76 works on the characters, which often feature a raccoon, which is odd because despite them appearing in the live version of Disney’s 101 Dalmations, set in the UK, we don’t have them in this country. While Mr Wigz provides the wildstyle burner beneath.

SPZero76 and Mr Wigz, Stokes Croft, Bristol, 17 April 2016
SPZero76 and Mr Wigz, Stokes Croft, Bristol, 17 April 2016

Their last piece I know about appeared back in February, further North on the A38…here is a reminder.

I like their work, and it is great to get an untagged picture. Any new pieces at the Carriageworks never last long in their pristine condition.