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Three little piggies
curious to find out more
the dog sniffs the air…
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by Scooj
- we have no wolves.

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Three little piggies
curious to find out more
the dog sniffs the air…
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by Scooj

I had to return to this spot to get some decent photographs of this unusual piece by Taboo, as the first lot were covered in shadows, but that is how it works. I work on the principle of always taking pictures of a new piece, whatever the light conditions, because it could be tagged or overpainted within hours. If I get a second chance to take better pictures, then that is a bonus.

Taboo has had quite a quiet period over the last six months or so, so it was good to find this one on the Cycle path. In his unique antistyle graffiti writing, Taboo manages to combine his unusual letters with characters, in this case a kind of grinning pig. I suspect the pig reference relates to the police, because he has included the words “No good cops. (Sorry)” which I guess is a polite way of saying ACAB. Looking forward to seeing more from Taboo as the summer unfolds.

Biers (or WD40 as he writes these days) has been on fire this winter, producing a series of fine writing and character pieces. The formula is a winning one, and the balance between the writing and the character is usually spot on. There are also loads of additional elements that feature in his work and contribute to the overall look and feel.

I am not sure who the cartoon pig is, but will do a very quick Google search to see if I come up with anything… nope, I have drawn a blank. So we have a pig with a bandage – there is a story there I am sure. This is a nice piece to round off the year with for Biers, and I hope he keeps up his frequency and consistency into the New Year.
This is another piece by an artist I have called Morph, because that is how he signs most of his pieces, however, his Instagram handle is Rudini Doodini, so I’m not too sure what to actually call him. I think I’ll stick with Morph, because it is shorter.

The theme is not an unusual one for street artists, a pig in a police outfit, and is rather nicely done. The shading from left to right works well, using lighter and darker colours to give the impression of light coming from the left of the piece. A nice quick one from an artist who doesn’t seem to stray too far from this area.
What a fantastic piece by Sepr this is, and I totally missed it. The wall on the side of The Bell pub has played host to a piece by Sepr before which I posted way back in May 2016, but when I returned some time last year it had been painted over, and I wondered whether the landlords had had enough of street art on their pub.

I was passing by that way recently and to my complete surprise and joy this ‘new’ and outstanding mural has taken the place of the old one. I asked a lady who came out of the back door of the pub if it was new and she said that it had been painted in June 2019, I thanked her, and felt rather useless that as a chronicler of Bristol street art I had completely missed this one. The story has a happy ending in so much as I did find it in the end and it looks as good as new.

The brilliance of Sepr never seems to dwindle and his story telling through art is quite remarkable. A group of criminal cats have been on a banana robbery and in their attempt to escape have driven in to some police, depcited as pigs of course, and there are bananas spilling out all over the place.
Make no mistake, I love, love, love this piece and what a treat to find it.
Aah, pigs swimming, but not any ordinary pigs, it looks like these might be related in some way to the uniformed kind. I absolutely love this rather surreal mural from Peter Sheridan at the Cheltenham Paint Festival 2019. It is an outrageous piece beautifuly painted.

Peter Sheridan painted one of my favourite pieces of Upfest 2018 and he has carried on his brilliant work in Cheltenham. It took a while to find this piece but it was well worth the endeavour. It is not only the bizarre and humorous story of the piece, but the execution is quite exquisite.

Any piece with water is always going to be a challenge, but it is one that the artist has risen to and mastered. There are two other pieces that instantly come to mind when I see this and they are; the Odeith crocodile at Upfest 2018 and the figure in water by Cosmo Sarson at Upfest 2016:


It was this piece by Sled One that finally motivated me to get myself the the L Dub spot in Lawrence Weston, although I wouldn’t have made it withoug the guidance of Paul Harrison and DJPerks.

This piece alone was worth the trek and to me highlights the extraordinary motivations of street/graffiti artists. L Dub is not exactly a place you would paint if you wanted lots of people to see your work, but you can certainly get on with your creation without much risk of interruption.
The piece itself looks like it is a bit of a dig at the police and is a wild and surreal pig, whose face looks like it is made from a leather bag and is sporting a gun holster with a curious looking weapon. I don’t really know too much about what is going on here, but the quality of the artwork is undeniable.
I am guessing that the words ‘No Face – No Case’ refer to the fact that if your face isn’t seen then there is no evidence for a case against you (I’m not too sure how water-tight that is). Great piece from Sled One.
A couple of weeks back there was a large paint jam in St Werburghs tunnel, and it would seem that it was something of a RAW (Read and Weep) get together. This collaborative piece included the T-Rex burner that I featured a few days ago, which was just to the right. These two are Ryder and Jaksta.

I don’t need to repeat myself, although I constantly find myself doing so, by telling you that Ryder is an incredibly accomplished writer, and here he has created something rather special in shades of gray with blue highlights. Having started trying to paint a little in the garden I realise how much I have to study what these guys do to understand tricks and techniques. Paint big was an important piece of advice I was given – smaller pieces are more difficult.

When I have been in the tunnel, it seems everyone notices the pig – he really stands out and the kids that walk past love him. Jaksta is a master of the character piece and his work often joins up pieces of writing like it does here. It is the details I love in this piece, the black shading and white highlights that give a 3D feel to the whole thing, and the two shades of pink that make it look like the light is coming from the right (which in this part of the tunnel it actually does). Great work.
Here’s another EAT crew (SPZero76 and Kid Crayon) collaboration on the side wall of Domestic Drain Services. Maybe once or twice a year, this company invites artists to paint the walls in return for free paint – or so I understand.

One wall was painted by Paul Monsters and featured on this blog a little while ago. This wall has been crafted into a comic strip which was described by Keith Hopewell, AKA SPZero76 on his Instagram account as follows:
‘This comic tells the tale of a race to find the Holy Grail in a post apocolyptic giant robot wasteland. Biker woman vs the pigs of doom (and their herder). Who will find the treasure first?’

The biker woman and robot wasteland are by SPZero76 and the pigs and their hereder by Kid Crayon. I still find this pairing of artists a little unusual, because their styles are so different, but somehow they pull it off every time they work together.

I particularly like the book end characters – Biker woman and the pig herder who reminds me a little of Woody or Andy his owner from Toy Story. The whole piece is crazy, imaginative and inspiring. I love it when these two get together, you just never know what will happen.
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Penned in by green fields
neat rows of cloche-like dwellings;
mud pigs on a hill.
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by Scooj