Klashwhensober, M32 Cycle path, Bristol, November 2023
A couple of quick ones from Klashwhensober who has been keeping a steady flow of pieces coming off the conveyor belt through the whole of 2023, almost unrelenting. Through that time he has been exploring a lot of new ideas and improving along the way.
Klashwhensober, M32 Cycle path, Bristol, November 2023
This one on the cycle path is really nicely finished, which can’t necessarily be said for all of his pieces. The eye is immediately drawn to the face in the middle of the ‘O’, which creates a strong focal point. The colours are interesting, and I am not sure I would have used pink against the orange, but it seems to work ok.
Klashwhensober, M32 Cycle path, Bristol, November 2023
I find I have to combine pieces by Klashwhensober, because if I didn’t i would probably never post them such is the high volume of pieces he produces. This one is more in the classic style of the artist with strong black letters with blue patterning and drop shadows. The orange and yellow spotty background helps the letters to stand out a little. There is so much more to post from Klashwhensober, so watch this space.
This year has seen the emergence of a powerhouse of collaborative graffiti writing and scenes from Dibz and Fade putting together some epic walls. Their drive and commitment has been unrelenting, and 2023 has been a special year in Bristol because of it. In this collaboration, they have been joined by Sikoh.
Dibz and Sikoh, Dean Lane, Bristol, November 2023
This watery piece is yet another perfect example of their collaborative style. Dibz’ letters are submerged under the waves, with just a little bit of pink breaking the surface, which is really cleverly done. there is a strong sense of swell and movement from the waves.
Sikoh, Dean Lane, Bristol, November 2023
In the centre is a character, which according to Sikoh’s Instagram is a water bear pig, whatever one of those is. Naturally, the water creature is holding a spray can which is squirting bubbles. The bubbles are exquisitely painted. This is something of a rare appearance by Sikoh, whose work is always superb.
Fade, Dean Lane, Bristol, November 2023
Rounding off the triptych is some great writing from Fade, which, like Dibz’, is largely submerged, with a little bit of pink breaking the surface. Fade has incorporated lots of arrows, perhaps indicating the fluidity of the underwater scene. A fine collaboration.
Mr Crawls and Mote, Peel Street Green, Bristol, November 2023
One of the most entertaining and, on reflection, most likely collaborative partnerships is that between Mote and Mr Crawls. The biggest surprise is perhaps that this coming together hadn’t happened Sooner. This is the second collaborative piece that I have posted, and I have another waiting to post, although that one is rather badly tagged.
Mr Crawls and Mote, Peel Street Green, Bristol, November 2023
To the left, Mr Crawls has come up with something really unusual, and for once not a bird. Quite what it is, though, I am not sure. Bones, horns, a muzzle with sharp teeth – a rather nasty monster. Next tom this imaginary beast is a bird monster by Mote, looking a little more evil than some of his character creations – perhaps it is the company it is keeping. This motley duo (the characters, not the artists) prop up the far end of the long wall at Peel Street Green.
As we approach Christmas and the end of the year, I expect my posts to get slightly shorter, possibly a little bit more reflective, and maybe even a little bit rushed. I suffer from ‘ground rush’ before breaking up for a holiday period, when a whole bunch of work needs to be tied up and out of the door in an ever-diminishing time slot. Alright, I get it, I am getting my excuses in early, and that is the way I roll.
Zake, Brunel Way, Bristol, November 2023
Zake has had an extraordinary 2023, where his work has not only been more frequent, but it has blossomed, and he is pushing all of his boundaries to develop his unique portrait style. I first became aware of his work through his column pieces under the M32 in May 2018, and they have been a regular feature ever since, as you can see in this updated gallery of his work. There is lots of depth created by light and shadow in this piece, and a fair amount of expression in those wild staring eyes.
Desi, Lupa, Pekoe and Evey, Cumberland Basin, Bristol, November 2023
The Resting Bitch Face (RBF) crew have been seriously busy this year, and giving PWA a good run for their money. In this recent paint jam, the ladies have shown their support for the people of Palestine, by incorporating the colours of the Palestinian flag into the piece. There have been so many protest pieces about the war in Palestine, and as I have mentioned many times before, street art captures the mood of the moment and provides a running social commentary, which I have the privilege of photographing and recording before it disappears under ever-increasing layers of paint. This grouping of four of the artists, Desi, Lupa, Pekoe and Evey was in addition to others from RBF (posts to follow).
Desi, Cumberland Basin, Bristol, November 2023
On the left, Desi ha painted another of her VEIL pieces, and it now feels like an eternity since she last painted DESI – she appears to have well and truly moved on. Her colours are those that are adopted across the whole collaboration, namely chrome and gold, a very striking combination. This is a nice tidy piece from Desi, enhanced with some pink and purple spots and circles around the writing.
Lupa, Cumberland Basin, Bristol, November 2023
Lupa, I guess like all the RBF artists, is painting more often, and I am enjoying seeing more of her work about the place. This is a nice tidy piece incorporating her trademark ‘U’ character – her work certainly lends itself to the saying ‘less is more’, where her big fat letters with simple designs, hit home. A little bit more practice with her white boundary lines would lift the whole thing to another level.
Pekoe, Cumberland Basin, Bristol, November 2023
Pekoe has been turning out some exceptional work this autumn/winter, and this portrait is right out of the top drawer. There are minimal decorations on the face, which is a simple solid gold face with features picked out in black. The lips are painted with the Palestinian flag, and the colours are repeated as peace symbols around the portrait. The highlight of the piece for me is the bunches, studded with gold balls – it just looks brilliant and is a really memorable image.
Evey, Cumberland Basin, Bristol, November 2023
Finally, Evey, whose work has stepped up a level this year, has painted a clean and crisp piece with some fabulous features. Evey has chosen to write all her letters in chrome and to accompany them with some golden touches to bring them to life, including a crown and an exclamation mark, the dot of which has the colours of Palestine. A nice red, white and green RBF rounds off the right-hand end of this impressive wall. Bravo RBF!
Even when he paints a smaller, simpler piece, Hire puts in admirable effort, and I am not too sure that the words ‘quick one’ come into his vocabulary or thinking. In case it wasn’t obvious enough from the letters, Hire belongs to the BF crew, and occasionally substitutes his HIRE lettering for BF.
Hire, Dean Lane, Bristol, November 2023
Starting with the background, Hire pretty much always paints on a prepped wall, to help his letters stand out from the surrounding graffiti ‘noise’. His chrome letters are lifted by the clever use of the green and purple patterning that sits behind them, and the fine white lines bring a little bit of definition to the piece. Fantastic, thoughtful work from Hire and a great shout out to BF.
Unity is smashing it out of the park these days, and to my huge joy, seems to be painting in Bristol a little bit more frequently than she has in the past… it is probably down to the sheer volume of RBF birthday celebration paint jams.
Unity, Frome Side, Bristol, November 2023
This Rugrats piece is simply brilliant, with Chuckie taking centre stage, along with an obligatory spray can. The character is wonderfully recreated, and the letters that Unity has written are outstanding. Polished off with a white flash, blue background and some building blocks, the whole thing is a visual feast, beautifully painted. It is a pity that it is painted in a spot where so few people will get to see it up close.
There is a special reason for really admiring this piece by Slakarts, and that is the skill with which he has painted this roughly textured and flaky hoarding without appearing to compromise his final outcome in the slightest. The piece jumps out from the wall and oozes quality.
Slakarts, M32 Cycle path, Bristol, November 2023
Slakarts, as I have mentioned recently, has seriously taken his foot off the gas with his street pieces, so it is always a real treat to find one. The piece tends towards the abstract, merging a couple of his iconic stylised faces into one. The yellow and green colour combination works particularly well on this rather dreary wall. Great stuff from Slakarts.
One of the unwritten rules of photographing street art is always take pictures when you can, even if street furniture is in the way, because if you wait the piece might not still be there at all when you return. It is annoying that there is an obstruction in front of Rusk’s piece in this collaboration with T-Rex, but that is the reality, and it is the best picture I have.
T-Rex, M32 Spot, Bristol, November 2023
T-Rex has been able to get out a fair bit this autumn, which is really great to see as moments will be limited with a little one to look after. Everything that T-Rex does so well is here to feast on, great letters, fabulous fills, a funky drop shadow in pink and black and of course the Tyrannosaurus Rex character. Lovely work.
Rusk, M32 Spot, Bristol, November 2023
Rusk has been so busy lately, in fact I can’t remember a time when he has been out painting so regularly. As precise as ever, this piece has a distinctive mid line running horizontally through the letters, with little flashes of white along it giving the impression of a shiny flat metallic surface, clever stuff. Great to see these two out painting together.
I did a double take when I first set eyes on this piece, because the first thought that came into my head was that this was a piece by Subtle (what has happened to him?), and although there is plenty here to support that thought it quickly became obvious that this was another chunky Cobo piece.
Cobo, Greenbank, Bristol, November 2023
The richly coloured letters spell out COBER, and are big and bold, almost like rocks. The little character looks a bit like a seal or a dog, but they can both look alike, so I am not going to fixate about it. Overall this is a strong piece from Cobo who seems to be getting into a bit of a rhythm with a series of great pieces recently.
Natural adventures 