Portrait – Page 12 – Natural adventures

6230. Upfest 2024 (45)

Epod, Upfest 2024, Pantiles, Bristol, May 2024

There are some pieces, especially during street art festivals, which simply have the ‘wow’ factor, where you stand before them in admiration, and in my view, this stunner by Epod3000 is one of those. Firstly, this wall is one of the most striking in Bedminster, and although not the easiest to photograph, it certainly has impact when it reveals itself to those walking along West Street.

The piece, called ‘Side.E’, a reference to the vinyl LP and deck at the top features a beautiful portrait of a woman (with lots of drips). The clever bit is that Epod has apinted the portrait in a way that makes it look like a poster that is peeling off from the wall – you know… the way advertising posters do after a while. It is a device used quite a lot in street art, and done well, like this, is wonderful.

Because of the wall opposite the piece, it is quite difficult to take a decent photograph from directly in front of it, without it looking a little distorted, but I have done my best here. I was lucky enough to see another of his pieces yesterday in Cheltenham, which I will post in due course. All great stuff from Epod.

6226. Upfest 2024 (41)

Hazard, Upfest 2024, North Street, Bristol, May 2024

Just like many other communities, the Bristol artist community is in a constant state of flux, with many new artists moving to the city as others move out. One of the most significant recent departures has been that of Hazard, who I believe has moved to the North of England, possibly to Leeds. This is a huge loss for Bristol, but her connections with the city mean that she will return from time to time, I am sure, like she did to paint this beauty for Upfest 2024.

The portrait piece with its patchwork of coloured shapes slightly underplays her brilliance – perhaps it is the slightly awkward spot, or the dark tones she has used, but it doesn’t leap out at you like many of her pieces do. It is a piece that you need to stop and look at and admire, but all too often people simply stroll by, focussed on their phone screens. I definitely miss Hazard’s regular interventions, but that makes each of her appearances now even more precious.

6222. Cumberland Basin.

The Art of Sok and Smak, Cumberland Basin, Bristol, July 2024

In the seventies I might have described this piece as ‘smashing’, and as a child of the seventies I am going to describe this outstanding collaboration between The Art of Sok and Smak as smashing. I was lucky enough to meet with and chat to both artists the night before they painted this wall as part of a larger jam, at Merny’s exhibition opening, which had a great turnout.

The two artists have worked together perfectly to produce this character/writing combination. Smak’s writing is absolutely sensational and in addition to that, he has created a perfect tropical sunset backdrop with The Art of Sok’s character presented in the foreground – beautifully comnposed.

The Art of Sok, Cumberland Basin, Bristol, July 2024

During his short trip to Bristol, The Art of Sok, who it turns out is a lovely bloke, dropped a few pieces about the place which I will naturally post in due course. The cartoon-style character is pretty much perfect in its precision, which is how The Art of Sok rolls. He told me that he likes to get his finished pieces to resemble as closely as possible his draft, so it is all very much worked out in advance, and he has the skills to execute his plan to the letter. This is an excellent collaboration.

6221. M32 Spot (189)

This is the second piece by Nuke to appear on Natural Adventures, although it was the first to be painted, in chronological order, of the two. I’m not too sure if the two pieces were a one (two)-off and left during a visit to the city, or whether we can expect more to follow. I suspect the former.

His work, even though I have only seen the two pieces, is instantly recognisable in the delivery of a character/writing combination that has a haunting and slightly dark vibe about it. There is a blending between the ghostly portrait and the wildstyle letters, that works really well, and the colours reflect upwards from the base, and the white light is projected from the top left. Very nicely done.

6220. Greenbank (128)

It feels like Daz Cat is pushing all sorts of boundaries at the moment and painting with a freedom in both style and content that is a pleasure to witness. There is a lot going on in this free-flowing story-telling piece in Greenbank.

I can see a lady surrounded by purple/lilac cats, but the intriguing part of this piece is the two ‘robot’ arms that rather randomly seem to have landed in amongst them and are smoking from the arm sockets. There is a story which is skilfully illustrated, but it is a story belonging very much to the artist – as viewers we can only concoct our own stories. Great work from Daz Cat.

6216. M32 Spot (188)

Minto and Bags, M32 Spot, Bristol, July 2024

I am pretty sure that these pieces from Minto and Bags are part of a collaboration, rather than ones painted in isolation that happen to be next to one another. There is definitely some interaction from the Bags piece that overlaps onto the Minto side, but not necessarily vice versa.

Unlike most of his recent ‘deconstruction’ pieces, Minto has opted for a full size portrait, with the only writing being the ‘Minto’ on the subject’s hat. It comes across as a bit of a quick one, and may have been a dregs piece, because the fills aren’t particularly solid. Certainly this is Minto showing a slightly different side to his work, and for some reason it is a very memorable – maybe it is the green, maybe the hat… who knows?

Bags is a woefully underrepresented artist in Natural Adventures, and I think the only way I could rectify that would be to go through my archives and present several mini-galleries, just to catch up a bit. I think that Bags enjoys collaborating a lot, especially with his No Frills friends such as Biers and Slim Pickings. His letters are always recognisable and presented in roughly the same format, with the fills representing the main differences from piece to piece.

6212. Greenbank (127)

Conrico has been super-busy lately both painting on the street, and in his studio. He has a fabulous imagination, and much of his art is influenced by the culture of the Far East, in particular Japan. I don’t know what the connection is, but it adds an exotic flavour to many of his pieces.

This is quite an unusual portrait piece, that in contrast to what I have said in the previous paragraph, appears to be of a Central/South American person wearing face paint and with feathers in their hair. Once again, Conrico’s unique can-work gives the impression that the piece has been painted with brushes, and doesn’t have that ‘clinical tight finish that so much street art tends to have. More still to come from Conrico.

6202. M32 roundabout J3 (601)

Conrico, M32 roundabout, Bristol, June 2024

I love Conrico’s work. He has the most incredible capacity for telling stories through his art. Rarely is there a static portrait or lettering that does nothing more than look good. The other thing that I admire in his work is his spray style that looks more like brush strokes than spray – clever stuff indeed.

This piece was painted during the paint jam to celebrate Wispa’s birthday (in absentia). I am guessing, but can’t be sure, that Conrico has painted a portrait of Wispa in honour of her birthday, which would make sense. He has included some writing, which I think might be Japanese, which I cannot read. A nice piece that is so typical of his unique style.

6193. Upfest 2024 (38)

Ivan Tortajada, Upfest 2024, East Street, Bristol, May 2024

Ivan Tortajada is a Spanish artist from Valencia whose stylised portrait pieces are unusual and fantastical. You can only fully get a feel of his work by checking out his website, which I thoroughly recommend. In this Upfest piece, he has cleverly brought together two characters on perpendicular surfaces and incorporated the large caterpillar that has occupied this wall for as long as I can remember.

The portrait on the left is painted with warm colours in his highly illustrative style. The character appears to be glancing at the caterpillar and is holding a lighted match, I hope without malicious intentions.

The adjacent portrait is in colder blue colours is also looking on at the caterpillar and appears to be holding a disc that the bug is resting on. The portrait is beautifully worked with stripes of graded blues, and a touch of yellow where there is reflected light. This is a beguiling piece and one that so cleverly fits into the selected spot, working with the existing caterpillar, rather than against it.

6183. Cumberland Basin

Jaksta, Cumberland Basin, Bristol, July 2024

We don’t get to see nearly enough of Jaksta’s caricature pieces in Bristol, so this one from a week or two back came as a bit of a welcome surprise. Based in Swindon, Jaksta makes a living from his art commissions, so his street work will be somewhat dictated by how busy he is, and he lives far enough away for his Bristol trips to only be occasional.

This portrait piece is in keeping with a slight shift in his work from caricatures of famous people to interesting and dynamic portrait pieces like this one. The piece is cartoon in style, although I can see a transition, perhaps, away from the humorous to a more serious and photorealistic direction. There is a lot of detail in the piece, which leaps out from the wall as being something rather special. I hope we don’t have to wait too long to see more like this from Jaksta.

	Bill Bisgood on Football train
	scooj on 7499. Dean Lane skate park…
	scooj on 7499. Dean Lane skate park…
	scooj on Hoarse, again
	scooj on 7497. Surbiton Station, L…

	Bill Bisgood on Football train
	scooj on 7499. Dean Lane skate park…
	scooj on 7499. Dean Lane skate park…
	scooj on Hoarse, again
	scooj on 7497. Surbiton Station, L…

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