6567. St Werburghs tunnel (460)

Turoe, St Werburghs, Bristol, November 2024
Turoe, St Werburghs, Bristol, November 2024

He doesn’t paint all that often these days, but when he does, Turoe certainly packs a punch. The gorgeous chrome letters spell out KATOE, which are set on a perfectly contrasting red background. But that isn’t enough for Turoe… he has created a wall through which the writing bursts. Imagine how the piece might look without the ‘stone wall’ artwork, it would feel altogether more ordinary.

Turoe, St Werburghs, Bristol, November 2024
Turoe, St Werburghs, Bristol, November 2024

I am not too sure who Katoe is or what the shout-out is all about, but I love the way that the street art scene works, with artists recognising one another and paying tribute to friends and loved ones. As ever, a really classy piece from Turoe.

6561. St Werburghs tunnel (459)

Benjimagnetic, St Werburghs, Bristol, November 2024
Benjimagnetic, St Werburghs, Bristol, November 2024

The stand-out element of this wonderful BEN piece by Benjimagnetic in the tunnel is, in my view, the outstanding colour selection. Rather cleverly, he has overwritten a piece by Mr Klue, which provides a rather nice backdrop in complementary colours.

Benjimagnetic, St Werburghs, Bristol, November 2024
Benjimagnetic, St Werburghs, Bristol, November 2024

Benjimagnetic pieces are carefully crafted and the style I would describe as being deconstructed writing. The letters are there, but it is more about what is missing rather than what is there, and there is an obscuring of the writing that is its attraction. The fills are made up of black and white writing, which I imagine is extremely difficult to do with spray paint, requiring great can control. An attractive piece.

6518. St Werburghs tunnel (458)

Unknown Artist, St Werburghs, Bristol, October 2024
Unknown Artist, St Werburghs, Bristol, October 2024

I tend not to post too many pieces by unknown artists, but sometimes you just have to go for it… I can’t know everything (indeed, I don’t know very much). This haunting piece at the farm end entrance to the tunnel features a girl with a ball and a crow flying towards her. There is something rather tender and innocent about the piece, and it would not be out of place as an illustration in a children’s book.

Unknown Artist, St Werburghs, Bristol, October 2024
Unknown Artist, St Werburghs, Bristol, October 2024

While the artwork might lack sophistication, it is captivating, and probably deliberately vague. It feels ghostly and ephemeral, almost as if it would disappear if you glanced away. I haven’t seen any other artwork like this around Bristol, although I could be mistaken, but I certainly hope that more such pieces appear – perhaps with a signature.

6515. St Werburghs tunnel (457)

Dun Sum, St Werburghs, Bristol, October 2024
Dun Sum, St Werburghs, Bristol, October 2024

I was fortunate enough to watch on for a little while as Dun Sum was painting this imaginary beetle-like insect, in the tunnel, and I am not sure that I would have twigged that it was Dun Sum had Hypo not been there to inform me.

Dun Sum, St Werburghs, Bristol, October 2024
Dun Sum, St Werburghs, Bristol, October 2024

Dun Sum’s fantasy creatures are the hallmark of his outstanding artwork, most of which is displayed in L Dub, but occasionally we get to enjoy his work in central Bristol. This clever piece might well go unnoticed by many, as it is an augmentation of a Stivs piece that has been here in the tunnel for several months. It is so good to see this kind of creative work from Dun Sum.

Stivs, St Werburghs, Bristol, February 2024
Stivs, St Werburghs, Bristol, February 2024

6504. St Werburghs tunnel (456)

Ayup, St Werburghs, Bristol, October 2024
Ayup, St Werburghs, Bristol, October 2024

I was lucky enough to be at the right place at the right time when Ayup was about midway through painting this piece. I believe he was visiting from Bournemouth (I think that is what he said) although he is originally from Derbyshire, hence the name AYUP. He usually writes highly designed letters, completely different from this piece, and his Instagram feed is well worth a look.

Ayup, St Werburghs, Bristol, October 2024
Ayup, St Werburghs, Bristol, October 2024

There is a lot of humour in this cartoon character piece, which is beautifully finished, with strong fills and clean lines. The gold tooth was a point of interest for a young child and his mother when I passed through the tunnel a few days later. The boy was mesmerised by the tooth and kept asking his mum why it was gold/yellow. I would love to see Ayup return to Bristol, and perhaps drop one of his letter pieces on the curved wall i Dean Lane – that would be spectacular.

6497. St Werburghs tunnel (455)

Hypo, St Werburghs, Bristol, October 2024
Hypo, St Werburghs, Bristol, October 2024

My mood is low today with the news that it is looking likely Donald Trump has won the election in America. One wonders just how this can happen. From this side of the pond, it does not reflect well on the slim majority of Americans who favour a narcissistic bigot and his right wing policies (actually does he have any, or simply make it up as he goes along?). Having said that, we have made the same mistakes in the UK over the last 14 years, and by God are we paying for it now. I am reminded of this rather unpleasant piece of street art from several years ago in which a pair of narcissists kiss – little did we know (although we suspected it) how destructive this pair of liars would be.

Felix Braun, Donald and Boris, Stokes Croft, Bristol, 23 May 2016
Felix Braun, Donald and Boris, Stokes Croft, Bristol, 23 May 2016

I think that it is fair to say that Hypo appears to be smashing it every week at the moment, and I have to say I am enjoying the ride. All the time he is developing his style and adding new ideas, pushing the envelope constantly.

Hypo, St Werburghs, Bristol, October 2024
Hypo, St Werburghs, Bristol, October 2024

This is a clean piece, not as energetic as some of Hypo’s recent works, but it is nicely designed with simple colours and a solid fill. The deep 3D drop shadow drifts into a central vanishing point which works well. Hypo seems to be enjoying his ‘icicles’ at the moment, which adds a little extra interest to his border. Nice work.

6491. St Werburghs tunnel (454)

Face 1st, St Werburghs, Bristol, October 2024
Face 1st, St Werburghs, Bristol, October 2024

I managed to catch up with Face 1st at  Goldie’s Metal Headz paint jam a couple of weeks ago (lots more on that to come). During our conversation he broke the news that he has moved to Herefordshire, and he is really happy with the move with his family. Of course, this means that we won’t be seeing quite so much of his work on the streets of Bristol, which is a real shame, but the reason behind it is great news for Face 1st, and I wish him well.

Face 1st, St Werburghs, Bristol, October 2024
Face 1st, St Werburghs, Bristol, October 2024

This is a classic combination piece from Face 1st, with a girl’s face and hair fused with the word FACE, this time in 3D block writing. The whole thing has been splattered with pink gunge, a device that Face 1st uses a lot. There is no doubt that I will miss the frequency of his work and I will be keeping my eyes peeled for any visits he makes to his old stomping ground.

To honour his departure to pastures new, here is an updated gallery of his work.

6469. St Werburghs tunnel (454)

Face 1st and Zake, St Werburghs, Bristol, October 2024
Face 1st and Zake, St Werburghs, Bristol, October 2024

I have an early start tomorrow to catch the right tide, and so am writing this post late last night, after a long day… forgive any incoherence. This is a wonderful collaboration from Face 1st and Zake in the tunnel, which I think was augmented by Chill, but his piece wasn’t there when I photographed the collaboration.

Face 1st, St Werburghs, Bristol, October 2024
Face 1st, St Werburghs, Bristol, October 2024

The piece on the left is a happy girl laughing face by Face 1st, a classic from the artist. I learned a short while ago that he has moved to Herefordshire, so I expect we won’t be seeing quite so much of his work in the city as we have been used to , but he reassured me that he is not all that far away and will of course visit. He seemed to be very happy with his move, which is a good thing.

Zake, St Werburghs, Bristol, October 2024
Zake, St Werburghs, Bristol, October 2024

To the right is a fabulous and rather sinister character by Zake, painted in his inimitable style. The light blue shading of the lower surfaces of the face are inspirational, creating an amazing light effect. The pointy nose and large canines point to an evil persona, or at least that is how it comes across. Some great fun from the PWA pair.

6465. St Werburghs tunnel (453)

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

Logoe payed us one of his visits a couple of weeks back, and this is a magnificent piece of writing he left behind, that has lasted longer than many of his pieces do. I think he painted at least six pieces on this particular visit, and I will be sharing those I found over the coming days and weeks.

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

The letters of this script writing are really bold and look quite chunky with a deep 3D drop shadow. Perhaps the most distinguishing feature of this one is the vertical stripes in oranges and greys in the background, which provide a strong foundation and springboard for the letters. Nice work from Logoe.

6460. St Werburghs tunnel (452)

Noise, St Werburghs, Bristol, September 2024
Noise, St Werburghs, Bristol, September 2024

One of the most powerful and energetic introductions to Bristol has been the emergence of Noise, over the last eighteen months or so. Since his arrival, he has been producing no end of pieces in his distinctive fat-letter style and collaborating successfully with several different artists. He is productive and talented, and fits into the Bristol way of things really well.

Noise, St Werburghs, Bristol, September 2024
Noise, St Werburghs, Bristol, September 2024

In this piece, in the tunnel, Noise has compressed his writing slightly, but has managed to do this without compromising his chunky letters. The colours work nicely, although being slightly on the dark side, they are a little difficult to do justice to in the murk of the tunnel. A gallery is long overdue… watch this space.