I simply fail to understand how I managed not to post this absolute cracker by Face 1st back in February 2022. It has been lurking in my archive, screaming to be released and shared, and now at last is liberated, and just look at how happy those girls are.
Face 1st, M32 roundabout, Bristol, February 2022
I definitely noticed that nearly all Face 1st’s work last year was overflowing with joy, and this piece early on in the year certainly set the tone. To me this is brilliant, and one of my favourite Face 1st pieces ever. The colours are sensational, and the positive and mischievous energy flying off the wall is a pleasure to observe. What an absolute blast!
Another fine piece that got overlooked in my February postings last year is this magnificent work from Saor. On a dull winter day, the orange elements of the piece really cut through and draw the eye in. The piece was painted alongside NTS crew mate Mudra.
Saor, Dean Lane, Bristol, February 2022
I may have said it before, but Saor’s style reminds me quite a lot of Epok’s work (what has happened to Epok – I wonder). The concept is highly designed and very cleanly finished, almost as if it was painted with fine brushes. I particularly like the shadow behind the right-hand side of the orange letters. As always from Saor, a nicely conceived piece, brilliantly executed.
Face 1st, Kool Hand and Soap, Sparke Evans Park, Bristol, January 2022
I think that 2022 was the most prolific year for Bristol street/graffiti art ever. More artists joined the already large cohort, and it would seem that many of them painted more often than before. Of course, this is counterbalanced a little by the departure of some artists, and others going to ground for sustained periods. Overall, though, it was a bumper year. What this means is that there are way too many great pieces that were left ‘on the cutting room floor’, so the next few posts will be an attempt to dig out some of the pieces I simply didn’t have time to post during the year. Starting in January 2022 with this splendid collaboration between Face 1st, Kool Hand and Soap.
Face 1st, Sparke Evans Park, Bristol, January 2022
I have a feeling that the reason I didn’t post this at the time is that my first round of photographs were sun/shade impacted – this is a spot to be photographed on dull days. To the left is a typically happy piece from Face 1st, that really set the tone for the joy he spread for the rest of the year.
Kool Hand, Sparke Evans Park, Bristol, January 2022
The middle section was painted by Kool Hand, with this really on-point crocodile holding a marker pen. I was chatting with Face 1st earlier this week, and he said that he felt that this piece really demonstrated how Kool Hand had moved up a level, and I would definitely agree.
Soap, Sparke Evans Park, Bristol, January 2022
Finally, (and it is always finally, because Soap always paints on the right-hand side of a collaboration) we have a superbly expressive piece of writing from Soap, one of his very best, in my opinion, with stacks of movement and interest. Even if you can’t quite read his letters, he has signed the piece with his tag three times for good measure. I am so sorry you have had to wait a whole year for this one.
This is an absolute beauty from Kosc, who has been dazzling us all year with his outstanding craft and innovation. The stylised portrait and writing piece has overtones of American art deco about it and reminds me of the Chrysler building in New York.
Kosc, M32 roundabout, Bristol, December 2022
The grey and white colour selection is a combination that works really well together, creating a metallic appearance through the whole piece. Set on a muddy green background, the piece is modest and yet highly impressive. Another outstanding piece from Kosc.
I love a good mural every now and again, and I was pleasantly surprised by this lovely piece by Conrico hidden away in Picton Lane. I haven’t visited the lane in quite a while, so am not sure when this was painted, but I hadn’t been aware of it on social media at all.
Conrico, Picton Lane, Bristol, December 2022
Taking up the whole side wall of a building, the tranquil; piece depicts a railway passing through a small settlement and disappearing into the purple mountains in the distance. The artwork has a naïve style with a little bit of flexibility on perspectives and so on.
Conrico, Picton Lane, Bristol, December 2022
Overall, the mural is a ray of sunshine, breathing life into a wall that would otherwise be rather dull. Conrico has been busy with commissions this year, which can only be a good thing for him and for us.
Klashwhensober, St Werburghs, Bristol, December 2022
I think that it is probably safe to say that Klashwhensober has had a great year and that he is likely to have been Bristol’s most productive graffiti writer in 2023. I have been doing a bit of a trawl through my archives, and will shortly be sharing a host of pieces by Klashwhensober that never made it into this blog.
Klashwhensober, St Werburghs, Bristol, December 2022
This recent piece in the tunnel, spelling SOBER, is a stunner in which Klashwhensober has gone for a vertical split with the colouring (that faithful combo of pink and blue), and a smoking ‘volcanic’ rift between the two halves of the piece. This is beautifully painted and presented and offers real depth and movement. Fine work indeed. Look out for a Klashwhensober post in a few days.
Kid Krishna, Cheltenham Road, Bristol, December 2022
It would seem that Kid Krishna ‘owns’ the walls either side of Boston Tea Party on Cheltenham Road, as there are pieces by the artist either side of the entrance, and both of them are character pieces, rather than the stylised writing we are more familiar with. This piece is to the left of the entrance, and is a bit of a stunner.
Kid Krishna, Cheltenham Road, Bristol, December 2022
Of course, there is more than just a passing nod to Vaughn Bode’s Cheech Wizard character in this piece, with the addition of some curious camera or lens in the middle. This is a beautifully crafted piece and one of my favourites from last year.
I am really confused about one thing, though. One time I drove past this piece when it was being painted, I saw a woman painting it, or at least I thought I did. I might have been mistaken, and my eyes aren’t getting any younger, but if I am right, then Kid Krishna might be female. Either Paul H can put me straight, or I will just have to find Kid Krishna at work.
It was dark, and I was Christmas shopping when I passed by this shutter piece by Taboo in Nelson Street. I haven’t seen the piece in daylight since, so I don’t really know if the colours are a true representation in these pictures.
Taboo, Nelson Street, Bristol, December 2022
Taboo does paint rather a lot of shutters, and it would seem that he enjoys it, although it can’t be easy to do them, because of the textured surface. In common with several of his works, Taboo has incorporated a trippy Mickey Mouse character into his unruly letters. There is always so much to look at and admire in Taboo’s work, and I love the smiley peeping the first letter and the long ghoul-like fingers. I have been bamboozled by the letters, and am not too sure what they spell, APOS or OPOS maybe? A nice piece nonetheless.
I was a late adopter of these wonderful boards on the side of the Lost Horizon Arts Centre – somehow I just didn’t discover them until about a year ago. Now, Elton Street is definitely on my radar, and has become a refreshing outdoor gallery that tends not to get tagged, where the artworks remain intact until they are simultaneously repainted in a curated way.
Merny, Elton Street, Bristol, December 2022
This is a fine commentary piece by Merny, who tends to see the world through a socio-political lens. In this piece, the blue man is filming/photographing other people. I guess it is demonstrating that in this digital age, everything is recorded in one way or another, there is no privacy or freedom from the camera lens gaze. “We’re watching you” happens on a personal as well as institutional level. A lovely piece from Merny.
There was a little bit of an RBF crew party in the tunnel just before Christmas, with a great turnout, and one of the artists, whose work I have not seen much of, is Wispa. Her writing and character might have been the pick of the bunch on account of the snowman, I mean who can resist this guy at Christmas?
Wispa, St Werburghs, Bristol, December 2022
Wispa is clearly an accomplished writer who typically writes WISP and occasionally adds a character, and with this piece she has smashed both. The letters are nice ones to play with, and give plenty of scope for fills, curves and straight lines. The triple border works really well, picking out the letters and helping them to stand out from the wall.
Wispa, St Werburghs, Bristol, December 2022
Raymond Briggs, may he rest in peace, would have loved this faithful rendition of his loveable character, right down to the cross-hatching on his hat and scarf. This is a fabulous Christmas piece from Wispa. I hope she comes back to Bristol soon with more great work.
Natural adventures 