It’s a bit like waiting for a bus…nothing for ages and then three turn up all at once. Well it is a bit like that with this third piece in as many weeks from Laic217.
Laic217, M32 Roubndabout, Bristol, March 2016
The consistent themes for Laic217’s work seem to be his name decorated, but easily legible, bright carefully selected colour schemes and a character embellishing one of the letters. It is a formula I like, and one that is very distinct.
Laic217, M32 Roubndabout, Bristol, March 2016
I look forward to stumbling on more of his works, now that I know where to look for them.
Tucked away from the main drag in Bristol is this masterpiece by Nick Walker. This amazing stencil which dates back to at least May 2010 blends in so well with the architrave surround and brick wall.
Nick Walker, Trenchard Street, Bristol, September 2015
The piece can be found just beyond the rear entrance, turning right out of the exit, of Colston’s Hall. It is another of those Walker pieces that have simply become a ‘part of the furniture’ that we in Bristol take for granted. I think that most, if not all of his work remains intact, which is very unusual here.
Nick Walker, Trenchard Street, Bristol, September 2015
Taking a closer look at the butterflies reveals that they are more sinister than you might originally think. Great work.
It has been a little while since I featured a work by one of Bristol’s finest and most famous street artists, Nick Walker. It took me a little while to find this, despite it being in the road where I work. It is a shutter piece, and the shutters are invariably up when I am at work, and down when I am not. I took this photograph on a Sunday.
Nick Walker, Deanery Road, Bristol, March 2016
The piece is unmistakably by Walker, with its pinstriped character and trademark ‘vandal’ moniker. It is indeed a treat to have so many of his artworks so close to where I spend most of my days.
Nick Walker, Deanery Road, Bristol, March 2016
It is a little neglectful of me not to have found this piece sooner, but better late than never.
Brilliant, brilliant, brilliant. I have been keeping my powder dry with this one, although I don’t quite know why. When I see a great piece of street art, I really ought to share it straight away.
3Dom, M32 Roundabout, Bristol, March 2016
3Dom is one of the most creative and imaginative of the Bristol street/graffiti artists. His works nearly all have a surreal feel to them and contain unique blends of shapes and colours that are rarely seen elsewhere. His imagination runs riot with this piece and he introduces different textures and shadings in this character. I love the green body and arm, that resemble a close-up of a spider’s leg.
3Dom, M32 Roundabout, Bristol, March 2016
The piece can be dated as having been sprayed post-Bowie’s death, as there is a mention of him and Buzz. What is pleasing about this is it is so clean, and as yet untagged. One of my absolute favourite pieces this year (so far).
It was an accident of fate that took me to this encounter yesterday. I spent my lunch break walking to the Post Office in the Galleries, and then nipped into M&S for sandwiches…a treat I don’t usually afford myself. I intended to return to work, but thought I was so close to The Bearpit, I would just see if there was anything new.
Decay, The Bearpit, Bristol, 8 April 2016
Decay, The Bearpit, Bristol, 8 April 2016
Better than that…a graffiti artist was spraying in one of the tunnels. The colours of paint on his trousers pretty much gave him away – red, grey, white and black – I approached him and asked “excuse me, but are you Decay“. Not a phrase I use often. It was, and we struck up a conversation.
Decay, The Bearpit, Bristol, 8 April 2016
Decay, The Bearpit, Bristol, 8 April 2016
Decay has only recently moved to Bristol, but it would explain the proliferation of his work around the place. I asked if he would be at Upfest 2016, and indeed he will. I will look him out. Finally I asked if he would mind if I took some pictures, and he said it was fine, but not the face. The whole experience was a bit ‘Exit through the Gift Shop’, a Banksy film I thoroughly recommend.
My first real contact with an artist in action. A good day, which only got better, as on my way home I spotted Alex Lucas working on a commission, and chatted with her too…more on that in a future post.
A beautiful sunny day in November 2015 treated me to some fabulous walls that still sustain me now. This is a well worked collaboration by Feek and Soker on the side of the Manor Scrap Company, and opposite the playgrounds of the Hannah Moore Primary School. It also appears that Deamze might have had a hand in this too.
Feek and Soker, Jubilee Street, Bristol, November 2015
The characters either side of the wildstyle are by Feek, and you can read the lettering ‘Sokem’ by Soker. I don’t yet know why all his wildstyle burners say Sokem and not Soker. I guess it is a bit like Deamze writing Deam, Deams or Deamze…they probably do it because they can.
Feek and Soker, Jubilee Street, Bristol, November 2015
I like the slightly unsettling clown and bumper car rider in this piece…there is something menacing about them. Probably not ideal opposite a school, but hey, that’s how it is.
Some time ago, when I was strolling around the back streets of St Pauls and Montpelier I came across this really unusual wall by Jack Dones, who is one part of the Paintsmiths, although I think he painted this as a solo piece.
Dones, Brook Road, Bristol, November 2015
It is a very clever and rather touching idea and very different from most of the street art in Bristol. It is a well known image, but I’m not sure how many people know where it is as it is a bit off the beaten track. I would have liked to seen it in its pristine condition, but I came rather late to the party.
It is a strange thing with hunting down street art that you can be completely ignorant of a particular artist, and then within a few days see several of their works. One such artist is Laic 217 who I featured for the first time on 31 March 2016. Earlier this week I spotted another of his pieces in the skate park in Dean Lane.
Laic 217, Dean Lane, Bristol, April 2016
What I like about these is the character within the burner that seems to be common to his works, and the colours he uses.
Laic 217, Dean Lane, Bristol, April 2016
I look forward to finding more of his stuff, especially as I now know where to look.
I am still coming across street art that was created during Upfest 2015, and on my walk yesterday I found this wonderful piece by Gemma Compton.
Gemma Compton, West Street, Bristol, April 2016
Compton is an artist and fashion designer who is based in Bristol, and another graduate from UWE (University of the West of England). A lot of her work incorporates wildlife and birds in particular. She has an interesting website that shows off her extensive work. Street art is clearly not her main focus, which is a pity, as this is rather good.
It was a gorgeous sunny day yesterday, and now that I am back in work after the holidays, I couldn’t wait to escape for a long lunchtime walk. I was rewarded with some new street art that I haven’t seen before. This cheeky piece is by the ubiquitous Cheo – I knew he had recently been busy from his Instagram account, but wasn’t sure where this work was.
Cheo, North Street Green, Bristol, April 2016
I think it might be called ‘gorilla gubbins’, although that might just be a label he gave it.
Cheo, North Street Green, Bristol, April 2016
This particular wall has changed at least three times in the last 6 months or so, and it will change again during Upfest 2016, which I am getting rather excited about. I have pictures of two other works on this wall.
Cheo, North Street Green, Bristol, April 2016
I love the bad gorilla smoking a cigar. I think the piece is only a few days old.