5884. Brunel Way (261)

SkyHigh, Brunel Way, Bristol, March 2024
SkyHigh, Brunel Way, Bristol, March 2024

How great it is that ShyHigh and Roo have friends/family in Bristol, because it means that if we get lucky, they swing by to visit and while here, decorate a few walls for us. Their latest visit yielded this exceptional piece from SkyHigh on the fat pillar wall underneath Brunel Way. Roo also painted a few nearby spots (to follow).

SkyHigh, Brunel Way, Bristol, March 2024
SkyHigh, Brunel Way, Bristol, March 2024

As I would expect, the large piece from SkyHigh is a wonderful mash up of letter styles to create the whole words SKY HIGH. Each letter is perfectly presented, and although discrete, somehow works with the letters adjacent. I love the ‘paper-based’ letters, ‘S’ written on note paper and the ‘i’ written on a ‘Hello my name is’ sticker. Brilliant work from a brilliant and creative writer. Come back soon.

5883. Greenbank (110)

Mind 49, Greenbank, Bristol, February 2024
Mind 49, Greenbank, Bristol, February 2024

Mind 49 is establishing himself as something of a new force in Bristol street art and graffiti writing, expanding his range and pushing boundaries with every new piece he creates. He is perhaps better known for his portrait pieces, that seem to capture the subject in an unconventional pose, but he has been working on his writing too recently.

Mind 49, Greenbank, Bristol, February 2024
Mind 49, Greenbank, Bristol, February 2024

This recent piece, on the ever-diminishing hoarding which borders the Chocolate Factory development, demonstrates perfectly Mind 49’s writing style. Spelling out MInD, the letters are beautifully filled with a beautifully selected set of soft colours, which abut with one another with lines, stars and circles. Great drop-shadows, borders and decorations finish the job off nicely. We are lucky to have Mind 49 hitting a bit of a purple patch… long may it last.

5882. St Werburghs tunnel (411)

Haka, St Werburghs, Bristol, February 2024
Haka, St Werburghs, Bristol, February 2024

I was fortunate yesterday in being in the right place at the right time and bumped into Inkie, Sepr and Haka who were painting a wall alongside the M32, I think with some links to St Patrick’s Day, or at least that is what Inkie implied. I managed to have a quick chat with Haka who continues to smash it with his writing/character combination pieces, heavily influenced by the picture books in his household.

Haka, St Werburghs, Bristol, February 2024
Haka, St Werburghs, Bristol, February 2024

This wonderful piece, painted as part of Ryder’s RAW paint jam, features The Very Busy Spider, created by Eric Carle (author and illustrator of The Hungry Caterpillar).Bookended by the letters HA-KA, the spider is waiting patiently in its web, faithful to the style of the illustrator. A fun piece that sadly didn’t last very long.

5881. Picton Lane (18)

Amy Magee, Picton Lane, Bristol, February 2024
Amy Magee, Picton Lane, Bristol, February 2024

One of the most fulfilling things about wandering around the known street art spots in Bristol is finding pieces that are beyond my expectations. I mean that I can go to spots and either be searching for something specific that I have seen on social media or be pretty sure what kind of artwork I am likely to find and by whom. So when an outlier like this one by Amy Magee comes along, I get extra excited.

Amy Magee, Picton Lane, Bristol, February 2024
Amy Magee, Picton Lane, Bristol, February 2024

Although Amy Magee comes from Bristol, I am not familiar with her work and I don’t recall seeing anything by her before, and I suspect that she doesn’t often paint walls. This beautiful portrait piece was painted alongside a piece by Kosc, and I am guessing they were painted at the same time, with Kosc sharing one of his favourite spots with Amy Magee.

Amy Magee, Picton Lane, Bristol, February 2024
Amy Magee, Picton Lane, Bristol, February 2024

The portrait is stunning and is greatly enhanced by the colourful surrounding wisps of cloud and the atmosphere generated. The beautifully proportioned subject has a wistful expression, and incredible eye makeup. It would appear that colour is very important in Amy Magee’s work, which comes across in this piece. I hope that this adventure into painting a mural on the streets isn’t a one-off, and would encourage her to do it again – perhaps at this year’s Upfest.

5880. Greenbank (109)

Slakarts, Greenbank, Bristol, February 2024
Slakarts, Greenbank, Bristol, February 2024

I am very pleased to see that Slakarts appears to have a little bit of time on his hands and has been painting a few pieces recently. For fans of his work, this is of course great news, although it might indicate a slackening off of his work, which might not be so good. I would like to think it represents a good work/life balance.

Slakarts, Greenbank, Bristol, February 2024
Slakarts, Greenbank, Bristol, February 2024

This piece is a little more considered than some of his archetypal ‘mega-tag faces’, and carries a pretty strong message in today’s context. The character appears to be reading ‘War and Peace’, although he is in fact reading two different books, ‘War’, and ‘Peace’. It is encouraging to see that the larger volume is on Peace, but distressing to see the character reading War. The line-drawing style of the piece is brilliantly executed, being tight and tidy. Watch out for more from Slakarts coming soon.

5879. M32 Cycle path (255)

Todoaciem, M32 Cycle path, Bristol, February 2024
Todoaciem, M32 Cycle path, Bristol, February 2024

There is something visually poetic about great calligraffiti, and whilst not always the easiest on the eye, it somehow feels like it is at the ‘high-brow’ end of graffiti writing. Whatever one’s opinion on the final product, there is a lot of control, discipline and skill required to create a stand-out piece of calligraffiti.

Todoaciem, M32 Cycle path, Bristol, February 2024
Todoaciem, M32 Cycle path, Bristol, February 2024

Todoaciem is one of two top-class calligraffiti artists in Bristol, and this piece on the M32 Cycle path amply demonstrates his quality. Painting in blue and yellow, a combination he has used to good effect before, Todoaciem has letters that stand out, because of their contrast, the yellow providing a drop shadow for the blue letters. A tidy piece from a skilled writer.

5878. Dean Lane skate park (695)

Hire, Dean Lane, Bristol, February 2024
Hire, Dean Lane, Bristol, February 2024

When I think about Hire’s art, I pretty much always visualise it in Dean Lane, and although he has painted other spots in Bristol, it is his favoured spot. This long piece of graffiti writing spells out ODIAH. I am not sure why Hire sometimes writes the word, and I have checked in Google translate that it isn’t a Polish word – something to ask him next time I see him.

Hire, Dean Lane, Bristol, February 2024
Hire, Dean Lane, Bristol, February 2024

Hire has prepped the wall nicely in this writing/character combination piece, creating something that is neat, clean and tidy. I suspect that writing on brick walls is a little easier as the uniformity of the letters can be measured on the brick courses, making things easy on the eye. I have no idea what the panda is all about, but it looks a little menacing, with its eye patch (clever) and broken bottle. It is always good to find Hire’s work, always.

5877. St Werburghs tunnel (410)

Lokey, St Werburghs, Bristol, February 2024
Lokey, St Werburghs, Bristol, February 2024

A couple of weeks ago, Ryder organised a massive Read and Weep (RAW) paint jam in St Werburghs tunnel, drawing artists from Bristol and beyond, to congregate in the darkness and damp and produce some amazing art in a party atmosphere. One of the artists, who doesn’t paint nearly often enough, was Lokey.

Lokey, St Werburghs, Bristol, February 2024
Lokey, St Werburghs, Bristol, February 2024

Lokey has a special place in Bristol graffiti writing, because, other than Zase perhaps, he is the only artist who paints his letters in an anamorphic style. Anamorphic in this sense means that the letters appear to stand out from the wall, almost as if you are looking through 3D glasses. It is on the same spectrum of art as trompe l’oeil, designed to deceive and confuse the eye. Clever stuff, and always very welcome.

5876. Sparke Evans Park (694)

Evey, Sparke Evans Park, Bristol, February 2024
Evey, Sparke Evans Park, Bristol, February 2024

This is a really interesting paint jam piece from Evey, celebrating Desi’s and her own birthday a few weeks back. The reason that it is interesting is that Evey has gone with a totally different style of graffiti writing from her comfort zone. This piece is a little bit more ‘hard-core’ and traditional, demonstrating her growing confidence and skills with a spray can.

Evey, Sparke Evans Park, Bristol, February 2024
Evey, Sparke Evans Park, Bristol, February 2024

I would say that this is a really great piece of writing, although I feel the bottom half is stronger than the top half, which may have something to do with the colour selections. The bottom half pops, the top half less so. This phenomenon is not peculiar to Evey, I see this in quite a lot of pieces of writing, where the top half drifts a bit. More contrast with the background might do the trick… but what do I know?

5875. Cattle Market Road (16)

Mr Crawls and Mote, Cattle Market Road, Bristol, February 2024
Mr Crawls and Mote, Cattle Market Road, Bristol, February 2024

The ‘dynamic duo’ continue to entertain us with their increasingly frequent monster/character collaborations. Since Mr Crawls and Mote teamed up, they have been creating some fabulous monster pieces spread around the city and they don’t appear to have a favourite spot, so finding them seems to be a bit of a random process.

Mr Crawls and Mote, Cattle Market Road, Bristol, February 2024
Mr Crawls and Mote, Cattle Market Road, Bristol, February 2024

This one, on the ever-shrinking hoardings behind Temple Meads station, features a bird from Mr Crawls and a monster from Mote, set perfectly on a chrome background, something they seem to enjoy adopting in their work. As they continue to work together, they are learning from one another, and here they have gone with a black border that matches in thickness, and draws the collaboration together. I have plenty more pieces in the can waiting for posting.